of implacable nature! It was all over with her, without her ever having experienced, perhaps, that which sustains the greatest outcasts to wit, the hope of being loved once! Otherwise why should she thus have concealed herself, fled from the face of others? Why did she love everything so tenderly and so passionately, everything living that was not a man?
“I recognized the fact that she believed in a God, and that she hoped to receive compensation from the latter for all the miseries she had endured. She would now disintegrate and become, in turn, a plant. She would blossom in the sun, the cattle would browse on her leaves, the birds would bear away the seeds, and through these changes she would become again human flesh. But that which is called the soul had been extinguished at the bottom of the dark well. She suffered no longer. She had given her life for that of others yet to come.
“Hours passed away in this silent and sinister communion with the dead. A pale light at length announced the dawn of a new day; then a red ray streamed in on the bed, making a bar of light across the coverlet and across her hands. This was the hour she had so much loved. The awakened birds began to sing in the trees.
“I opened the window to its fullest extent and drew back the curtains that the whole heavens might look in upon us, and, bending over the icy corpse, I took in my hands the mutilated head and slowly, without terror or disgust, I imprinted a kiss, a long kiss, upon those lips which had never before been kissed.”
Leon Chenal remained silent. The women wept. We heard on the box seat the Count d'Atraille blowing his nose from time to time. The coachman alone had gone to sleep. The horses, who no longer felt the sting of the whip, had slackened their pace and moved along slowly. The drag, hardly advancing at all, seemed suddenly torpid, as if it had been freighted with sorrow.
[Miss Harriet appeared in Le Gaulois, July 9, 1883, under the title
of Miss Hastings. The story was later revised, enlarged; and partly
reconstructed. This is what De Maupassant wrote to Editor Havard
March 15, 1884, in an unedited letter, in regard to the title of the
story that was to give its name to the volume:
“I do not believe that Hastings is a bad name, inasmuch as it is
known all over the world, and recalls the greatest facts in English
history. Besides, Hastings is as much a name as Duval is with us.
“The name Cherbuliez selected, Miss Revel, is no more like an
English name than like a Turkish name. But here is another name as
English as Hastings, and more euphonious; it is Miss Harriet.
I will ask you therefore to substitute Harriet for Hastings.”
It was in regard to this very tittle that De Maupassant had a
disagreement with Audran and Boucheron director of the Bouffes
Parisiens in October, 1890. They had given this title to an operetta
about to be played at the Bouffes. It ended however, by their
ceding to De Maupassant, and the title of the operetta was changed
to Miss Helyett.]
LITTLE LOUISE ROQUE
The former soldier, Mederic Rompel, familiarly called Mederic by the country folks, left the post office of Roily-le-Tors at the usual hour. After passing through the village with his long stride, he cut across the meadows of Villaume and reached the bank of the Brindille, following the path along the water's edge to the village of Carvelin, where he commenced to deliver his letters. He walked quickly, following the course of the narrow river, which frothed, murmured and boiled in its grassy bed beneath an arch of willows.
Mederic went on without stopping, with only this thought in his mind: “My first letter is for the Poivron family, then I have one for Monsieur Renardet; so I must cross the wood.”
His blue blouse, fastened round his waist by a black leather belt, moved in a quick, regular fashion above the green hedge of willow trees, and his stout stick of holly kept time with his steady tread.
He crossed the Brindille on a bridge consisting of a tree trunk, with a handrail of rope, fastened at either end to a stake driven into the ground.
The wood, which belonged to Monsieur Renardet, the mayor of Carvelin and the largest landowner in the district, consisted of huge old trees, straight as pillars and extending for about half a league along the left bank of the stream which served as a boundary to this immense dome of foliage. Alongside the water large shrubs had grown up in the sunlight, but under the trees one found nothing but moss, thick, soft and yielding, from which arose, in the still air, an odor of dampness and of dead wood.
Mederic slackened his pace, took off his black cap adorned with red lace and wiped his forehead, for it was by this time hot in the meadows, though it was not yet eight o'clock in the morning.
He had just recovered from the effects of the heat and resumed his quick pace when he noticed at the foot of a tree a knife, a child's small knife. When he picked it up he discovered a thimble and also a needlecase not far away.
Having taken up these objects, he thought: “I'll entrust them to the mayor,” and he resumed his journey, but now he kept his eyes open, expecting to find something else.
All of a sudden he stopped short, as if he had struck against a wooden barrier. Ten paces in front of him lay stretched on her back on the moss a little girl, perfectly nude, her face covered with a handkerchief. She was about twelve years old.
Meredic advanced on tiptoe, as if he apprehended some danger, and he glanced toward the spot uneasily.
What was this? No doubt she was asleep. Then he reflected that a person does not go to sleep naked at half-past seven in the morning under the cool trees. So, then, she must be dead, and he must be face to face with a crime. At this thought a cold shiver ran through his frame, although he was an old soldier. And then a murder was such a rare thing in the country, and, above all, the murder of a child, that he could not believe his eyes. But she had no wound-nothing save a spot of blood on her leg. How, then, had she been killed?
He stopped close to her and gazed at her, while he leaned on his stick. Certainly he must know her, for he knew all the inhabitants of the district; but, not being able to get a look at her face, he could not guess her name. He stooped forward in order to take off the handkerchief which covered her face, then paused, with outstretched hand, restrained by an idea that occurred to him.
Had he the right to disarrange anything in the condition of the corpse before the official investigation? He pictured justice to himself as a kind of general whom nothing escapes and who attaches as much importance to a lost button as to the stab of a knife in the stomach. Perhaps under this handkerchief evidence could be found to sustain a charge of murder; in fact, if such proof were there it might lose its value if touched by an awkward hand.
Then he raised himself with the intention of hastening toward
