Theo. Frances Hodgson Burnett
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Ralph opened his round Saxon eyes, in a manner slightly expressive of general dissatisfaction.
"Why, you're crying!" he said. "Confound crying. You know I don't cry because I can't go to Lincolnshire. You girls are always crying about something. Joanna and Elin cry if their shoes are shabby or their gloves burst out. A fellow never thinks of crying. If he can't get the thing he wants, he pitches in, and does without, or else makes something out of wood that looks like it."
Theo said no more. A summons from the kitchen came to her just then. Pam was busy with the tea-service, and the boys were hungry—so she must go and help.
Pamela glanced up at her sharply as she entered, but she did not speak. She had borne disappointments often enough, and had lived over them to become seemingly a trifle callous to their bitterness in others, and, as I have said, she was prone to silence. But it may be that she was not so callous after all, for at least Theo fancied that her occasional speeches were less sharp, and certainly she uttered no reproof to-night. She was grave enough, however, and even more silent than usual, as she poured out the tea for the boys. A shadow of thoughtfulness rested on her thin sharp face, and the faint, growing lines were almost deepened; but she did not "snap," as the children called it; and Theo was thankful for the change.
It was not late when the children went to bed, but it was very late when Pamela followed them; and when she went up-stairs, she was so preoccupied as to appear almost absent-minded. She went to her room and locked the door, after her usual fashion; but that she did not retire was evident to one pair of listening ears at least. In the adjoining bedroom, where the girls slept, Theo lay awake, and could hear her every movement. She was walking to and fro, and the sounds of opening drawers and turned keys came through the wall every moment. Pamela had unaccountable secret ways, Joanna always said. Her room was a sanctuary, which the boldest did not dare to violate lightly. There were closets and boxes there, whose contents were reserved for her own eyes alone, and questions regarding them seldom met with any satisfactory answer. She was turning over these possessions to-night, Theo judged, from the sounds proceeding from her chamber. To be truthful, Theo had some curiosity about the matter, though she never asked any questions. The innate delicacy which prompted her to reverence the forlorn aroma of long-withered romance about the narrow life had restrained her. But to-night she was so wide-awake, and Joanna and Elin were so fast asleep, that every movement forcing itself upon her ear, made her more wide-awake still. The turning of keys and unlocking of drawers roused her to a whimsical meditative wonder. Poor Pam! What dead memories and coffined hopes was she bringing out to the dim light of her solitary candle? Was it possible that she ever cried over them a little when there was no one to see her relaxing mood? Poor Pam! Theo sighed again, and was just deciding to go to sleep, if possible, when she heard a door open, which was surely Pamela's, and feet crossing the narrow corridor, which were surely Pamela's own, and then a sharp yet soft tap on the door, and a voice which could have been no other than Pamela's, under any possibility.
"Theo!" it said, "I want you for a short time. Get up."
Theo was out upon the floor, and had opened the door in an instant, wider awake than ever.
"Throw something over you," said Pamela, in the dry tone that always sounded almost severe. "You will take cold if you don't. Put on a shawl or something, and come into my room."
Theodora caught up a shawl, and, stepping across the landing, stood in the light, the flare of the candle making a queer, lovely picture of her. The shawl she had wrapped carelessly over her white night-dress was one of Lady Throckmorton's gracious gifts; and although it had been worn by every member of the family in succession, and was frayed, and torn, and forlorn enough in broad daylight, by the uncertain Rembrandt glare of the chamber-candle, its gorgeous palm-leaf pattern and soft folds made a by no means unpicturesque or unbecoming drapery, in conjunction with the girl's grand, soft, un-English eyes, and equally un-English ebon hair.
"Shut the door," said Pamela. "I want to speak to you."
Theo turned to obey, wonderingly, but, as she did so, her eyes fell upon something which made her fairly start, and this something was nothing less than the contents of the opened boxes and closets. Some of said contents were revealed through raised lids; but some of them were lying upon the bed, and the sight of them made the girl catch her breath. She had never imagined such wealth—for it seemed quite like wealth to her. Where had it all come from? There were piles of pretty, lace-trimmed garments, boxes of handkerchiefs, ribbons, and laces, and actually a number of dresses, of whose existence she had never dreamed—dresses quaint enough in fashion, but still rich and elaborate.
"Why, Pam!" she exclaimed, "whose are they? Why have you never—"
Pamela stopped her with an abrupt gesture.
"They are mine," she said. "I have had them for years, ever since Arthur—Mr. Brunwalde died. They were to have been my bridal trousseau, and most of them were presents from Lady Throckmorton, who was very kind to me then. Of course, you know well enough," with dry bitterness, "I should never have had them otherwise. I thought I would show them to you to-night, and offer them to you. They may be of use just now."
She stopped and cleared her throat here, with an odd, strained sound; and before she went on, she knelt down before one of the open trunks, and began to turn over its contents.
"I wish you to go to Lady Throckmorton's," she said, speaking without looking at the amazed young face at her side. "The life here is a weary one for a girl to lead, without any change, and the visit may be a good thing for you in many ways. My visit to Lady Throckmorton's would have made me a happy woman, if death had not come between me and my happiness. I know I am not at fault in saying this to you. I mean it in a manner a girl can scarcely understand—I mean, that I want to save you from the life you must lead, if you do not go away from here."
Her hands were trembling, her voice, cold and dry, as it usually was, trembled too, and the moment she paused, the amazed, picturesque young figure swooped down upon her as it were, falling upon its knees, flinging its white-robed arms about her, and burying her in an unexpected confusion of black hair and oriental shawl, showering upon her loving, passionate little caresses. For the first time in her life, Theo was not secretly awed by her.
"Why, Pam!" she cried, the tears running down her cheeks. "Dear, old, generous Pamela! Do you care for me so much—enough to make such a sacrifice! Oh, Pam! I am only a girl as you say; but I think that, because I am a girl, perhaps I understand a little. Do you think that I could let you make such a sacrifice? Do you think I could let you give them to me—the things that were to have belonged to poor, dead Arthur's wife? Oh, my generous darling! Poor dead Arthur! and the poor young wife who died with him!"
For some time Pamela said nothing, but Theo felt the slender, worn form, that her arms clasped so warmly, tremble within them, and the bosom on which she had laid her loving, impassioned face throb strangely. But she spoke at length.
"I will not say it is not a sacrifice," she said. "I should not speak truly if I did. I have never told you of these things before, and why I kept them; because such a life as ours does not make people understand one another very clearly; but to-night, I remembered that I was a girl too once, though the time seems so far away; and it occurred to me that it was in my power to help you to a happier womanhood than mine has been. I shall not let you refuse the things. I offer them to you, and expect you to accept them, as they are offered—freely."
Neither protest nor reasoning was of any avail. The elder sister meant what she said, with just the settled precision that demonstrated itself upon even the most trivial occasions; and Theo was fain to submit now, as she would have done in any smaller matter.
"When