JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles. James Joyce

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JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles - James Joyce

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bell rang and then the classes began to file out of the rooms and along the corridors towards the refectory. He sat looking at the two prints of butter on his plate but could not eat the damp bread. The tablecloth was damp and limp. But he drank off the hot weak tea which the clumsy scullion, girt with a white apron, poured into his cup. He wondered whether the scullion’s apron was damp too or whether all white things were cold and damp. Nasty Roche and Saurin drank cocoa that their people sent them in tins. They said they could not drink the tea; that it was hogwash. Their fathers were magistrates, the fellows said.

      All the boys seemed to him very strange. They had all fathers and mothers and different clothes and voices. He longed to be at home and lay his head on his mother’s lap. But he could not: and so he longed for the play and study and prayers to be over and to be in bed.

      He drank another cup of hot tea and Fleming said:

      — What’s up? Have you a pain or what’s up with you?

      — I don’t know, Stephen said.

      — Sick in your breadbasket, Fleming said, because your face looks white. It will go away.

      — O yes, Stephen said.

      But he was not sick there. He thought that he was sick in his heart if you could be sick in that place. Fleming was very decent to ask him. He wanted to cry. He leaned his elbows on the table and shut and opened the flaps of his ears. Then he heard the noise of the refectory every time he opened the flaps of his ears. It made a roar like a train at night. And when he closed the flaps the roar was shut off like a train going into a tunnel. That night at Dalkey the train had roared like that and then, when it went into the tunnel, the roar stopped. He closed his eyes and the train went on, roaring and then stopping; roaring again, stopping. It was nice to hear it roar and stop and then roar out of the tunnel again and then stop.

      Then the higher line fellows began to come down along the matting in the middle of the refectory, Paddy Rath and Jimmy Magee and the Spaniard who was allowed to smoke cigars and the little Portuguese who wore the woolly cap. And then the lower line tables and the tables of the third line. And every single fellow had a different way of walking.

      He sat in a corner of the playroom pretending to watch a game of dominoes and once or twice he was able to hear for an instant the little song of the gas. The prefect was at the door with some boys and Simon Moonan was knotting his false sleeves. He was telling them something about Tullabeg.

      Then he went away from the door and Wells came over to Stephen and said:

      — Tell us, Dedalus, do you kiss your mother before you go to bed?

      Stephen answered:

      — I do.

      Wells turned to the other fellows and said:

      — O, I say, here’s a fellow says he kisses his mother every night before he goes to bed.

      The other fellows stopped their game and turned round, laughing. Stephen blushed under their eyes and said:

      — I do not.

      Wells said:

      — O, I say, here’s a fellow says he doesn’t kiss his mother before he goes to bed.

      They all laughed again. Stephen tried to laugh with them. He felt his whole body hot and confused in a moment. What was the right answer to the question? He had given two and still Wells laughed. But Wells must know the right answer for he was in third of grammar. He tried to think of Wells’s mother but he did not dare to raise his eyes to Wells’s face. He did not like Wells’s face. It was Wells who had shouldered him into the square ditch the day before because he would not swop his little snuffbox for Wells’s seasoned hacking chestnut, the conqueror of forty. It was a mean thing to do; all the fellows said it was. And how cold and slimy the water had been! And a fellow had once seen a big rat jump plop into the scum.

      The cold slime of the ditch covered his whole body; and, when the bell rang for study and the lines filed out of the playrooms, he felt the cold air of the corridor and staircase inside his clothes. He still tried to think what was the right answer. Was it right to kiss his mother or wrong to kiss his mother? What did that mean, to kiss? You put your face up like that to say goodnight and then his mother put her face down. That was to kiss. His mother put her lips on his cheek; her lips were soft and they wetted his cheek; and they made a tiny little noise: kiss. Why did people do that with their two faces?

      Sitting in the studyhall he opened the lid of his desk and changed the number pasted up inside from seventyseven to seventysix. But the Christmas vacation was very far away: but one time it would come because the earth moved round always.

      There was a picture of the earth on the first page of his geography: a big ball in the middle of clouds. Fleming had a box of crayons and one night during free study he had coloured the earth green and the clouds maroon. That was like the two brushes in Dante’s press, the brush with the green velvet back for Parnell and the brush with the maroon velvet back for Michael Davitt. But he had not told Fleming to colour them those colours. Fleming had done it himself.

      He opened the geography to study the lesson; but he could not learn the names of places in America. Still they were all different places that had those different names. They were all in different countries and the countries were in continents and the continents were in the world and the world was in the universe.

      He turned to the flyleaf of the geography and read what he had written there: himself, his name and where he was.

      Stephen Dedalus

      Class of Elements

      Clongowes Wood College

      Sallins

      County Kildare

      Ireland

      Europe

      The World

      The Universe

      That was in his writing: and Fleming one night for a cod had written on the opposite page:

      Stephen Dedalus is my name,

      Ireland is my nation.

      Clongowes is my dwellingplace

      And heaven my expectation.

      He read the verses backwards but then they were not poetry. Then he read the flyleaf from the bottom to the top till he came to his own name. That was he: and he read down the page again. What was after the universe? Nothing. But was there anything round the universe to show where it stopped before the nothing place began? It could not be a wall but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be but he could only think of God. God was God’s name just as his name was Stephen. Dieu was the French for God and that was God’s name too; and when anyone prayed to God and said Dieu then God knew at once that it was a French person that was praying. But though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages still God remained always the same God and God’s real name was God.

      It made him very tired to think that way. It made him

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