Stephen Crane - Ultimate Collection: 200+ Novels, Short Stories & Poems. Stephen Crane
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Coleman returned to his hotel, a knight impatient and savage at being kept for a time out of the saddle. He went for a late supper to the grill room and as he was seated there alone, a party of four or five people came to occupy the table directly behind him. They talked a great deal even before they arrayed them. selves at the table, and he at once recognised the voice of Nora Black. She was queening it, apparently, over a little band of awed masculine worshippers.
Either by accident or for some curious reason, she took a chair back to back with Coleman's chair. Her sleeve of fragrant stuff almost touched his shoulder and he felt appealing to him seductively a perfume of orris root and violet. He was drinking bottled stout with his chop; be sat with a face of wood.
"Oh, the little lord?" Nora was crying to some slave. "Now, do you know, he won't do at all. He is too awfully charming. He sits and ruminates for fifteen minutes and then he pays me a lovely compliment. Then he ruminates for another fifteen minutes and cooks up another fine thing. It is too tiresome. Do you know what kind of man. I like?" she asked softly and confidentially. And here she sank back in her chair until. Coleman knew from the tingle that her head was but a few inches from his head. Her, sleeve touched him. He turned more wooden under the spell of the orris root and violet. Her courtiers thought it all a graceful pose, but Coleman believed otherwise. Her voice sank to the liquid, siren note of a succubus. "Do you know what kind of a man I like? Really like? I like a man that a woman can't bend in a thousand different ways in five minutes. He must have some steel in him. He obliges me to admire him the most when he remains stolid; stolid to me lures. Ah, that is the only kind of a man who cap ever break a heart among us women of the world. His stolidity is not real; no; it is mere art, but it is a highly finished art and often enough we can't cut through it. Really we can't. And, then we may actually come to—er—care for the man. Really we may. Isn't it funny?"
Alt the end Coleman arose and strolled out of the. room, smoking a cigarette. He did not betray, a sign. Before. the door clashed softly behind him, Nora laughed a little defiantly, perhaps a little loudly. It made every man in the grill-room perk up his ears. As for her courtiers, they were entranced. In her description of the conquering man, she had easily contrived that each one of them wondered if she might not mean him. Each man was perfectly sure that he had plenty of steel in his composition and that seemed to be a main point.
Coleman delayed for a time in the smoking room and then went to his own quarters. In reality he was Somewhat puzzled in his mind by a projection of the beauties of Nora Black upon his desire for Greece and Marjory, His thoughts formed a duality. Once he was on the point of sending his card to Nora Black's parlour, inasmuch as Greece was very distant and he could not start until the morrow. But he suspected that he was holding the interest of the actress because of his recent appearance of impregnable serenity in the presence of her fascinations. If he now sent his card, it was a form of surrender and he knew her to be one to take a merciless advantage. He would not make this tactical mistake. On the contrary he would go to bed and think of war,
In reality he found it easy to fasten his mind upon the prospective war. He regarded himself cynically in most affairs, but he could not be cynical of war, because had he - seen none of it. His rejuvenated imagination began to thrill to the roll of battle, through his thought passing all the lightning in the pictures of Detaille, de Neuville and Morot; lashed battery horse roaring over bridges; grand cuirassiers dashing headlong against stolid invincible red-faced lines of German infantry; furious and bloody grapplings in the streets of little villages of northeastern France. There was one thing at least of which he could still feel the spirit of a debutante. In this matter of war he was not, too, unlike a young girl embarking upon her first season of opera. Walkely, the next morning, saw this mood sitting quaintly upon Coleman and cackled with astonishment and glee. Coleman's usual manner did not return until he detected Walkely's appreciation of his state and then he snubbed him according to the ritual of the Sunday editor of the New York Eclipse. Parenthetically, it might be said that if Coleman now recalled Nora Black to his mind at all, it was only to think of her for a moment with ironical complacence. He had beaten her.
When the train drew out of the station, Coleman felt himself thrill. Was ever fate less perverse? War and love-war and Marjory-were in conjunction both in Greece-and he could tilt with one lance at both gods. It was a great fine game to play and no man was ever so blessed in vacations. He was smiling continually to himself and sometimes actually on the point of talking aloud. This was despite the presence in the compartment of two fellow passengers who preserved in their uncomfortably rigid, icy and uncompromising manners many of the more or less ridiculous traditions of the English first class carriage. Coleman's fine humour betrayed him once into addressing one of these passengers and the man responded simply with a wide look of incredulity, as if he discovered that he was travelling in the same compartment with a zebu. It turned Coleman suddenly to evil temper and he wanted to ask the man questions concerning his education and his present mental condition: and so until the train arrived at Dover, his ballooning soul was in danger of collapsing. On the packet crossing the channel, too, he almost returned to the usual Rufus Coleman since all the world was seasick and he could not get a cabin in which to hide himself from it. However he reaped much consolation by ordering a bottle of champagne and drinking it in sight of the people, which made them still more seasick. From Calais to Brindisi really nothing met his disapproval save the speed of the train, the conduct of some of the passengers, the quality of the food served, the manners of the guards, the temperature of the carriages, the prices charged and the length of the journey.
In time he passed as in a vision from wretched Brindisi to charming Corfu, from Corfu to the little war-bitten city of Patras and from Patras by rail at the speed of an ox-cart to Athens.
With a smile of grim content and surrounded in his carriage with all his beautiful brown luggage, he swept through the dusty streets of the Greek capital. Even as the vehicle arrived in a great terraced square in front of the yellow palace, Greek recruits in garments representing many trades and many characters were marching up cheering for Greece and the king. Officers stood upon the little iron chairs in front of the cafes; all the urchins came running and shouting; ladies waved their handkerchiefs from the balconies; the whole city was vivified with a leaping and joyous enthusiasm. The Athenians—as dragomen or otherwise-had preserved an ardor for their glorious traditions, and it was as if that in the white dust which lifted from the plaza and floated across the old-ivory face of the palace, there were the souls of the capable soldiers of the past. Coleman was almost intoxicated with it. It seemed to celebrate his own reasons, his reasons of love and ambition to conquer in love.
When the carriage arrived in front of the Hotel D'Angleterre, Coleman found the servants of the place with more than one eye upon the scene in the plaza, but they soon paid heed to the arrival of a gentleman with such an amount of beautiful leather luggage, all marked boldly with the initials "R. C." Coleman let them lead him and follow him and conduct him and use bad English upon him without noting either their words, their salaams or their work. His mind had quickly fixed upon the fact that here was the probable headquarters of the Wainwright party and, with the rush of his western race fleeting through his veins, he felt that he would choke and die if he did not learn of the Wainwrights in the first two minutes. It was a tragic venture to attempt to make the Levantine mind understand something off the course, that the new arrival's first thought was to establish a knowlege of the whereabouts of some of his friends rather than to swarm helter-skelter into that part of the hotel for which he was willing to pay rent. In fact he failed to thus impress them; failed in dark wrath, but, nevertheless, failed. At last he was simply forced to concede the travel of files of men up the broad, redcarpeted stair-case,