know," I attacked her suddenly, "if you don't intend telling me anything, you must say so distinctly, and then, of course, it shall be final. But I won't play at delicacy. I ask you point-blank for all the details."
She smiled faintly at my threatening tone.
"You are as curious as a child."
"No. I am only an anxious old man," I replied earnestly.
She rested her glance on me as if to ascertain the degree of my anxiety or the number of my years. My physiognomy has never been expressive, I believe, and as to my years I am not ancient enough as yet to be strikingly decrepit. I have no long beard like the good hermit of a romantic ballad; my footsteps are not tottering, my aspect not that of a slow, venerable sage. Those picturesque advantages are not mine. I am old, alas, in a brisk, commonplace way. And it seemed to me as though there were some pity for me in Miss Haldin's prolonged glance. She stepped out a little quicker.
"You ask for all the details. Let me see. I ought to remember them. It was novel enough for a—a village girl like me."
After a moment of silence she began by saying that the Chateau Borel was almost as neglected inside as outside. It was nothing to wonder at, a Hamburg banker, I believe, retired from business, had it built to cheer his remaining days by the view of that lake whose precise, orderly, and well-to-do beauty must have been attractive to the unromantic imagination of a business man. But he died soon. His wife departed too (but only to Italy), and this house of moneyed ease, presumably unsaleable, had stood empty for several years. One went to it up a gravel drive, round a large, coarse grass-plot, with plenty of time to observe the degradation of its stuccoed front. Miss Haldin said that the impression was unpleasant. It grew more depressing as one came nearer.
She observed green stains of moss on the steps of the terrace. The front door stood wide open. There was no one about. She found herself in a wide, lofty, and absolutely empty hall, with a good many doors. These doors were all shut. A broad, bare stone staircase faced her, and the effect of the whole was of an untenanted house. She stood still, disconcerted by the solitude, but after a while she became aware of a voice speaking continuously somewhere.
"You were probably being observed all the time," I suggested. "There must have been eyes."
"I don't see how that could be," she retorted. "I haven't seen even a bird in the grounds. I don't remember hearing a single twitter in the trees. The whole place appeared utterly deserted except for the voice."
She could not make out the language—Russian, French, or German. No one seemed to answer it. It was as though the voice had been left behind by the departed inhabitants to talk to the bare walls. It went on volubly, with a pause now and then. It was lonely and sad. The time seemed very long to Miss Haldin. An invincible repugnance prevented her from opening one of the doors in the hall. It was so hopeless. No one would come, the voice would never stop. She confessed to me that she had to resist an impulse to turn round and go away unseen, as she had come.
"Really? You had that impulse?" I cried, full of regret. "What a pity you did not obey it."
She shook her head.
"What a strange memory it would have been for one. Those deserted grounds, that empty hall, that impersonal, voluble voice, and—nobody, nothing, not a soul."
The memory would have been unique and harmless. But she was not a girl to run away from an intimidating impression of solitude and mystery. "No, I did not run away," she said. "I stayed where I was—and I did see a soul. Such a strange soul."
As she was gazing up the broad staircase, and had concluded that the voice came from somewhere above, a rustle of dress attracted her attention. She looked down and saw a woman crossing the hall, having issued apparently through one of the many doors. Her face was averted, so that at first she was not aware of Miss Haldin.
On turning her head and seeing a stranger, she appeared very much startled. From her slender figure Miss Haldin had taken her for a young girl; but if her face was almost childishly round, it was also sallow and wrinkled, with dark rings under the eyes. A thick crop of dusty brown hair was parted boyishly on the side with a lateral wave above the dry, furrowed forehead. After a moment of dumb blinking, she suddenly squatted down on the floor.
"What do you mean by squatted down?" I asked, astonished. "This is a very strange detail."
Miss Haldin explained the reason. This person when first seen was carrying a small bowl in her hand. She had squatted down to put it on the floor for the benefit of a large cat, which appeared then from behind her skirts, and hid its head into the bowl greedily. She got up, and approaching Miss Haldin asked with nervous bluntness—
"What do you want? Who are you?"
Miss Haldin mentioned her name and also the name of Peter Ivanovitch. The girlish, elderly woman nodded and puckered her face into a momentary expression of sympathy. Her black silk blouse was old and even frayed in places; the black serge skirt was short and shabby. She continued to blink at close quarters, and her eyelashes and eyebrows seemed shabby too. Miss Haldin, speaking gently to her, as if to an unhappy and sensitive person, explained how it was that her visit could not be an altogether unexpected event to Madame de S—.
"Ah! Peter Ivanovitch brought you an invitation. How was I to know? A dame de compangnie is not consulted, as you may imagine."
The shabby woman laughed a little. Her teeth, splendidly white and admirably even, looked absurdly out of place, like a string of pearls on the neck of a ragged tramp. "Peter Ivanovitch is the greatest genius of the century perhaps, but he is the most inconsiderate man living. So if you have an appointment with him you must not be surprised to hear that he is not here."
Miss Haldin explained that she had no appointment with Peter Ivanovitch. She became interested at once in that bizarre person.
"Why should he put himself out for you or any one else? Oh! these geniuses. If you only knew! Yes! And their books—I mean, of course, the books that the world admires, the inspired books. But you have not been behind the scenes. Wait till you have to sit at a table for a half a day with a pen in your hand. He can walk up and down his rooms for hours and hours. I used to get so stiff and numb that I was afraid I would lose my balance and fall off the chair all at once."
She kept her hands folded in front of her, and her eyes, fixed on Miss Haldin's face, betrayed no animation whatever. Miss Haldin, gathering that the lady who called herself a dame de compangnie was proud of having acted as secretary to Peter Ivanovitch, made an amiable remark.
"You could not imagine a more trying experience," declared the lady. "There is an Anglo-American journalist interviewing Madame de S— now, or I would take you up," she continued in a changed tone and glancing towards the staircase. "I act as master of ceremonies."
It appeared that Madame de S— could not bear Swiss servants about her person; and, indeed, servants would not stay for very long in the Chateau Borel. There were always difficulties. Miss Haldin had already noticed that the hall was like a dusty barn of marble and stucco with cobwebs in the corners and faint tracks of mud on the black and white tessellated floor.
"I look also after this animal," continued the dame de compagnie, keeping her hands folded quietly in front of her; and she bent her worn gaze upon the cat. "I don't mind a bit. Animals have their rights; though, strictly speaking, I see no reason why they should not suffer as well as human beings. Do you? But of course they never suffer so much. That is impossible. Only, in their case it is more pitiful because they cannot make a revolution. I used to be a
