Ann Veronica. H. G. Wells

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Ann Veronica - H. G. Wells

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and child. When she spoke, her lips twitched.

      “Then I suppose when I have graduated I am to come home?”

      “It seems the natural course—”

      “And do nothing?”

      “There are plenty of things a girl can find to do at home.”

      “Until some one takes pity on me and marries me?”

      He raised his eyebrows in mild appeal. His foot tapped impatiently, and he took up the papers.

      “Look here, father,” she said, with a change in her voice, “suppose I won’t stand it?”

      He regarded her as though this was a new idea.

      “Suppose, for example, I go to this dance?”

      “You won’t.”

      “Well”—her breath failed her for a moment. “How would you prevent it?” she asked.

      “But I have forbidden it!” he said, raising his voice.

      “Yes, I know. But suppose I go?”

      “Now, Veronica! No, no. This won’t do. Understand me! I forbid it. I do not want to hear from you even the threat of disobedience.” He spoke loudly. “The thing is forbidden!”

      “I am ready to give up anything that you show to be wrong.”

      “You will give up anything I wish you to give up.”

      They stared at each other through a pause, and both faces were flushed and obstinate.

      She was trying by some wonderful, secret, and motionless gymnastics to restrain her tears. But when she spoke her lips quivered, and they came. “I mean to go to that dance!” she blubbered. “I mean to go to that dance! I meant to reason with you, but you won’t reason. You’re dogmatic.”

      At the sight of her tears his expression changed to a mingling of triumph and concern. He stood up, apparently intending to put an arm about her, but she stepped back from him quickly. She produced a handkerchief, and with one sweep of this and a simultaneous gulp had abolished her fit of weeping. His voice now had lost its ironies.

      “Now, Veronica,” he pleaded, “Veronica, this is most unreasonable. All we do is for your good. Neither your aunt nor I have any other thought but what is best for you.”

      “Only you won’t let me live. Only you won’t let me exist!”

      Mr. Stanley lost patience. He bullied frankly.

      “What nonsense is this? What raving! My dear child, you DO live, you DO exist! You have this home. You have friends, acquaintances, social standing, brothers and sisters, every advantage! Instead of which, you want to go to some mixed classes or other and cut up rabbits and dance about at nights in wild costumes with casual art student friends and God knows who. That—that isn’t living! You are beside yourself. You don’t know what you ask nor what you say. You have neither reason nor logic. I am sorry to seem to hurt you, but all I say is for your good. You MUST not, you SHALL not go. On this I am resolved. I put my foot down like—like adamant. And a time will come, Veronica, mark my words, a time will come when you will bless me for my firmness to-night. It goes to my heart to disappoint you, but this thing must not be.”

      He sidled toward her, but she recoiled from him, leaving him in possession of the hearth-rug.

      “Well,” she said, “good-night, father.”

      “What!” he asked; “not a kiss?”

      She affected not to hear.

      The door closed softly upon her. For a long time he remained standing before the fire, staring at the situation. Then he sat down and filled his pipe slowly and thoughtfully. …

      “I don’t see what else I could have said,” he remarked.

       Table of Contents

       Table of Contents

       Table of Contents

      “Are you coming to the Fadden Dance, Ann Veronica?” asked Constance Widgett.

      Ann Veronica considered her answer. “I mean to,” she replied.

      “You are making your dress?”

      “Such as it is.”

      They were in the elder Widgett girl’s bedroom; Hetty was laid up, she said, with a sprained ankle, and a miscellaneous party was gossiping away her tedium. It was a large, littered, self-forgetful apartment, decorated with unframed charcoal sketches by various incipient masters; and an open bookcase, surmounted by plaster casts and the half of a human skull, displayed an odd miscellany of books—Shaw and Swinburne, Tom Jones, Fabian Essays, Pope and Dumas, cheek by jowl. Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. Miss Miniver looked out on the world through large emotional blue eyes that were further magnified by the glasses she wore, and her nose was pinched and pink, and her mouth was whimsically petulant. Her glasses moved quickly as her glance travelled from face to face. She seemed bursting with the desire to talk, and watching for her opportunity. On her lapel was an ivory button, bearing the words “Votes for Women.” Ann Veronica sat at the foot of the sufferer’s bed, while Teddy Widgett, being something of an athlete, occupied the only bed-room chair—a decadent piece, essentially a tripod and largely a formality—and smoked cigarettes, and tried to conceal the fact that he was looking all the time at Ann Veronica’s eyebrows. Teddy was the hatless young man who had turned Ann Veronica aside from the Avenue two days before. He was the junior of both his sisters, co-educated and much broken in to feminine society. A bowl of roses, just brought by Ann Veronica, adorned the communal dressing-table, and Ann Veronica was particularly trim in preparation for a call she was to make with her aunt later in the afternoon.

      Ann Veronica decided to be more explicit. “I’ve been,” she said, “forbidden to come.”

      “Hul-LO!” said Hetty, turning her head on the pillow; and Teddy remarked with profound emotion, “My God!”

      “Yes,” said Ann Veronica, “and that complicates the situation.”

      “Auntie?” asked Constance, who was conversant

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