The Essential Works of William Harrison Ainsworth. William Harrison Ainsworth

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certain scandalous chronicles to which we have had access, he was for some time the favored lover of a celebrated actress, who, for the time, supplied him with the means of keeping up his showy establishment. But things could not long hold thus. Tom was a model of infidelity, and that was the only failing his mistress could not overlook. She dismissed him at a moment’s notice. Unluckily, too, he had other propensities which contributed to involve him. He had a taste for the turf — a taste for play — was well known in the hundreds of Drury, and cut no mean figure at Howell’s, and the faro tables there-anent. He was the glory of the Smyrna, D’Osyndar’s, and other chocolate houses of the day; and it was at this time he fell into the hands of certain dexterous sharpers, by whom he was at first plucked and subsequently patronized. Under their tuition he improved wonderfully. He turned his wit and talent to some account. He began to open his eyes. His nine days’ blindness was over. The dog saw. But, in spite of his quickness, he was at length discovered, and ejected from Howell’s in a manner that left him no alternative. He must either have called out his adversary, or have gone out himself. He preferred the latter, and took to the road; and in his new line he was eminently successful. Fortunately, he had no scruples to get over. Tom had what Sir Walter Scott happily denominates “an indistinct notion of meum and tuum,” and became confirmed in the opinion that everything he could lay hands upon constituted lawful spoil. And then, even those he robbed, admitted that he was the most gentlemanlike highwayman they had ever the fortune to meet with, and trusted they might always be so lucky. So popular did he become upon the road, that it was accounted a distinction to be stopped by him; he made a point of robbing none but gentlemen, and — Tom’s shade would quarrel with us were we to omit them — ladies. His acquaintance with Turpin was singular, and originated in a rencontre. Struck with his appearance, Dick presented a pistol, and bade King deliver. The latter burst into a laugh, and an explanation immediately ensued. Thenceforward they became sworn brothers — the Pylades and Orestes of the road; and though seldom seen together in public, had many a merry moonlight ride in company.

      Tom still maintained three mistresses, his valet, his groom — tiger, we should have called him — “and many a change of clothes besides,” says his biographer, “with which he appeared more like a lord than a highwayman.” And what more, we should like to know, would a lord wish to have? Few younger sons, we believe, can boast so much; and it is chiefly on their account, with some remote view to the benefit of the unemployed youth of all professions, that we have enlarged so much upon Tom King’s history. The road, we must beg to repeat, is still open; the chances are greater than they ever were; we fully believe it is their only road to preferment, and we are sadly in want of highwaymen!

      To return to Tom as he was in the arbor. Judging from his manner, he appeared to be almost insensible to the presence of his companions, and to be scarcely a partaker in their revelry. His back was towards his immediate neighbor; his glass sparkled untouched at his elbow; and one hand, beautifully white and small, a mark of his birth and breeding —crede Byron — rested upon the edge of the table, while his thin, delicate digits, palpably demonstrative of his faculty of adaptation —crede James Hardy Vaux — were employed with a silver toothpick. In other respects, he seemed to be lost in reverie, and was, in all probability, meditating new exploits.

      Next to King sat our old friend Jerry Juniper; not, however, the Jerry of the gipsies, but a much more showy-looking personage. Jerry was no longer a gentleman of “three outs”— the difficulty would now have been to say what he was “without.” Snakelike he had cast his slough, and rejoiced in new and brilliant investiture. His were “speaking garments, speaking pockets too.” His linen was of the finest, his hose of the smartest. Gay rings glittered on his fingers; a crystal snuff-box underwent graceful manipulation; a handsome gold repeater was sometimes drawn from its location with a monstrous bunch of onions —anglicè, seals — depending from its massive chain. Lace adorned his wrists, and shoes — of which they had been long unconscious — with buckles nearly as large as themselves, confined his feet. A rich-powdered peruke and silver-hilted sword completed the gear of the transmogrified Jerry, or, as he now chose to be designated, Count Albert Conyers. The fact was, that Jerry, after the fracas, apprehensive that the country would be too hot for him, had, in company with Zoroaster, quitted the ranks of the Canting Crew, and made the best of his way to town. A lucky spice on the road set them up; and having some acquaintance with Tom King, the party, on their arrival, sought him out at his customary haunt, D’Osyndar’s, and enlisted under his banners.

      Tom received them with open arms, gave them unlimited use of his wardrobe, and only required a little trifling assistance in return. He had a grand scheme in petto, in the execution of which they could mainly assist him. Jerry was a Greek by nature, and could land a flat as well as the best of them. Zoroaster was just the man to lose a fight; or, in the language of the Fancy, to play a cross. No two legs could serve Tom’s purposes better. He welcomed them with fraternal affection.

      We will now proceed to reconnoitre Jerry’s opposite neighbor, who was, however, no other than that Upright Man,

      The Magus Zoroaster, that great name.

      Changed as was Juniper, the Magus was yet more whimsically metamorphosed. Some traces of Jerry still remained, but not a vestige was left of the original Dimber Damber. His tawny mother had not known her son. This alteration, however, was not owing to change of dress; it was the result of the punishment he had received at the “set-to” at the priory. Not a feature was in its place; his swollen lip trespassed upon the precincts of his nose; his nose trod hard upon his cheek; while his cheek again, not to be behind the rest, rose up like an apple-dumpling under his single eye — single, we say — for, alas! there was no speculation in the other. His dexter daylight was utterly darkened, and, indeed, the orb that remained was as sanguinary a luminary as ever struggled through a London fog at noonday. To borrow a couplet or so from the laureate of the Fancy:

      ———— One of his peepers was put

       On the bankruptcy list, with his shop windows shut,

       While the other made nearly as tag-rag a show,

       All rimmed round with black like the Courier in woe.

      One black patch decorated his rainbow-colored cheek; another adorned his chin; a grinder having been dislodged, his pipe took possession of the aperture. His toggery was that of a member of the prize-ring; what we now call a “belcher” bound his throat; a spotted fogle bandaged his jobbernowl, and shaded his right peeper, while a white beaver crowned the occiput of the Magus. And though, at first sight, there would appear to be some incongruity in the association of such a battered character as the Upright Man with his smart companions, the reader’s wonder will rapidly diminish, when he reflects that any distinguished P. C. man can ever find a ready passport to the most exclusive society. Viewed in this light, Zoroaster’s familiarity with his swell acquaintance occasioned no surprise to old Simon Carr, the bottle-nosed landlord of the Falstaff, who was a man of discernment in his way, and knew a thing or two. Despite such striking evidences to the contrary, the Magus was perfectly at his ease, and sacrificing as usual to the god of flame. His mithra, or pipe, the symbol of his faith,

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