The Essential Works of William Harrison Ainsworth. William Harrison Ainsworth
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That in agony, in terror,
In her blind perplexity,
Wandering weak in doubt and error,
Calleth feebly upon thee.
Sinful thoughts, sweet saint, oppress me,
Thoughts that will not be dismissed;
Temptations dark possess me,
Which my strength may not resist.
I am full of pain, and weary
Of my life; I fain would die:
Unto me the world is dreary;
To the grave for rest I fly.
For rest! — oh! could I borrow
Thy bright wings, celestial dove!
They should waft me from my sorrow,
Where peace dwells in bowers above.
Upon one with woes o’erladen,
Kneeling lowly at thy shrine;
Sainted virgin! martyr’d maiden!
Let thy countenance incline!
Mei miserere Virgo, Requiem æternam dona!
By thy loveliness, thy purity,
Unpolluted, undefiled,
That in serene security
Upon earth’s temptations smiled; —
By the fetters that constrain’d thee,
By thy flame-attested faith,
By the fervor that sustain’d thee,
By thine angel-ushered death; —
By thy soul’s divine elation,
‘Mid thine agonies assuring
Of thy sanctified translation
To beatitude enduring; —
By the mystic interfusion
Of thy spirit with the rays,
That in ever bright profusion
Round the Throne Eternal blaze; —
By thy portion now partaken,
With the pain-perfected just;
Look on one of hope forsaken,
From the gates, of mercy thrust.
Upon one with woes o’erladen,
Kneeling lowly at thy shrine,
Sainted virgin! martyr’d maiden!
Let thy countenance incline!
Ora pro me mortis horâ! Sancta Virgo, oro te! Kyrie Eleison!
The sweet, sad voice of the singer died faintly away. The sharpness of her sorrow was assuaged. Seldom, indeed, is it that fervent supplication fails to call down solace to the afflicted. Sybil became more composed. She still, however, trembled at the thoughts of what remained to be done.
“They will be here ere my prayer is finished,” murmured she —“ere the end is accomplished for which I came hither alone. Let me, oh! let me make my peace with my Creator, ere I surrender my being to His hands, and then let them deal with me as they will.” And she bowed her head in lowly prayer.
Again raising her hands, and casting her eyes towards the black ceiling, she implored, in song, the intercession of the saintly man who had bequeathed his name to the cell.
HYMN TO SAINT CYPRIAN
Hear! oh! hear me, sufferer holy,
Who didst make thine habitation
‘Mid these rocks, devoting wholly
Life to one long expiation
Of thy guiltiness, and solely
By severe mortification
Didst deliver thee. Oh! hear me!
In my dying moments cheer me.
By thy penance, self-denial,
Aid me in the hour of trial.
May, through thee, my prayers prevailing
On the Majesty of Heaven,
O’er the hosts of hell, assailing
My soul, in this dark hour be driven!
So my spirit, when exhaling,
May of sinfulness be shriven,
And His gift unto the Giver
May be rendered pure as ever!
By thy own dark, dread possession,
Aid me with thine intercession!
Scarcely had she concluded this hymn, when the torch of the knight of Malta in part dissipated the gloom that hung around the chapel.
CHAPTER 11
THE BRIDAL
Cari. I will not die; I must not. I am contracted To a young gentleman.
Executioner. Here’s your wedding-ring.
Duchess of Malfy.
Slowly did the train descend; solemnly and in silence, as if the rites at which they were about to assist had been those of funereal, and not of nuptial, solemnization. Indeed, to look upon those wild and fierce faces by the ruddily-flashing torchlight, which lent to each a stern and savage expression; to see those scowling visages surrounding a bride from whose pallid cheeks every vestige of color, and almost of animation, had fled; and a bridegroom, with a countenance yet more haggard, and demeanor yet more distracted — the beholder must have imagined that the spectacle was some horrible ceremonial, practised by demons rather than human beings. The arched vault, the pillars, the torchlight, the deep shadows, and the wild figures, formed a picture worthy of Rembrandt or Salvator.
“Is Sybil within the chapel?” asked Barbara.
“I am here,” returned a voice from the altar.
“Why