could be so funny!—Well, enough of those reminiscences. We got to be like brothers. The scoundrel—quite Regency in his notions—tried indeed to deprave me altogether, preached Saint-Simonism as to women, and all sorts of lordly ideas; but, you see, I was fond enough of my girl to have married her, only I was afraid of having children.
“Then between two old daddies, such friends as—as we were, what more natural than that we should think of our children marrying each other?—Three months after his son had married my Celestine, Hulot—I don’t know how I can utter the wretch’s name! he has cheated us both, madame—well, the villain did me out of my little Josepha. The scoundrel knew that he was supplanted in the heart of Jenny Cadine by a young lawyer and by an artist—only two of them!—for the girl had more and more of a howling success, and he stole my sweet little girl, a perfect darling—but you must have seen her at the opera; he got her an engagement there. Your husband is not so well behaved as I am. I am ruled as straight as a sheet of music-paper. He had dropped a good deal of money on Jenny Cadine, who must have cost him near on thirty thousand francs a year. Well, I can only tell you that he is ruining himself outright for Josepha.
“Josepha, madame, is a Jewess. Her name is Mirah, the anagram of Hiram, an Israelite mark that stamps her, for she was a foundling picked up in Germany, and the inquiries I have made prove that she is the illegitimate child of a rich Jew banker. The life of the theatre, and, above all, the teaching of Jenny Cadine, Madame Schontz, Malaga, and Carabine, as to the way to treat an old man, have developed, in the child whom I had kept in a respectable and not too expensive way of life, all the native Hebrew instinct for gold and jewels—for the golden calf.
“So this famous singer, hungering for plunder, now wants to be rich, very rich. She tried her ‘prentice hand on Baron Hulot, and soon plucked him bare—plucked him, ay, and singed him to the skin. The miserable man, after trying to vie with one of the Kellers and with the Marquis d’Esgrignon, both perfectly mad about Josepha, to say nothing of unknown worshipers, is about to see her carried off by that very rich Duke, who is such a patron of the arts. Oh, what is his name?—a dwarf.—Ah, the Duc d’Herouville. This fine gentleman insists on having Josepha for his very own, and all that set are talking about it; the Baron knows nothing of it as yet; for it is the same in the Thirteenth Arrondissement as in every other: the lover, like the husband, is last to get the news.
“Now, do you understand my claim? Your husband, dear lady, has robbed me of my joy in life, the only happiness I have known since I became a widower. Yes, if I had not been so unlucky as to come across that old rip, Josepha would still be mine; for I, you know, should never have placed her on the stage. She would have lived obscure, well conducted, and mine. Oh! if you could but have seen her eight years ago, slight and wiry, with the golden skin of an Andalusian, as they say, black hair as shiny as satin, an eye that flashed lightning under long brown lashes, the style of a duchess in every movement, the modesty of a dependent, decent grace, and the pretty ways of a wild fawn. And by that Hulot’s doing all this charm and purity has been degraded to a man-trap, a money-box for five-franc pieces! The girl is the Queen of Trollops; and nowadays she humbugs every one—she who knew nothing, not even that word.”
At this stage the retired perfumer wiped his eyes, which were full of tears. The sincerity of his grief touched Madame Hulot, and roused her from the meditation into which she had sunk.
“Tell me, madame, is a man of fifty-two likely to find such another jewel? At my age love costs thirty thousand francs a year. It is through your husband’s experience that I know the price, and I love Celestine too truly to be her ruin. When I saw you, at the first evening party you gave in our honor, I wondered how that scoundrel Hulot could keep a Jenny Cadine—you had the manner of an Empress. You do not look thirty,” he went on. “To me, madame, you look young, and you are beautiful. On my word of honor, that evening I was struck to the heart. I said to myself, ‘If I had not Josepha, since old Hulot neglects his wife, she would fit me like a glove.’ Forgive me—it is a reminiscence of my old business. The perfumer will crop up now and then, and that is what keeps me from standing to be elected deputy.
“And then, when I was so abominably deceived by the Baron, for really between old rips like us our friend’s mistress should be sacred, I swore I would have his wife. It is but justice. The Baron could say nothing; we are certain of impunity. You showed me the door like a mangy dog at the first words I uttered as to the state of my feelings; you only made my passion—my obstinacy, if you will—twice as strong, and you shall be mine.”
“Indeed; how?”
“I do not know; but it will come to pass. You see, madame, an idiot of a perfumer—retired from business—who has but one idea in his head, is stronger than a clever fellow who has a thousand. I am smitten with you, and you are the means of my revenge; it is like being in love twice over. I am speaking to you quite frankly, as a man who knows what he means. I speak coldly to you, just as you do to me, when you say, ‘I never will be yours,’ In fact, as they say, I play the game with the cards on the table. Yes, you shall be mine, sooner or later; if you were fifty, you should still be my mistress. And it will be; for I expect anything from your husband!”
Madame Hulot looked at this vulgar intriguer with such a fixed stare of terror, that he thought she had gone mad, and he stopped.
“You insisted on it, you heaped me with scorn, you defied me—and I have spoken,” said he, feeling that he must justify the ferocity of his last words.
“Oh, my daughter, my daughter,” moaned the Baroness in a voice like a dying woman’s.
“Oh! I have forgotten all else,” Crevel went on. “The day when I was robbed of Josepha I was like a tigress robbed of her cubs; in short, as you see me now.—Your daughter? Yes, I regard her as the means of winning you. Yes, I put a spoke in her marriage—and you will not get her married without my help! Handsome as Mademoiselle Hortense is, she needs a fortune——”
“Alas! yes,” said the Baroness, wiping her eyes.
“Well, just ask your husband for ten thousand francs,” said Crevel, striking his attitude once more. He waited a minute, like an actor who has made a point.
“If he had the money, he would give it to the woman who will take Josepha’s place,” he went on, emphasizing his tones. “Does a man ever pull up on the road he has taken? In the first place, he is too sweet on women. There is a happy medium in all things, as our King has told us. And then his vanity is implicated! He is a handsome man!—He would bring you all to ruin for his pleasure; in fact, you are already on the highroad to the workhouse. Why, look, never since I set foot in your house have you been able to do up your drawing-room furniture. ‘Hard up’ is the word shouted by every slit in the stuff. Where will you find a son-in-law who would not turn his back in horror of the ill-concealed evidence of the most cruel misery there is—that of people in decent society? I have kept shop, and I know. There is no eye so quick as that of the Paris tradesman to detect real wealth from its sham.—You have no money,” he said, in a lower voice. “It is written everywhere, even on your man-servant’s coat.
“Would you like me to disclose any more hideous mysteries that are kept from you?”
“Monsieur,” cried Madame Hulot, whose handkerchief was wet through with her tears, “enough, enough!”
“My son-in-law, I tell you, gives his father money, and this is what I particularly wanted to come to when I began by speaking of your son’s expenses. But I keep an eye on my daughter’s interests, be easy.”
“Oh, if I could but see my daughter married, and die!” cried the poor woman, quite losing her head.
“Well, then, this is the way,” said the ex-perfumer.
