UNDER WESTERN EYES. Джозеф Конрад

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that it was not fear—not fear for himself—but it was, all the same, a sort of apprehension as if for another, for some one he knew without being able to put a name on the personality. But the recollection that the officious Englishman had a train to meet tranquillized him for a time. It was too stupid to suppose that he should be wasting his time in waiting. It was unnecessary to look round and make sure.

      But what did the man mean by his extraordinary rigmarole about the newspaper, and that crazy old woman? he thought suddenly. It was a damnable presumption, anyhow, something that only an Englishman could be capable of. All this was a sort of sport for him—the sport of revolution—a game to look at from the height of his superiority. And what on earth did he mean by his exclamation, "Won't the truth do?"

      Razumov pressed his folded arms to the stone coping over which he was leaning with force. "Won't the truth do? The truth for the crazy old mother of the—"

      The young man shuddered again. Yes. The truth would do! Apparently it would do. Exactly. And receive thanks, he thought, formulating the unspoken words cynically. "Fall on my neck in gratitude, no doubt," he jeered mentally. But this mood abandoned him at once. He felt sad, as if his heart had become empty suddenly. "Well, I must be cautious," he concluded, coming to himself as though his brain had been awakened from a trance. "There is nothing, no one, too insignificant, too absurd to be disregarded," he thought wearily. "I must be cautious."

      Razumov pushed himself with his hand away from the balustrade and, retracing his steps along the bridge, walked straight to his lodgings, where, for a few days, he led a solitary and retired existence. He neglected Peter Ivanovitch, to whom he was accredited by the Stuttgart group; he never went near the refugee revolutionists, to whom he had been introduced on his arrival. He kept out of that world altogether. And he felt that such conduct, causing surprise and arousing suspicion, contained an element of danger for himself.

      This is not to say that during these few days he never went out. I met him several times in the streets, but he gave me no recognition. Once, going home after an evening call on the ladies Haldin, I saw him crossing the dark roadway of the Boulevard des Philosophes. He had a broad-brimmed soft hat, and the collar of his coat turned up. I watched him make straight for the house, but, instead of going in, he stopped opposite the still lighted windows, and after a time went away down a side-street.

      I knew that he had not been to see Mrs. Haldin yet. Miss Haldin told me he was reluctant; moreover, the mental condition of Mrs. Haldin had changed. She seemed to think now that her son was living, and she perhaps awaited his arrival. Her immobility in the great arm-chair in front of the window had an air of expectancy, even when the blind was down and the lamps lighted.

      For my part, I was convinced that she had received her death-stroke; Miss Haldin, to whom, of course, I said nothing of my forebodings, thought that no good would come from introducing Mr. Razumov just then, an opinion which I shared fully. I knew that she met the young man on the Bastions. Once or twice I saw them strolling slowly up the main alley. They met every day for weeks. I avoided passing that way during the hour when Miss Haldin took her exercise there. One day, however, in a fit of absent-mindedness, I entered the gates and came upon her walking alone. I stopped to exchange a few words. Mr. Razumov failed to turn up, and we began to talk about him—naturally.

      "Did he tell you anything definite about your brother's activities—his end?" I ventured to ask.

      "No," admitted Miss Haldin, with some hesitation. "Nothing definite."

      I understood well enough that all their conversations must have been referred mentally to that dead man who had brought them together. That was unavoidable. But it was in the living man that she was interested. That was unavoidable too, I suppose. And as I pushed my inquiries I discovered that he had disclosed himself to her as a by no means conventional revolutionist, contemptuous of catchwords, of theories, of men too. I was rather pleased at that—but I was a little puzzled.

      "His mind goes forward, far ahead of the struggle," Miss Haldin explained. "Of course, he is an actual worker too," she added.

      "And do you understand him?" I inquired point-blank.

      She hesitated again. "Not altogether," she murmured.

      I perceived that he had fascinated her by an assumption of mysterious reserve.

      "Do you know what I think?" she went on, breaking through her reserved, almost reluctant attitude: "I think that he is observing, studying me, to discover whether I am worthy of his trust...."

      "And that pleases you?"

      She kept mysteriously silent for a moment. Then with energy, but in a confidential tone—

      "I am convinced;" she declared, "that this extraordinary man is meditating some vast plan, some great undertaking; he is possessed by it—he suffers from it—and from being alone in the world."

      "And so he's looking for helpers?" I commented, turning away my head.

      Again there was a silence.

      "Why not?" she said at last.

      The dead brother, the dying mother, the foreign friend, had fallen into a distant background. But, at the same time, Peter Ivanovitch was absolutely nowhere now. And this thought consoled me. Yet I saw the gigantic shadow of Russian life deepening around her like the darkness of an advancing night. It would devour her presently. I inquired after Mrs. Haldin—that other victim of the deadly shade.

      A remorseful uneasiness appeared in her frank eyes. Mother seemed no worse, but if I only knew what strange fancies she had sometimes! Then Miss Haldin, glancing at her watch, declared that she could not stay a moment longer, and with a hasty hand-shake ran off lightly.

      Decidedly, Mr. Razumov was not to turn up that day. Incomprehensible youth!

      But less than an hour afterwards, while crossing the Place Mollard, I caught sight of him boarding a South Shore tramcar.

      "He's going to the Chateau Borel," I thought.

      After depositing Razumov at the gates of the Chateau Borel, some half a mile or so from the town, the car continued its journey between two straight lines of shady trees. Across the roadway in the sunshine a short wooden pier jutted into the shallow pale water, which farther out had an intense blue tint contrasting unpleasantly with the green orderly slopes on the opposite shore. The whole view, with the harbour jetties of white stone underlining lividly the dark front of the town to the left, and the expanding space of water to the right with jutting promontories of no particular character, had the uninspiring, glittering quality of a very fresh oleograph. Razumov turned his back on it with contempt. He thought it odious—oppressively odious—in its unsuggestive finish: the very perfection of mediocrity attained at last after centuries of toil and culture. And turning his back on it, he faced the entrance to the grounds of the Chateau Borel.

      The bars of the central way and the wrought-iron arch between the dark weather-stained stone piers were very rusty; and, though fresh tracks of wheels ran under it, the gate looked as if it had not been opened for a very long time. But close against the lodge, built of the same grey stone as the piers (its windows were all boarded up), there was a small side entrance. The bars of that were rusty too; it stood ajar and looked as though it had not been closed for a long time. In fact, Razumov, trying to push it open a little wider, discovered it was immovable.

      "Democratic virtue. There are no thieves here, apparently," he muttered to himself, with displeasure. Before advancing into the grounds he looked back sourly at an idle working man lounging on a bench in the clean, broad avenue. The fellow had thrown his feet

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