The Rise and Fall of Athens. Эдвард Бульвер-Литтон
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Thus, among the early Greeks, we find the chiefs themselves were contented to offer the sacrifice and utter the prayer; and though there were indeed appointed and special priests, they held no imperious or commanding authority. The Areopagus at Athens had the care of religion, but the Areopagites were not priests. This absence of a priestly caste had considerable effect upon the flexile and familiar nature of the Grecian creed, because there were none professionally interested in guarding the purity of the religion, in preserving to what it had borrowed, symbolical allusions, and in forbidding the admixture of new gods and heterogeneous creeds. The more popular a religion, the more it seeks corporeal representations, and avoids the dim and frigid shadows of a metaphysical belief. 34
The romantic fables connected with the Grecian mythology were, some home-sprung, some relating to native heroes, and incorporating native legends, but they were also, in great measure, literal interpretations of symbolical types and of metaphorical expressions, or erroneous perversions of words in other tongues. The craving desire to account for natural phenomena, common to mankind—the wish to appropriate to native heroes the wild tales of mariners and strangers natural to a vain and a curious people—the additions which every legend would receive in its progress from tribe to tribe—and the constant embellishments the most homely inventions would obtain from the competition of rival poets, rapidly served to swell and enrich these primary treasures of Grecian lore—to deduce a history from an allegory—to establish a creed in a romance. Thus the early mythology of Greece is to be properly considered in its simple and outward interpretations. The Greeks, as yet in their social infancy, regarded the legends of their faith as a child reads a fairy tale, credulous of all that is supernatural in the agency—unconscious of all that may be philosophical in the moral.
It is true, indeed, that dim associations of a religion, sabaean and elementary, such as that of the Pelasgi (but not therefore foreign and philosophical), with a religion physical and popular, are, here and there, to be faintly traced among the eldest of the Grecian authors. We may see that in Jupiter they represented the ether, and in Apollo, and sometimes even in Hercules, the sun. But these authors, while, perhaps unconsciously, they hinted at the symbolical, fixed, by the vitality and nature of their descriptions, the actual images of the gods and, reversing the order of things, Homer created Jupiter! 35
But most of the subtle and typical interpretations of the Grecian mythology known to us at present were derived from the philosophy of a later age. The explanations of religious fables—such, for instance, as the chaining of Saturn by Jupiter, and the rape of Proserpine by Pluto, in which Saturn is made to signify the revolution of the seasons, chained to the courses of the stars, to prevent too immoderate a speed, and the rape of Proserpine is refined into an allegory that denotes the seeds of corn that the sovereign principle of the earth receives and sepulchres 36;—the moral or physical explanation of legends like these was, I say, the work of the few, reduced to system either from foreign communication or acute invention. For a symbolical religion, created by the priests of one age, is reinstated or remodelled after its corruption by the philosophers of another.
XII. We may here pause a moment to inquire whence the Greeks derived the most lovely and fascinating of their mythological creations—those lesser and more terrestrial beings—the spirits of the mountain, the waters, and the grove.
Throughout the East, from the remotest era, we find that mountains were nature’s temples. The sanctity of high places is constantly recorded in the scriptural writings. The Chaldaean, the Egyptian, and the Persian, equally believed that on the summit of mountains they approached themselves nearer to the oracles of heaven. But the fountain, the cavern, and the grove, were no less holy than the mountain-top in the eyes of the first religionists of the East. Streams and fountains were dedicated to the Sun, and their exhalations were supposed to inspire with prophecy, and to breathe of the god. The gloom of caverns, naturally the brooding-place of awe, was deemed a fitting scene for diviner revelations—it inspired unearthly contemplation and mystic revery. Zoroaster is supposed by Porphyry (well versed in all Pagan lore, though frequently misunderstanding its proper character) to have first inculcated the worship of caverns 37; and there the early priests held a temple, and primeval philosophy its retreat 38. Groves, especially those in high places, or in the neighbourhood of exhaling streams, were also appropriate to worship, and conducive to the dreams of an excited and credulous imagination; and Pekah, the son of Remaliah, burnt incense, not only on the hills, but “under every green tree.” 39
These places, then—the mountain, the forest, the stream, and the cavern, were equally objects of sanctity and awe among the ancient nations.
But we need not necessarily suppose that a superstition so universal was borrowed, and not conceived, by the early Greeks. The same causes which had made them worship the earth and the sea, extended their faith to the rivers and the mountains, which in