in it.
'I see what is going on, and I have queer plays in my mind just as you little folks do. Suppose you make this a moral bed-quilt, as some people make album quilts. See how much patience, perseverance, good nature, and industry you can put into it. Every bit will have a lesson or a story, and when you lie under it you will find it a real comforter,' said Aunt Pen, who wanted to amuse the child and teach her something better even than the good old-fashioned accomplishment of needlework.
'I don't see how I can put that sort of thing into it,' answered Patty, as she gently lifted puss into her lap, instead of twitching the red bit roughly from under her.
'There goes a nice little piece of kindness this very minute,' laughed Aunt Pen, pointing to the cat and the red square.
Patty laughed also, and looked pleased as she stroked Mother Bunch, while she said thoughtfully—
'I see what you mean now. I am making two kinds of patchwork at the same time; and this that I see is to remind me of the other kind that I don't see.'
'Every task, no matter how small or homely, that gets well and cheerfully done, is a fine thing; and the sooner we learn to use up the dark and bright bits (the pleasures and pains, the cares and duties) into a cheerful, useful life, the sooner we become real comforters, and every one likes to cuddle about us. Don't you see, deary?'
'That's what you are, Aunt Pen;' and Patty put up her hand to hold fast by that other strong, kind, helpful hand that did so much, yet never was tired, cold, or empty.
Aunt Pen took the chubby little one in both her own, and said, smiling, yet with meaning in her eyes, as she tapped the small fore-finger, rough with impatient and unskilful sewing—
'Shall we try and see what a nice little comforter we can make this month, while you wait to be called home to see mamma and the dear new baby?'
'Yes, I'd like to try;' and Patty gave Aunt Pen's hand a hearty shake, for she wanted to be good, and rather thought the new fancy would lend a charm to the task which we all find rather tiresome and hard.
So the bargain was made, and the patch Patty sewed that day was beautiful to behold; for she was in a delightfully moral state of mind, and felt quite sure that she was going to become a model for all children to follow, if they could. The next day her ardour had cooled a little, and being in a hurry to go out to play, she slighted her work, thinking no one would know. But the third day she got so angry with her patch that she tore it in two, and declared it was all nonsense to fuss about being good and thorough and all the rest of it.
Aunt Pen did not say much, but made her mend and finish her patch and add it to the pile. After she went to bed that night Patty thought of it, and wished she could do it over, it looked so badly. But as it could not be, she had a penitent fit, and resolved to keep her temper while she sewed, at any rate, for mamma was to see the little quilt when it was done, and would want to know all about it.
Of course she did not devote herself to being good all the time, but spent her days in lessons, play, mischief, and fun, like any other lively, ten-year-older. But somehow, whenever the sewing-hour came, she remembered that talk; and as she worked she fell into the way of wondering whether Aunt Pen could guess from the patches what sort of days she had passed. She wanted to try and see, but Aunt Pen refused to read any more calico till the quilt was done: then, she said in a queer, solemn way, she should make the good and bad days appear in a remarkable manner.
This puzzled Patty very much, and she quite ached to know what the joke would be; meantime the pile grew steadily, and every day, good or bad, added to that other work called Patty's life. She did not think much about that part of it, but unconsciously the quiet sewing-time had its influence on her, and that little 'conscience hour,' as she sometimes called it, helped her very much.
One day she said to herself as she took up her work, 'Now I'll puzzle Aunt Pen. She thinks my naughty tricks get into the patches; but I'll make this very nicely and have it gay, and then I don't see how she will ever guess what I did this morning.'
Now you must know that Tweedle-dee, the canary, was let out every day to fly about the room and enjoy himself. Mother Bunch never tried to catch him, though he often hopped temptingly near her. He was a droll little bird, and Patty liked to watch his promenades, for he did funny things. That day he made her laugh by trying to fly away with a shawl, picking up the fringe with which to line the nest he was always trying to build. It was so heavy he tumbled on his back and lay kicking and pulling, but had to give it up and content himself with a bit of thread.
Patty was forbidden to chase or touch him at these times, but always felt a strong desire to have just one grab at him and see how he felt. That day, being alone in the dining-room, she found it impossible to resist; and when Tweedle-dee came tripping pertly over the table-cloth, cocking his head on one side with shrill chirps and little prancings, she caught him, and for a minute held him fast in spite of his wrathful pecking.
She put her thimble on his head, laughing to see how funny he looked, and just then he slipped out of her hand. She clutched at him, missed him, but alas, alas! he left his little tail behind him. Every feather in his blessed little tail, I do assure you; and there sat Patty with the yellow plumes in her hand and dismay in her face. Poor Tweedle-dee retired to his cage much afflicted, and sung no more that day, but Patty hid the lost tail and never said a word about it.
'Aunt Pen is so near-sighted she won't mind, and maybe he will have another tail pretty soon, or she will think he is moulting. If she asks of course I shall tell her.'
Patty settled it in that way, forgetting that the slide was open and Aunt Pen in the kitchen. So she made a neat blue and buff patch, and put it away, meaning to puzzle aunty when the reading-time came. But Patty got the worst of it, as you will see by-and-bye.
Another day she strolled into the store-room and saw a large tray of fresh buns standing there. Now, it was against the rule to eat between meals, and new hot bread or cake was especially forbidden. Patty remembered both these things, but could not resist temptation. One plump, brown bun, with a lovely plum right in the middle, was so fascinating it was impossible to let it alone; so Patty whipped it into her pocket, ran to the garden, and hiding behind the big lilac-bush, ate it in a great hurry. It was just out of the oven, and so hot it burned her throat, and lay like a live coal in her little stomach after it was down, making her very uncomfortable for several hours.
'Why do you keep sighing?' asked Aunt Pen, as Patty sat down to her work.
'I don't feel very well.'
'You have eaten something that disagrees with you. Did you eat hot biscuits for breakfast?'
'No, ma'am, I never do,' and Patty gave another little gasp, for the bun lay very heavily on both stomach and conscience just then.
'A drop or two of ammonia will set you right,' and Aunt Pen gave her some. It did set the stomach right, but the conscience still worried her, for she could not make up her mind to 'fess' the sly, greedy thing she had done.
'Put a white patch in the middle of those green ones,' said Aunt Pen, as Patty sat soberly sewing her daily square.
'Why?' asked the little girl, for aunty seldom interfered in her arrangement of the quilt.
'It will look pretty, and match the other three squares that are going at the corners of that middle piece.'
'Well, I will,' and Patty sewed away, wondering at this sudden interest in her work, and why Aunt Pen laughed to herself as she put
