The Essential Russian Plays & Short Stories. Максим Горький

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away. But no one comes to buy the house. No one wants an old house. Yet maybe someone will buy it. Then we'll be going to look for another place to live in. It'll be a strange place. My mistress will begin to cry, and I dare say, the old gentleman will too. But I won't. It's all the same to me.

      You wonder what's become of all his riches. I don't know. Maybe it seems strange, but I've been living with other people all my life, and many is the time I've seen money disappear, quietly running off through some leak or other. That's the way it has happened to these folks too. They had a lot, then it got to be a little, and then nothing at all. People came and bought things. Then they stopped coming. I once asked my mistress how it came about. She answered: "People have stopped liking what they used to like; they have stopped loving what they used to love." "How is that possible?" says I. "How can people stop liking what they once liked?" She didn't answer and fell to crying. But I didn't. It's all the same to me. It's all the same to me.

      People say they are surprised at me. It's terrible, they say, to live in this house; terrible to sit here at night with only the wind whining in the chimney and the rats squeaking and scuffling. Maybe it is terrible, I don't know; but I don't think about it. Why should I? There they sit, the two of them, in their room, looking at each other and listening to the whining of the wind; and I sit in the kitchen alone and listen to the whining of the wind. Doesn't the same wind whine in our ears? Young folks used to come to see their son, and they would all laugh and sing and go through the empty rooms to chase the rats. But nobody comes to me, and I sit alone, all alone. There's no one to talk to, so I talk to myself, and it's all the same to me.

      I'm sure they had a hard enough time of it—no need of more ill luck. But three days ago another misfortune happened to them. The young gentleman went out walking, his hat cocked, his hair dressed in latest fashion. And a bad man went and threw a stone at him from behind a corner and broke his head like a nut. They brought him home, put him to bed, and now he's dying in there. Maybe he'll recover and live—who knows? The old lady and the old gentleman cried, and then they put all the books on a wagon and sold them. With the money they hired a nurse, bought medicines, and even grapes. So the books, too, were of some good. But he doesn't eat the grapes. He doesn't even look at them. They just lie there on the dish, just lie there.

      DOCTOR (enters through the outer door; his face looks red and his manner is uneasy) Can you tell me if I am in the right place? I'm a doctor. I have many visits to pay, and I often make mistakes. I'm called here and there and everywhere, and all the houses look alike and the people in them are all sad. Have I struck the right place?

      OLD WOMAN

      I don't know.

      DOCTOR

      I'll consult my note-book. Is there a child here choking with a sore throat?

      OLD WOMAN

      No.

      DOCTOR

      Is there a man here who suddenly went insane from poverty and attacked his wife and two children with a hatchet? Four patients in all, I suppose.

      OLD WOMAN

      No.

      DOCTOR

      Is there a girl here whose heart stopped beating? Don't lie, old woman, I think she is here.

      OLD WOMAN

      No.

      DOCTOR

      Well, I believe you. You seem to speak the truth. Is there a young man here whose head was broken by a stone and who is dying?

      OLD WOMAN

      Yes. Go through that door on the left, but don't go any farther. The rats will eat you up!

      DOCTOR

      Very well. They keep ringing, ringing all the time, day and night.

       Here it is, late at night. All the lights in the street are out, and I

       am still on the run. Often I make a mistake and enter the wrong house.

       Yes, old woman, I do. (Exit through the door leading inside)

      OLD WOMAN

      One doctor has already treated him, but didn't cure him. Now there's another, and I guess he won't cure him either. Well! Then their son will die, and we'll remain alone in the house. I'll sit in the kitchen and talk to myself, and they'll sit in there keeping quiet and thinking. Another room vacated, another room for the rats to scuffle in. Let them squeak and scuffle. It's all the same to me. It's all the same to me. You ask me why that bad fellow threw the stone at our young gentleman. I don't know—how could I know why people want to kill each other? One threw a stone from behind a corner and ran away; the other one fell in a heap and is now dying—that's all I know. They say that our young gentleman was a fine chap, very brave, and very kind to poor people. I don't know anything about it—it is all the same to me. Whether they are good or bad, young or old, quick or dead, it is all the same to me. It is all the same to me.

      As long as they pay, I'll stay with them; and when they stop paying, I'll go to other people to do their housework, and finally I shall stop altogether—when I get old, and my eyesight gets poor, so that I can't tell salt from sugar. Then they'll turn me out and say: "Go where you please. We'll hire another one." What of it? I'll go. It's all the same to me. Here, there, or nowhere, it's all the same to me. It's all the same to me.

       [Enter Doctor, Man and his Wife. Both have aged greatly and are completely gray. Man's long bristling hair and beard give his face a leonine appearance. He walks slightly stooping, but holds his head erect and looks sternly and resolutely from beneath his gray eyebrows. When he looks at anything closely, he puts on large, silver-framed eye-glasses.

      DOCTOR

      Your son has fallen into a deep sleep. Don't wake him. It may bring on a turn for the better. You go to sleep too. When one has a chance to sleep one should grab it and not stay up talking.

      WIFE

      Thank you, doctor, it's been such a relief. Will you call to-morrow again?

      DOCTOR

      Yes, to-morrow and the day after to-morrow. Old woman, you go to bed too. It's late, it's time for all to go to bed. Is that the door to leave by? I often make mistakes.

       [He goes out. The Old Woman goes also. Man and his Wife are left alone.

      MAN

      Look, wife, I began to draw this while our son was still well. I stopped at this line and thought I'd rest and resume the work later. See what a simple, placid line it is, yet horrible to look at. It may be

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