The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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by methods of artifice, quackery and delusion. One of his leading maxims was, that the great and fundamental truths to the establishment of which he devoted himself, were studiously to be concealed from the vulgar, and only to be imparted to a select few, and after years of the severest noviciate and trial. He learned his earliest lessons of wisdom in Egypt after this method, and he conformed through life to the example which had thus been delivered to him. The severe examination that he made of the candidates previously to their being admitted into his school, and the years of silence that were then prescribed to them, testify this. He instructed them by symbols, obscure and enigmatical propositions, which they were first to exercise their ingenuity to expound. The authority and dogmatical assertions of the master were to remain unquestioned; and the pupils were to fashion themselves to obsequious and implicit submission, and were the furthest in the world from being encouraged to the independent exercise of their own understandings. There was nothing that Pythagoras was more fixed to discountenance, than the communication of the truths upon which he placed the highest value, to the uninitiated. It is not probable therefore that he wrote any thing: all was communicated orally, by such gradations, and with such discretion, as he might think fit to adopt and to exercise.

      Delusion and falsehood were main features of his instruction. With what respect therefore can we consider, and what manliness worthy of his high character and endowments can we impute to, his discourses delivered from behind a curtain, his hiding himself during the day, and only appearing by night in a garb assumed for the purpose of exciting awe and veneration? What shall we say to the story of his various transmigrations? At first sight it appears in the light of the most audacious and unblushing imposition. And, if we were to yield so far as to admit that by a high-wrought enthusiasm, by a long train of maceration and visionary reveries, he succeeded in imposing on himself, this, though in a different way, would scarcely less detract from the high stage of eminence upon which the nobler parts of his character would induce us to place him.

      Such were some of the main causes that have made his efforts perishable, and the lustre which should have attended his genius in a great degree transitory and fugitive. He was probably much under the influence of a contemptible jealousy, and must be considered as desirous that none of his contemporaries or followers should eclipse their master. All was oracular and dogmatic in the school of Pythagoras. He prized and justly prized the greatness of his attainments and discoveries, and had no conception that any thing could go beyond them. He did not encourage, nay, he resolutely opposed, all true independence of mind, and that undaunted spirit of enterprise which is the atmosphere in which the sublimest thoughts are most naturally generated. He therefore did not throw open the gates of science and wisdom, and invite every comer; but on the contrary narrowed the entrance, and carefully reduced the number of aspirants. He thought not of the most likely methods to give strength and permanence and an extensive sphere to the progress of the human mind. For these reasons he wrote nothing; but consigned all to the frail and uncertain custody of tradition. And distant posterity has amply avenged itself upon the narrowness of his policy; and the name of Pythagoras, which would otherwise have been ranked with the first luminaries of mankind, and consigned to everlasting gratitude, has in consequence of a few radical and fatal mistakes, been often loaded with obloquy, and the hero who bore it been indiscriminately classed among the votaries of imposture and artifice.

      Epimenides.

      Empedocles.

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