The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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she confessed that all her cures were performed by the assistance of the devil, and proceeded to make disclosures relative to the extent of her guilt, and the number of associates, which utterly eclipse all the preceding “discoveries of witchcraft,” with which the criminal records furnish us down to this time. Thirty or forty different individuals, some of whom, as the pamphlet observes, were “as civill honest women as anie that dwelled within the city of Edinburgh,” were denounced by her, and forthwith apprehended upon her confession. Nor was this list confined to the lower classes, from whom the victims offered to this superstition had generally been selected; for among those apprehended on Duncan’s information was Euphemia Macalzean, the daughter of Lord Cliftonhall, one of the senators of the College of Justice.

      To trace out the wide field of witchcraft which was opened to him by the confessions of the accused, as they were successively examined, was an employment highly congenial to the credulous mind of James, prone to every superstition, and versed in all the traditionary lore of Sprenger and Bodinus. Day after day he attended the examinations in person, was put into a “wonderful admiration” by every new trait of grotesque horror which their confessions disclosed, and even carried his curiosity so far as to send for Gellie Duncan herself, who had, according to the confession of another witch, Agnes Sampson (the wise wife of Keith), played a reel or dance before the witches, as they moved in procession to meet the devil in the kirk of North Berwick, in order that he might himself listen to this infernal air—“who upon the like trumpe did play the said dance before the King’s majestie, who, in respect of the strangeness of these matters, took great delight to be present at these examinations.”

      The doctor, it will be seen, did not long require their services; but whether his confession was obtained by fair means or foul, it certainly bears so startling a resemblance to that of the leading witch, Agnes Sampson, a woman whom Spottiswood describes as “matron-like, grave and settled in her answers,” that it is hardly to be wondered at that the superstitious mind of James should have been confounded by the coincidence. Nothing, in fact, can exceed the general harmony of the accounts given by the different witches of their proceedings, except the ludicrous and yet horrible character of the incidents which they record, and which might well extort, even from James himself, the observation he appears to have made in the commencement of the proceedings, that they were all “extreme lyars.”

      The charm upon the water being finished, the witches landed, and after enjoying themselves with wine, which they drank out of the same sieves in which they had previously sailed so “substantially,” they moved on in procession towards the kirk of North Berwick, which had been fixed on as their place of rendezvous with their master. The company exceeded one hundred, of whom thirty-two are enumerated in Agnes Sampson’s confession. And they were preceded by Gellie Duncan, playing upon the Jew’s-harp the following ditty:

      “Cummer, goe ye before, Cummer, goe ye,

       Gif ye will not go before, Cummer, let me!”

      Here their master was to appear in a character less common in Scotland than on the Continent, that of a preacher. Doctor Fian, who, as the devil’s register, took the lead in the ceremonies at the kirk, blew up the doors, and blew in the lichts, which resembled black candles sticking round about the pulpit, while another of the party, Grey Meill, acted as door-keeper. Suddenly the devil himself started up in the pulpit, attired in a gown and hat, both black. The sketch of his appearance given in Sir James Melville’s Memoirs has something of the power and picturesqueness of Dante. “His body was hard lyk yrn, as they thocht that handled him; his faice was terrible, his nose lyk the bek of an egle, gret bournyng eyn” (occhi di bragia); “his handis and leggis were herry, with clawis upon his handis,

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