in Wych Street, Drury Lane; and was about to enter his workshop, when, not hearing any sound of labour issue from within, he began to suspect that an apprentice, of whose habits of industry he entertained some doubt, was neglecting his employment. Impressed with this idea, he paused for a moment to listen. But finding all continue silent, he cautiously lifted the latch, and crept into the room, resolved to punish the offender in case his suspicions should prove correct.
The chamber, into which he stole, like all carpenters’ workshops, was crowded with the implements and materials of that ancient and honourable art. Saws, hammers, planes, axes, augers, adzes, chisels, gimblets, and an endless variety of tools were ranged, like a stand of martial weapons at an armoury, in racks against the walls. Over these hung levels, bevels, squares, and other instruments of measurement. Amid a litter of nails without heads, screws without worms, and locks without wards, lay a glue-pot and an oilstone, two articles which their owner was wont to term “his right hand and his left.” On a shelf was placed a row of paint-jars; the contents of which had been daubed in rainbow streaks upon the adjacent closet and window sill. Divers plans and figures were chalked upon the walls; and the spaces between them were filled up with an almanack for the year; a godly ballad, adorned with a rude wood-cut, purporting to be “The History of Chaste Susannah;” an old print of the Seven Golden Candlesticks; an abstract of the various Acts of Parliament against drinking, swearing, and all manner of profaneness; and a view of the interior of Doctor Daniel Burgess’s Presbyterian meeting-house in Russell Court, with portraits of the reverend gentleman and the principal members of his flock. The floor was thickly strewn with sawdust and shavings; and across the room ran a long and wide bench, furnished at one end with a powerful vice; next to which three nails driven into the boards served, it would appear from the lump of unconsumed tallow left in their custody, as a substitute for a candlestick. On the bench was set a quartern measure of gin, a crust of bread, and a slice of cheese. Attracted by the odour of the latter dainty, a hungry cat had contrived to scratch open the paper in which it was wrapped, displaying the following words in large characters:—“The History of the Four Kings, or Child’s Best Guide to the Gallows.” And, as if to make the moral more obvious, a dirty pack of cards was scattered, underneath, upon the sawdust. Near the door stood a pile of deal planks, behind which the carpenter ensconced himself in order to reconnoitre, unobserved, the proceedings of his idle apprentice.
Standing on tiptoe, on a joint-stool, placed upon the bench, with his back to the door, and a clasp-knife in his hand, this youngster, instead of executing his appointed task, was occupied in carving his name upon a beam, overhead. Boys, at the time of which we write, were attired like men of their own day, or certain charity-children of ours; and the stripling in question was dressed in black plush breeches, and a gray drugget waistcoat, with immoderately long pockets, both of which were evidently the cast-off clothes of some one considerably his senior. Coat, on the present occasion, he had none, it being more convenient, as well as agreeable to him, to pursue his avocations in his shirtsleeves; but, when fully equipped, he wore a large-cuffed, long-skirted garment, which had once been the property of his master.
The name on the beam
In concealing himself behind the timber, Mr. Wood could not avoid making a slight shuffling sound. The noise startled the apprentice, who instantly suspended his labour, and gazed anxiously in the direction whence he supposed it proceeded. His face was that of a quick, intelligent-looking boy, with fine hazel eyes, and a clear olive complexion. His figure was uncommonly slim even for his age, which could not be more than thirteen; and the looseness of his garb made him appear thinner than he was in reality. But if his frame was immature, his looks were not so. He seemed to possess a penetration and cunning beyond his years — to hide a man’s judgment under a boy’s mask. The glance, which he threw at the door, was singularly expressive of his character: it was a mixture of alarm, effrontery, and resolution. In the end, resolution triumphed, as it was sure to do, over the weaker emotions, and he laughed at his fears. The only part of his otherwise-interesting countenance, to which one could decidedly object, was the mouth; a feature that, more than any other, is conceived to betray the animal propensities of the possessor. If this is true, it must be owned that the boy’s mouth showed a strong tendency on his part to coarse indulgence. The eyes, too, though large and bright, and shaded by long lashes, seemed to betoken, as hazel eyes generally do in men, a faithless and uncertain disposition. The cheek-bones were prominent: the nose slightly depressed, with rather wide nostrils; the chin narrow, but well-formed; the forehead broad and lofty; and he possessed such an extraordinary flexibility of muscle in this region, that he could elevate his eye-brows at pleasure up to the very verge of his sleek and shining black hair, which, being closely cropped, to admit of his occasionally wearing a wig, gave a singular bullet-shape to his head. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d’Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:— faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment. There was all the knavery, and more than all the drollery of a Spanish picaroon in the laughing eyes of the English apprentice; and, with a little more warmth and sunniness of skin on the side of the latter, the resemblance between them would have been complete.
Satisfied, as he thought, that he had nothing to apprehend, the boy resumed his task, chanting, as he plied his knife with redoubled assiduity, the following — not inappropriate strains:—
THE NEWGATE STONE.
When Claude Du Val was in Newgate thrown,
He carved his name on the dungeon stone;
Quoth a dubsman, who gazed on the shattered wall,
“You have carved your epitaph, Claude Du Val,
With your chisel so fine, tra la!”
“This S wants a little deepening,” mused the apprentice, retouching the letter in question; “ay, that’s better.”
Du Val was hang’d, and the next who came
On the selfsame stone inscribed his name:
“Aha!” quoth the dubsman, with devilish glee,
“Tom Waters your doom is the triple tree! With your chisel so fine, tra la!”
“Tut, tut, tut,” he cried, “what a fool I am to be sure! I ought to have cut John, not Jack. However, it don’t signify. Nobody ever called me John, that I recollect. So I dare say I was christened Jack. Deuce take it! I was very near spelling my name with one P.
Within that dungeon lay Captain Bew,
Rumbold and Whitney — a jolly crew!
All carved their names on the stone, and all
Share the fate of the brave Du Val!
With their chisels so fine, tra la!
“Save us!” continued the apprentice, “I hope this beam doesn’t resemble the Newgate stone; or I may chance, like the great men the song speaks of, to swing on the Tyburn tree for my pains. No fear o’ that. — Though if my name should become as famous as theirs, it wouldn’t much matter. The prospect of the gallows would never deter me from taking to the road, if I were so inclined.
Full twenty highwaymen blithe and bold,
Rattled their chains in that dungeon old;
Of all that number there ‘scaped not one
Who carved his name on the Newgate
