The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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      Statute, 1 James I.

      In consequence of the strong conviction James entertained on the subject, the English parliament was induced, in the first year of his reign, to supersede the milder proceedings of Elizabeth, and to enact that “if any person shall use, practice, or exercise any invocation or conjuration of any evil and wicked spirit, or shall consult, covenant with, entertain, employ, feed or reward any evil and wicked spirit, to or for any intent and purpose; or take up any dead man, woman, or child out of their grave, or the skin, bone, or any part of any dead person, to be used in any manner of witchcraft, sorcery or enchantment, or shall use any witchcraft, sorcery or enchantment, whereby any person shall be killed, destroyed, wasted, consumed, pined or lamed in his or her body, or any part thereof; that then every such offender, their aiders, abettors and counsellors shall suffer the pains of death.” And upon this statute great numbers were condemned and executed.

      Forman and Others.

      There is a story of necromancy which unfortunately makes too prominent a figure in the history of the court and character of king James the First. Robert earl of Essex, son of queen Elizabeth’s favourite, and who afterwards became commander in chief of the parliamentary forces in the civil wars, married lady Frances Howard, a younger daughter of the earl of Suffolk, the bride and bridegroom being the one thirteen, the other fourteen years old at the time of the marriage. The relatives of the countess however, who had brought about the match, thought it most decorous to separate them for some time, and, while she remained at home with her friends, the bridegroom travelled for three or four years on the continent. The lady proved the greatest beauty of her time, but along with this had the most libertine and unprincipled dispositions.

      The very circumstance that she had vowed her faith at the altar when she was not properly capable of choice, inspired into the wayward mind of the countess a repugnance to her husband. He came from the continent, replete with accomplishments; and we may conclude, from the figure he afterwards made in the most perilous times, not without a competent share of intellectual abilities. But the countess shrank from all advances on his part. He loved retirement, and woed the lady to scenes most favourable to the development of the affections: she had been bred in court, and was melancholy and repined in any other scene. So capricious was her temper, that she is said at the same time to have repelled the overtures of the accomplished and popular prince Henry, the heir to the throne.

      It happened about this period that a beautiful young man, twenty years of age, and full of all martial graces, appeared on the stage. King James was singularly partial to young men who were distinguished for personal attractions. By an extraordinary accident this person, Robert Carr by name, in the midst of a court-spectacle, just when it was his cue to present a buckler with a device to the king, was thrown from his horse, and broke his leg. This was enough: James naturally became interested in the misfortune, attached himself to Carr, and even favoured him again and again with a royal visit during his cure. Presently the young man became an exclusive favourite; and no honours and graces could be obtained of the sovereign but by his interference.

      This circumstance fixed the wavering mind of the countess of Essex. Voluptuous and self-willed in her disposition, she would hear of no one but Carr. But her opportunities of seeing him were both short and rare. In this emergency she applied to Mrs. Turner, a woman whose profession it was to study and to accommodate the fancies of such persons as the countess. Mrs. Turner introduced her to Dr. Forman, a noted astrologer and magician, and he, by images made of wax, and various uncouth figures and devices, undertook to procure the love of Carr to the lady. At the same time he practised against the earl, that he might become impotent, at least towards his wife. This however did not satisfy the lady; and having gone the utmost lengths towards her innamorato, she insisted on a divorce in all the forms, and a legal marriage with the youth she loved. Carr appears originally to have had good dispositions; and, while that was the case, had assiduously cultivated the friendship of Sir Thomas Overbury, one of the most promising young courtiers of the time. Sir Thomas earnestly sought to break off the intimacy of Carr with lady Essex, and told him how utterly ruinous to his reputation and prospects it would prove, if he married her. But Carr, instead of feeling how much obliged he was to Overbury for this example of disinterested friendship, went immediately and told the countess what the young man said.

      Latest Ideas of James on the Subject.

      Lancashire Witches.

      A more melancholy tale does not occur in the annals of necromancy than that of the Lancashire witches in 1612. The scene of this story is in Pendlebury Forest, four or five miles from Manchester, remarkable for its picturesque and gloomy situation. Such places were not sought then as now, that they might afford food for the imagination, and gratify the refined taste of the traveller. They were rather shunned as infamous for scenes of depredation and murder, or as the consecrated haunts of diabolical intercourse. Pendlebury had been long of ill repute on this latter account, when a country magistrate, Roger Nowel by name, conceived about this time that he should do a public service, by rooting out a nest of witches, who rendered the place a terror to all the neighbouring vulgar. The first persons he seized on were Elizabeth Demdike and Ann Chattox, the former of whom was eighty years of age, and had for some years been blind, who subsisted principally by begging, though she had a miserable hovel on the spot, which she called her own. Ann Chattox was of the same age, and had for some time been threatened with the calamity of blindness. Demdike was held to be so hardened a witch, that she had trained all her family to the mystery; namely, Elizabeth Device, her daughter, and James and Alison Device, her grandchildren. In the accusation of Chattox was also involved Ann Redferne, her daughter. These, together with John Bulcock, and Jane his mother, Alice Nutter, Catherine Hewit, and Isabel Roby, were successively apprehended by the diligence of Nowel and one or two neighbouring magistrates, and were all of them by some means induced, some to make a more liberal, and others a more restricted confession of their misdeeds in witchcraft, and were afterwards hurried away to Lancaster Castle, fifty miles off, to prison. Their crimes were said to have universally proceeded from malignity and resentment; and it was reported to have repeatedly happened for

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