The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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and drugs more familiar to the wealthier class (Sat. vi.). The great Satirist wrote in the latter half of the first century of Christianity; but even in the Augustan period such crimes were prevalent enough to make Ovid enumerate them among the universal evils introduced by the Iron age (Metamorphoses, i.). The despotic will of the princes themselves was exerted in vain; the mischief was too deep-rooted to succumb even to the decrees of the masters of the world. Nor did the divi themselves disdain to be initiated in the infernal or celestial science. Nigidius Figulus and the two Thrasylli are magical or mathematical names closely connected with the destinies of the two first imperial princes. Nigidius predicted, and perhaps promoted, the future elevation of Octavianus; and the elder Thrasyllus, the famous Rhodian astrologer, skilfully identified his fate with the life of his credulous dupe but tyrannical pupil. Thrasyllus' art is stated to have been of service in preventing the superstitious tyrant from executing several intended victims of his hatred or caprice, by making their safety the condition of his existence. The historian of the early empire tells of the incantations which could 'affect the mind and increase the disease' of Germanicus, Tiberius' nephew. 'There were discovered,' says Tacitus, 'dug up from the ground and out of the walls of the house, the remains of human corpses, charms and spells, and the name of Germanicus inscribed on leaden tablets, ashes half consumed covered with decaying matter, and other practices by which it is believed that souls are devoted to the deities of hell.'26

      Constantine, in distinguishing between good and bad magic, between the theurgic and goetic, maintains a distinction made by the pagans—a distinction ignored in the later Christian Church, in whose system 'all demons are infernal spirits, and all commerce with them is idolatry and apostasy.' Christian zeal has accused the imperial philosopher and apostate Julian of having had recourse—not to much purpose—to many magical or necromantic rites; of cutting up the dead bodies of boys and virgins in the prescribed method; and of raising the dead to ascertain the event of his Eastern expedition against the Persians.

      The similarity of this to the horrible catastrophe of Arras, recorded by the chroniclers of the fifteenth century, excepting the grosser absurdities of the latter, is almost perfect. Valentinian and Valens, who seem to have emulated the atrocious fame of the Cæsarean family, with their ministers, concealed, it is probable, under the disguise of a simulated credulity the real motives of revenge and cupidity.

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