Belgium. George W. T. Omond

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in a tempest of arrows so thick that men fell from the tops of the French ships like leaves before a storm. The first of the four lines in which Béhuchet had drawn up his fleet was speedily broken, and the English, brandishing their swords and pikes, boarded the French ships, drove their crews overboard, and hoisted the flag of England. King Edward was wounded, and the issue may have been doubtful, when suddenly more ships, coming from the North of England, appeared in sight, and hordes of Flemings from all parts of Flanders, from the coast, and even from inland towns so far away as Ypres,[7] came swarming in boats to join in the attack. This decided the fate of the great battle, which continued till sunset. When it ended, the French fleet had ceased to exist, with the exception of a few ships which escaped when it was dark. The Flemings captured Béhuchet, and hung him then and there. Nearly 30,000 of his men perished, many of whom were drowned while attempting to swim ashore, or were clubbed to death by the Flemings who lined the beach, waiting to take vengeance on the invaders for having burned their homesteads and carried off their flocks. The English lost two ships and 4,000 men; but the victory was so complete that no courtier was bold enough to carry the news to King Philip, who did not know what had befallen his great fleet till the Court jester went to him, and said, 'Oh! the English cowards! the English cowards! they had not the courage to jump into the sea as our noble Frenchmen did at Sluis.'

      It is strange to think that Flemish peasants work, and cattle feed, and holiday visitors from Knocke, or Sluis, or Kadzand ramble about dry-shod where the waves were rolling in on that midsummer's morning, and that far beneath the grass the timbers of so many stout ships and the bones of so many valiant seamen have long since mouldered away. And it is also strange to think, when wandering along the canals of Bruges, where now the swans glide silently about in the almost stagnant water which laps the basements of the old houses, how in the fourteenth and fifteenth centuries ships of every nation carried in great bales of merchandise, and that rich traders stored them in warehouses and strong vaults, which are now mere coal-cellars, or the dark and empty haunts of the rats which swarm in the canals.

      'There is,' says Mr. Robinson, 'in the National Library at Paris a list of the kingdoms and cities which sent their produce to Bruges at that time. England sent wool, lead, tin, coal, and cheese; Ireland and Scotland, chiefly hides and wool; Denmark, pigs; Russia, Hungary, and Bohemia, large quantities of wax; Poland, gold and silver; Germany, wine; Liége, copper kettles; and Bulgaria, furs.' After naming many parts of Europe, Asia, and Africa, that sent goods, the manuscript adds: 'And all the aforesaid realms and regions send their merchants with wares to Flanders, besides those who come from France, Poitou, and Gascony, and from the three islands of which we know not the names of their kingdoms.' The trade of Bruges was enormous. People flocked there from all quarters.

      'Lombard and Venetian merchants with deep-laden argosies;

       Ministers from twenty nations; more than royal pomp and ease.'

      Six years after the Battle of Sluis, Louis of Nevers was killed at Crecy, and his son, Louis of Maele, reigned in his stead as Count of Flanders. He was a Leliart to the core, and his reign of nearly forty years, one long struggle against the liberties of his people, witnessed the capture of Bruges by Philip van Artevelde, the invasion of Flanders by the French, the defeat of the Nationalists, and the death of Van Artevelde on the field of Roosebeke. Nevertheless, during this period and after it Bruges grew in beauty and in wealth. The Hôtel de Ville, without the grandeur of the Hôtel de Ville at Brussels, but still a gem of mediæval architecture, was built on the site of the old 'Ghiselhuis' of Baldwin Bras-de-Fer. Other noble buildings, rich in design and beautiful in all their outlines, and great mansions, with marble halls and ceilings of exquisitely carved woodwork, rose on every side; towers and pinnacles, shapely windows and graceful arches, overhung the waterways; luxury increased; in the homes of the nobles and wealthy merchants were stores of precious stones, tapestries, silk, fine linen, cloth of gold; the churches and many buildings gleamed with gilded stone and tinted glass and brilliant frescoes. Art flourished as the town grew richer. The elder and the younger Van Eyck, Gerard David, and Memlinc, with many others before and after them, were attracted by its splendour, as modern painters have been attracted by its decay; and though the 'Adoration of the Immaculate Lamb' hangs in the choir of St. Bavon at Ghent, the genius which coloured that matchless altar-piece found its inspiration within the walls of Bruges.

      Footnotes

       'BRUGES LA MORTE'

      

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