artist said, a couple of days after this morning, that he had enough of it. “Of course,” he added, “it is a great pleasure to me to sit and talk with Mrs. Benson, while you and that pretty girl walk up and down the piazza all the evening; but I'm easily satisfied, and two evenings did for me.”
So that, much as Mr. King was charmed with Atlantic City, and much as he regretted not awaiting the arrival of the originals of the tintypes, he gave in to the restlessness of the artist for other scenes; but not before he had impressed Mrs. Benson with a notion of the delights of Newport in July.
III. THE CATSKILLS
The view of the Catskills from a certain hospitable mansion on the east side of the Hudson is better than any mew from those delectable hills. The artist said so one morning late in June, and Mr. King agreed with him, as a matter of fact, but would have no philosophizing about it, as that anticipation is always better than realization; and when Mr. Forbes went on to say that climbing a mountain was a good deal like marriage—the world was likely to look a little flat once that cerulean height was attained—Mr. King only remarked that that was a low view to take of the subject, but he would confess that it was unreasonable to expect that any rational object could fulfill, or even approach, the promise held out by such an exquisite prospect as that before them.
The friends were standing where the Catskill hills lay before them in echelon towards the river, the ridges lapping over each other and receding in the distance, a gradation of lines most artistically drawn, still further refined by shades of violet, which always have the effect upon the contemplative mind of either religious exaltation or the kindling of a sentiment which is in the young akin to the emotion of love. While the artist was making some memoranda of these outlines, and Mr. King was drawing I know not what auguries of hope from these purple heights, a young lady seated upon a rock near by—a young lady just stepping over the border-line of womanhood—had her eyes also fixed upon those dreamy distances, with that look we all know so well, betraying that shy expectancy of life which is unconfessed, that tendency to maidenly reverie which it were cruel to interpret literally. At the moment she is more interesting than the Catskills—the brown hair, the large eyes unconscious of anything but the most natural emotion, the shapely waist just beginning to respond to the call of the future—it is a pity that we shall never see her again, and that she has nothing whatever to do with our journey. She also will have her romance; fate will meet her in the way some day, and set her pure heart wildly beating, and she will know what those purple distances mean. Happiness, tragedy, anguish—who can tell what is in store for her? I cannot but feel profound sadness at meeting her in this casual way and never seeing her again. Who says that the world is not full of romance and pathos and regret as we go our daily way in it? You meet her at a railway station; there is the flutter of a veil, the gleam of a scarlet bird, the lifting of a pair of eyes—she is gone; she is entering a drawing-room, and stops a moment and turns away; she is looking from a window as you pass—it is only a glance out of eternity; she stands for a second upon a rock looking seaward; she passes you at the church door—is that all? It is discovered that instantaneous photographs can be taken. They are taken all the time; some of them are never developed, but I suppose these impressions are all there on the sensitive plate, and that the plate is permanently affected by the impressions. The pity of it is that the world is so full of these undeveloped knowledges of people worth knowing and friendships worth making.
The comfort of leaving same things to the imagination was impressed upon our travelers when they left the narrow-gauge railway at the mountain station, and identified themselves with other tourists by entering a two-horse wagon to be dragged wearily up the hill through the woods. The ascent would be more tolerable if any vistas were cut in the forest to give views by the way; as it was, the monotony of the pull upward was only relieved by the society of the passengers. There were two bright little girls off for a holiday with their Western uncle, a big, good-natured man with a diamond breast-pin, and his voluble son, a lad about the age of his little cousins, whom he constantly pestered by his rude and dominating behavior. The boy was a product which it is the despair of all Europe to produce, and our travelers had great delight in him as an epitome of American “smartness.” He led all the conversation, had confident opinions about everything, easily put down his deferential papa, and pleased the other passengers by his self-sufficient, know-it-all air. To a boy who had traveled in California and seen the Alps it was not to be expected that this humble mountain could afford much entertainment, and he did not attempt to conceal his contempt for it. When the stage reached the Rip Van Winkle House, half-way, the shy schoolgirls were for indulging a little sentiment over the old legend, but the boy, who concealed his ignorance of the Irving romance until his cousins had prattled the outlines of it, was not to be taken in by any such chaff, and though he was a little staggered by Rip's own cottage, and by the sight of the cave above it which is labeled as the very spot where the vagabond took his long nap, he attempted to bully the attendant and drink-mixer in the hut, and openly flaunted his incredulity until the bar-tender showed him a long bunch of Rip's hair, which hung like a scalp on a nail, and the rusty barrel and stock of the musket. The cabin is, indeed, full of old guns, pistols, locks of hair, buttons, cartridge-boxes, bullets, knives, and other undoubted relics of Rip and the Revolution. This cabin, with its facilities for slaking thirst on a hot day, which Rip would have appreciated, over a hundred years old according to information to be obtained on the spot, is really of unknown antiquity, the old boards and timber of which it is constructed having been brought down from the Mountain House some forty years ago.
The old Mountain House, standing upon its ledge of rock, from which one looks down upon a map of a considerable portion of New York and New England, with the lake in the rear, and heights on each side that offer charming walks to those who have in contemplation views of nature or of matrimony, has somewhat lost its importance since the vast Catskill region has come to the knowledge of the world. A generation ago it was the centre of attraction, and it was understood that going to the Catskills was going there. Generations of searchers after immortality have chiseled their names in the rock platform, and one who sits there now falls to musing on the vanity of human nature and the transitoriness of fashion. Now New York has found that it has very convenient to it a great mountain pleasure-ground; railways and excellent roads have pierced it, the varied beauties of rocks, ravines, and charming retreats are revealed, excellent hotels capable of entertaining a thousand guests are planted on heights and slopes commanding mountain as well as lowland prospects, great and small boarding-houses cluster in the high valleys and on the hillsides, and cottages more thickly every year dot the wild region. Year by year these accommodations will increase, new roads around the gorges will open more enchanting views, and it is not improbable that the species of American known as the “summer boarder” will have his highest development and apotheosis in these mountains.
Nevertheless Mr. King was not uninterested in renewing his memories of the old house. He could recall without difficulty, and also without emotion now, a scene on this upper veranda and a moonlight night long ago, and he had no doubt he could find her name carved on a beech-tree in the wood near by; but it was useless to look for it, for her name had been changed. The place was, indeed, full of memories, but all chastened and subdued by the indoor atmosphere, which impressed him as that of a faded Sunday. He was very careful not to disturb the decorum by any frivolity of demeanor, and he cautioned the artist on this point; but Mr. Forbes declared that the dining-room
