by one of the pirates to the care of his mother. The little creature, in her lisping way, called herself baby Minta; and this appellation she retained, until Phidias gave her the name of Eudora.
Philothea, the orphan daughter of Alcimenes, son of Anaxagoras, was a year or two older than Eudora. She was brought to Athens, at about the same period; and as they resided very near each other, the habitual intercourse of childhood naturally ripened into mature friendship. No interruption of this constant intimacy occurred, until Philothea was appointed one of the Canephoræ, whose duty it was to embroider the sacred peplus, and to carry baskets in the grand procession of the Panathenæa. Six months of complete seclusion within the walls of the Acropolis, were required of the Canephoræ. During this protracted absence, Aspasia persuaded Phidias to bring Eudora frequently to her house; and her influence insensibly produced a great change in that young person, whose character was even more flexile than her form.
Chapter II.
"With grace divine her soul is blest,
And heavenly Pallas breathes within her breast;
In wonderous arts than woman more renowned,
And more than woman with deep wisdom crowned.
HOMER.
It was the last market hour of Athens, when Anaxagoras, Philothea, and Eudora, accompanied by Geta, the favourite slave of Phidias, stepped forth into the street, on their way to Aspasia's residence.
Loud shouts of laughter came from the agoras, and the whole air was filled with the hum of a busy multitude. Groups of citizens lingered about the porticos; Egyptians, Medians, Sicilians, and strangers from all the neighbouring States of Greece, thronged the broad avenue of the Piræus; women, carrying upon their heads olive jars, baskets of grapes, and vases of water, glided among the crowd, with that majestic motion so peculiar to the peasantry in countries where this custom prevails.
Philothea drew the folds of her veil more closely, and clung timidly to her venerable protector. But neither this, nor increasing twilight, could screen the graceful maidens from observation. Athenians looked back as they passed, and foreigners paused to inquire their name and parentage.
In a few moments they were under the walls of the Acropolis, walking in the shadow of the olive groves, among god-like statues, to which the gathering obscurity of evening gave an impressive distinctness—as if the light departing from the world, stood petrified in marble.
Thence they entered the inner Ceramicus, where Aspasia resided. The building, like all the private houses of Athens, had a plain exterior, strongly contrasted by the magnificence of surrounding temples, and porticos. At the gate, an image of Hermes looked toward the harbour, while Phœbus, leaning on his lyre, appeared to gaze earnestly at the dwelling.
A slave, stationed near the door, lighted the way to the apartment where Aspasia was reclining, with a Doric harp by her side, on which she had just been playing. The first emotion she excited was surprise at the radiant and lucid expression, which mantled her whole face, and made the very blood seem eloquent. In her large dark eye the proud consciousness of intellect was softened only by melting voluptuousness; but something of sadness about her beautiful mouth gave indication that the heavenly part of her nature still struggled with earth-born passions.
A garland of golden leaves, with large drops of pearl, was interwoven among the glossy braids of her hair, and rested on her forehead.
She wore a robe of rich Milesian purple, the folds of which were confined on one shoulder within a broad ring of gold, curiously wrought; on the other they were fastened by a beautiful cameo, representing the head of Pericles. The crimson couch gave a soft flush to the cheek and snowy arm that rested on it; and, for a moment, even Philothea yielded to the enchantment of her beauty.
Full of smiles, Aspasia rose and greeted Eudora, with the ease and gracefulness of one long accustomed to homage; but when the venerable philosopher introduced his child, she felt the simple purity emanating from their characters, and something of embarrassment mingled with her respectful salutation.
Her own face was uncovered, contrary to the custom of Grecian women; and after a few of those casual remarks which everywhere serve to fill up the pauses in conversation, she playfully seized Eudora's veil, and threw it back over her shoulders. She would have done the same to Philothea; but the maiden placed her hand on the half transparent covering, and said, "With your leave, lady, I remain veiled."
"But I cannot give my leave," rejoined Aspasia, playfully, still keeping her hold upon the veil: "I must see this tyrannical custom done away in the free commonwealth of Athens. All the matrons who visit my house agree with me in this point; all are willing to renounce the absurd fashion."
"But in a maiden it would be less seemly," answered Philothea.
Thus resisted, Aspasia appealed to Anaxagoras to exert his authority; adding, in an audible whisper, "Phidias has told me that she is as lovely as the immortals."
With a quiet smile, the aged philosopher replied, "My child must be guided by her own heart. The gods have there placed an oracle, which never misleads or perplexes those who listen to it."
Aspasia continued, "From what I had heard of you, Philothea, I expected to find you above the narrow prejudices of Grecian women. In you I was sure of a mind strong enough to break the fetters of habit. Tell me, my bashful maiden, why is beauty given us, unless it be like sunlight to bless and gladden the world?"
"Lady," replied the gentle recluse, "beauty is given to remind us that the soul should be kept as fair and perfect in its proportions, as the temple in which it dwells."
"You are above ordinary women," said Aspasia; "for you hear me allude to your beauty without affecting to contradict me, and apparently without pleasure."
The sound of voices in earnest conversation announced the approach of Pericles with visiters. "Come to my room for a few moments," said Aspasia, addressing the maidens: "I have just received a magnificent present, which I am sure Eudora will admire. As she spoke, she led the way to an upper apartment. When they opened the door, a soft light shone upon them from a lamp, which a marble Psyche shaded with her hand, as she bent over the couch of Eros.
"Now that we are quite sure of being uninterrupted, you cannot refuse to raise your veil," said Aspasia.
Simply and naturally, the maiden did as she was desired; without any emotion of displeasure or exultation at the eager curiosity of her hostess.
For an instant, Aspasia stood rebuked and silent, in the presence of that serene and holy beauty.
With deep feeling she exclaimed, "Maiden, Phidias spoke truly. Even thus do we imagine the immortals!"
A faint blush gleamed on Philothea's face; for her meek spirit was pained by a comparison with things divine; but it passed rapidly; and her whole soul became absorbed in the lovely statues before her.
Eudora's speaking glance seemed to say, "I knew her beauty would surprise you!" and then, with the eager gayety of a little child, she began to examine the gorgeous decorations of the room.
The couch rested on two sphinxes of gold and ivory, over which the purple drapery fell in rich and massive folds. In one corner, a pedestal of Egyptian marble
