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Caravan took the clock, which was one of those grotesque objects that were produced so plentifully under the Empire. A girl in gilt bronze was holding a cup and ball, and the ball formed the pendulum.
“Give that to me,” his wife said, “and take the marble slab off the chest of drawers.”
He put the marble slab on his shoulder with considerable effort, and they left the room. Caravan had to stoop in the doorway, and trembled as he went downstairs, while his wife walked backwards, so as to light him, and held the candlestick in one hand, carrying the clock under the other arm.
When they were in their own room, she heaved a sigh.
“We have got over the worst part of the job,” she said; “so now let us go and fetch the other things.”
But the bureau drawers were full of the old woman's wearing apparel, which they must manage to hide somewhere, and Madame Caravan soon thought of a plan.
“Go and get that wooden packing case in the vestibule; it is hardly worth anything, and we may just as well put it here.”
And when he had brought it upstairs they began to fill it. One by one they took out all the collars, cuffs, chemises, caps, all the well-worn things that had belonged to the poor woman lying there behind them, and arranged them methodically in the wooden box in such a manner as to deceive Madame Braux, the deceased woman's other child, who would be coming the next day.
When they had finished, they first of all carried the bureau drawers downstairs, and the remaining portion afterwards, each of them holding an end, and it was some time before they could make up their minds where it would stand best; but at last they decided upon their own room, opposite the bed, between the two windows, and as soon as it was in its place Madame Caravan filled it with her own things. The clock was placed on the chimney-piece in the dining-room, and they looked to see what the effect was, and were both delighted with it and agreed that nothing could be better. Then they retired, she blew out the candle, and soon everybody in the house was asleep.
It was broad daylight when. Caravan opened his eyes again. His mind was rather confused when he woke up, and he did not clearly remember what had happened for a few minutes; when he did, he felt a weight at his heart, and jumped out of bed, almost ready to cry again.
He hastened to the room overhead, where Rosalie was still sleeping in the same position as the night before, not having awakened once. He sent her to do her work, put fresh tapers in the place of those that had burnt out, and then he looked at his mother, revolving in his brain those apparently profound thoughts, those religious and philosophical commonplaces which trouble people of mediocre intelligence in the presence of death.
But, as his wife was calling him, he went downstairs. She had written out a list of what had to be done during the morning, and he was horrified when he saw the memorandum:
1. Report the death at the mayor's office. 2. See the doctor who had attended her. 3. Order the coffin. 4. Give notice at the church. 5. Go to the undertaker. 6. Order the notices of her death at the printer's. 7. Go to the lawyer. 8. Telegraph the news to all the family.
Besides all this, there were a number of small commissions; so he took his hat and went out. As the news had spread abroad, Madame Caravan's female friends and neighbors soon began to come in and begged to be allowed to see the body. There had been a scene between husband and wife at the hairdresser's on the ground floor about the matter, while a customer was being shaved. The wife, who was knitting steadily, said: “Well, there is one less, and as great a miser as one ever meets with. I certainly did not care for her; but, nevertheless, I must go and have a look at her.”
The husband, while lathering his patient's chin, said: “That is another queer fancy! Nobody but a woman would think of such a thing. It is not enough for them to worry you during life, but they cannot even leave you at peace when you are dead:” But his wife, without being in the least disconcerted, replied: “The feeling is stronger than I am, and I must go. It has been on me since the morning. If I were not to see her, I should think about it all my life; but when I have had a good look at her, I shall be satisfied.”
The knight of the razor shrugged his shoulders and remarked in a low voice to the gentleman whose cheek he was scraping: “I just ask you, what sort of ideas do you think these confounded females have? I should not amuse myself by going to see a corpse!” But his wife had heard him and replied very quietly: “But it is so, it is so.” And then, putting her knitting on the counter, she went upstairs to the first floor, where she met two other neighbors, who had just come, and who were discussing the event with Madame Caravan, who was giving them the details, and they all went together to the death chamber. The four women went in softly, and, one after the other, sprinkled the bed clothes with the salt water, knelt down, made the sign of the cross while they mumbled a prayer. Then they rose from their knees and looked for some time at the corpse with round, wide-open eyes and mouths partly open, while the daughter-in-law of the dead woman, with her handkerchief to her face, pretended to be sobbing piteously.
When she turned about to walk away whom should she perceive standing close to the door but Marie-Louise and Philippe-Auguste, who were curiously taking stock of all that was going on. Then, forgetting her pretended grief, she threw herself upon them with uplifted hands, crying out in a furious voice, “Will you get out of this, you horrid brats!”
Ten minutes later, going upstairs again with another contingent of neighbors, she prayed, wept profusely, performed all her duties, and found once more her two children, who had followed her upstairs. She again boxed their ears soundly, but the next time she paid no heed to them, and at each fresh arrival of visitors the two urchins always followed in the wake, kneeling down in a corner and imitating slavishly everything they saw their mother do.
When the afternoon came the crowds of inquisitive people began to diminish, and soon there were no more visitors. Madame Caravan, returning to her own apartments, began to make the necessary preparations for the funeral ceremony, and the deceased was left alone.
The window of the room was open. A torrid heat entered, along with clouds of dust; the flames of the four candles were flickering beside the immobile corpse, and upon the cloth which covered the face, the closed eyes, the two stretched-out hands, small flies alighted, came, went and careered up and down incessantly, being the only companions of the old woman for the time being.
Marie-Louise and Philippe-Auguste, however, had now left the house and were running up and down the street. They were soon surrounded by their playmates, by little girls especially, who were older and who were much more interested in all the mysteries of life, asking questions as if they were grown people.
“Then your grandmother is dead?” “Yes, she died yesterday evening.” “What does a dead person look like?”
Then Marie began to explain, telling all about the candles, the sprig of box and the face of the corpse. It was not long before great curiosity was aroused in the minds of all the children, and they asked to be allowed to go upstairs to look at the departed.
Marie-Louise at once organized a first expedition, consisting of five girls and two boys—the biggest and the most courageous. She made them take off their shoes so that they might not be discovered. The troupe filed into the house and mounted the stairs as stealthily as an army of mice.
Once in the chamber, the little girl, imitating her mother, regulated the ceremony. She