ordinary commercial mind would be altogether inconceivable; and the relief he experienced when he was able to cancel them was inexpressible. His fault, in business, was that he attributed to other people a sense of honor equal to his own. This entailed upon him sundry losses which he was not well able to afford, through loans made to supposed friends. Notwithstanding the carefulness of his expenditure and a few moderately good receipts from the publication of his books in England, he died leaving a property of little more than twenty thousand dollars, besides his house at Concord and the copyright of his works.
In addition to the strong physical frame and tall stature several times noticed in the present sketch, Hawthorne's personal appearance was distinguished by his large and lustrous gray-blue eyes, luxuriant dark brown hair of remarkable fineness, and a delicacy of the skin that gave unusual softness to his complexion; a complexion subdued, but full of "healthy, living color," as Mrs. Hawthorne once described it. "After his Italian journey he altered much, his hair having begun to whiten, and a thick dark mustache being permitted to grow, so that a wit described him as looking like a 'boned pirate.' When it became imperative to shake off his reticence, he seems to have had the power of impressing as much by speech as he had before done by silence. It was the same abundant, ardent, but self-contained and perfectly balanced nature that informed either phase. How commanding was this nature may be judged by the fact related of him by an acquaintance, that rude people jostling him in a crowd would give way at once 'at the sound of his low almost irresolute voice.'... Something even of the eloquent gift of old Colonel Hathorne seemed to be locked within him, like a precious heirloom rarely shown; for in England, where his position called for speech-making, he acquitted himself with brilliant honor. But the effort which this compelled was no doubt commensurate with the success. He never shrank, notwithstanding, from effort, when obligation to others put in a plea. A member of his family has told me that, when talking to any one not congenial to him, the effect of the contact was so strong as to cause an almost physical contraction of his whole stalwart frame, though so slight as to be perceptible only to eyes that knew his informal and habitual aspects; yet he would have sunk through the floor rather than betray his sensations to the person causing them. Mr. Curtis, too, records the amusement with which he watched Hawthorne paddling on the Concord River, with a friend whose want of skill caused the boat continually to veer the wrong way, and the silent generosity with which he put forth his whole strength to neutralize the error, rather than mortify his companion by explanation. His considerateness was always delicate and alert."[13] A niece of Horace Mann, who passed a part of the spring of 1852 with Mr. and Mrs. Hawthorne at West Newton, supplies one little instance of this, which shall be registered here. Mrs. Dean, the lady in question, was then under engagement to teach in Boston, but had an interval of time on her hands before the work should begin. She was invited by the Hawthornes to the West Newton house (at that time owned by Mr. Mann), where she was to occupy a room which had formerly been hers. She found that a fire was carefully laid in the stove every night, to warm the room in the morning, and, thinking that too much trouble was taken on her account, she begged to be allowed to attend to this detail herself. It was then she discovered that it was Hawthorne who made up the fire; and he insisted upon continuing his service. Mrs. Dean also recalls that he listened attentively to the incidental and ordinary chat between Mrs. Hawthorne and herself, seldom making any remark, but, when he did volunteer one, giving it a pungent and epigrammatic or humorous turn. Entering the room where she was constructing a raised map for schoolroom use, he watched her with close interest for a while, and then observed: "I would rather have had the making of the world itself, in the beginning."
Taking whatever happened in a spirit always very much the same; reflective, penetrating, quietly sportive—a spirit, likewise, of patience and impartiality—Hawthorne kept his power of appreciation fresh to the very last. He could endure the humdrum tasks of government office, but they did not dull his pleasure in the simplest incidents of home-life, nor his delight in nature. "Every year the recurrent changes of season filled him with untold pleasure; and in the spring, Mrs. Hawthorne has been heard to say, he would walk with her in continuous silence, his heart full of the awe and delight with which the miracle of buds and new verdure inspired him." Taking everything in this spirit, we may repeat, mingling with the rough and the refined, and capable of extracting the utmost intellectual stimulus from the least of mundane phenomena, he maintained intact a true sense of relativity and a knowledge that the attainable best is, in the final analysis, incomplete. Contemplating a rose one day, he said: "On earth, only a flower is perfect." He cherished a deep, strong, and simple religious faith, but never approved of intellectual discussion concerning religion.
The slightness of the definite fact, or of the reminiscence vouchsafed by those who knew him, is continually impressed upon us in reviewing this career. Considered in its main outline, how very plain and unambitious is the history! A sea-captain's son, born in Salem; living obscurely; sent up to the rude clearing where a new village was founding in Maine; induced, against his preference, to go to college; writing timid stories and essays, which the world had no suspicion that it needed, and prompted to this by an impulse of which the origin is inexplicable; next, the author coming into notice, but under eclipse now and then from disappearance behind a public office; finally, the acknowledged romancer of indefinitely great endowment—the head of his order in America—sent abroad to an important post, where he is recognized and warmly greeted by every one who can discern clearly: such is the general course of the narrative. Afterwards, the now eminent man comes back to his native land, labors a little longer in comparative obscurity, suffers unmerited obloquy for his fidelity to a personal friend, while perfectly loyal to his government; then dies, and is mourned not alone by those devoted companions who felt him to be the one great fact to them in present human nature, but also by famous scholars and poets, and by a multitude of strangers, who gather around his bier with a stricken sense of loss ineffable. It is very simple; it is very democratic—the unnoticed American boy in humble circumstances becoming the centre of a circle of fame which is still extending its radius. Very simple it is, and yet inexplicable. But if we cannot tell precisely how the mind came into being, nor what were the fostering influences that most cogently aided its growth, we can, at least, pay our reverence to the overruling Power that brings genius to the flowering-point under circumstances seemingly the most unpropitious.
In 1863—the last year of his life—Hawthorne wrote to Mr. Stoddard, who had sent him a copy of his poem, "The King's Bell." "I sincerely thank you," he said, "for your beautiful poem, which I have read with a great deal of pleasure. It is such as the public had a right to expect from what you gave us in years gone by; only I wish the idea had not been so sad. I think Felix might have rung the bell once in his lifetime, and again at the moment of death. Yet you may be right. I have been a happy man, and yet I do not remember any one moment of such happy conspiring circumstances that I could have rung a joy-bell for it."
Yes, he had been a happy man; one who had every qualification for a rich and satisfactory life, and was able to make such a life out of whatever material offered. He might not have been willing to sound the joy-bell for himself, but the world has rung it because of his birth. As for his death, it is better not to close our sketch with any glimpse of that, because, in virtue of his spirit's survival among those who read and think, he still lives.
G. P. L.
New York, May 20, 1883.
FOOTNOTES:
[1] A Study of Hawthorne, III., 67-69.
[2] Yesterdays With Authors, p. 113.
[3] Both his friends, George William Curtis and George S. Hillard, in writing about him, have made the mistake of assigning to him black or dark eyes; an error perhaps due to the depth of shadowed cavity in which they were seen under the high and massive forehead.
