Black Beetles in Amber. Ambrose Bierce

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Black Beetles in Amber - Ambrose Bierce

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his hand."

       "Sagacious youth, with the wondrous eye,

       They seem to throw up their headgear. Why?"

       "Because they've thrown up their hands until, O,

       They're so tired!—and dinners they've none to throw."

       "My son, my son, though dull are mine ears,

       I hear a great sound like the people's cheers."

       "He's thanking them, father, with tears in his eyes,

       For giving him lately that fine surprise."

       "My memory fails as I near mine end;

       How did they astonish their grateful friend?" "By letting him buy, like apples or oats, With that which has made him so good, the votes Which make him so wise and grand and great. Now, father, please die, for 'tis growing late."

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      I'd long been dead, but I returned to earth.

       Some small affairs posterity was making

       A mess of, and I came to see that worth

       Received its dues. I'd hardly finished waking,

       The grave-mould still upon me, when my eye

       Perceived a statue standing straight and high.

       'Twas a colossal figure—bronze and gold—

       Nobly designed, in attitude commanding.

       A toga from its shoulders, fold on fold,

       Fell to the pedestal on which 'twas standing.

       Nobility it had and splendid grace,

       And all it should have had—except a face!

       It showed no features: not a trace nor sign

       Of any eyes or nose could be detected—

       On the smooth oval of its front no line

       Where sites for mouths are commonly selected.

       All blank and blind its faulty head it reared.

       Let this be said: 'twas generously eared.

       Seeing these things, I straight began to guess

       For whom this mighty image was intended.

       "The head," I cried, "is Upton's, and the dress

       Is Parson Bartlett's own." True, his cloak ended Flush with his lowest vertebra, but no Sane sculptor ever made a toga so. Then on the pedestal these words I read: "Erected Eighteen Hundred Ninety-seven" (Saint Christofer! how fast the time had sped! Of course it naturally does in Heaven) "To——" (here a blank space for the name began) "The Nineteenth Century's Great Foremost Man!" "Completed" the inscription ended, "in The Year Three Thousand"—which was just arriving. By Jove! thought I, 'twould make the founders grin To learn whose fame so long has been surviving— To read the name posterity will place In that blank void, and view the finished face. Even as I gazed, the year Three Thousand came, And then by acclamation all the people Decreed whose was our century's best fame; Then scaffolded the statue like a steeple, To make the likeness; and the name was sunk Deep in the pedestal's metallic trunk. Whose was it? Gentle reader, pray excuse The seeming rudeness, but I can't consent to Be so forehanded with important news. 'Twas neither yours nor mine—let that content you. If not, the name I must surrender, which, Upon a dead man's word, was George K. Fitch!

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      Ira P. Rankin, you've a nasal name—

       I'll sound it through "the speaking-trump of fame,"

       And wondering nations, hearing from afar

       The brazen twang of its resounding jar,

       Shall say: "These bards are an uncommon class—

       They blow their noses with a tube of brass!"

       Rankin! ye gods! if Influenza pick

       Our names at christening, and such names stick,

       Let's all be born when summer suns withstand

       Her prevalence and chase her from the land,

       And healing breezes generously help

       To shield from death each ailing human whelp!

       "What's in a name?" There's much at least in yours

       That the pained ear unwillingly endures,

       And much to make the suffering soul, I fear,

       Envy the lesser anguish of the ear.

       So you object to Cytherea! Do,

       The picture was not painted, sir, for you!

       Your mind to gratify and taste address, The masking dove had been a dove the less. Provincial censor! all untaught in art, With mind indecent and indecent heart, Do you not know—nay, why should I explain? Instruction, argument alike were vain— I'll show you reasons when you show me brain.

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      I dreamed one night that Stephen Massett died,

       And for admission up at Heaven applied.

       "Who are you?" asked St. Peter. Massett said:

       "Jeems Pipes, of Pipesville." Peter bowed his head,

       Opened the gates and said: "I'm glad to know you,

       And wish we'd something better, sir, to show you."

       "Don't mention it," said Stephen, looking bland,

       And was about to enter, hat in hand,

       When from a cloud below such fumes arose

       As tickled tenderly his conscious nose.

       He paused, replaced his hat upon his head,

       Turned back and to the saintly warden said,

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