The Complete Short Stories of Stephen Crane. Stephen Crane
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The interior of the barn possessed for her another fascination because it was now uncanny. It contained that extraordinary feed-box. When she peeped again at the knot-hole, the calm, grey prisoner was seated upon the feed-box, thumping it with his dangling, careless heels as if it were in nowise his conception of a remarkable feed-box. The sentry also stood facing it. His carbine he held in the hollow of his arm. His legs were spread apart, and he mused. From without came the low mumble of the three other troopers. The sharp lieutenant had vanished.
The trembling yellow light of the lantern caused the figures of the men to cast monstrous wavering shadows. There were spaces of gloom which shrouded ordinary things in impressive garb. The roof presented an inscrutable blackness, save where small rifts in the shingles glowed phosphorescently. Frequently old Santo put down a thunderous hoof. The heels of the prisoner made a sound like the booming of a wild kind of drum. When the men moved their heads, their eyes shone with ghoulish whiteness, and their complexions were always waxen and unreal. And there was that profoundly strange feed-box, imperturbable with its burden of fantastic mystery.
Suddenly from down near her feet the girl heard a crunching sound, a sort of a nibbling, as if some silent and very discreet terrier was at work upon the turf. She faltered back; here was no doubt another grotesque detail of this most unnatural episode. She did not run, because physically she was in the power of these events. Her feet chained her to the ground in submission to this march of terror after terror. As she stared at the spot from which this sound seemed to come, there floated through her mind a vague, sweet vision—a vision of her safe little room, in which at this hour she usually was sleeping.
The scratching continued faintly and with frequent pauses, as if the terrier was then listening. When the girl first removed her eyes from the knot-hole the scene appeared of one velvet blackness; then gradually objects loomed with a dim lustre. She could see now where the tops of the trees joined the sky and the form of the barn was before her dyed in heavy purple. She was ever about to shriek, but no sound came from her constricted throat. She gazed at the ground with the expression of countenance of one who watches the sinister-moving grass where a serpent approaches.
Dimly she saw a piece of sod wrenched free and drawn under the great foundation-beam of the barn. Once she imagined that she saw human hands, not outlined at all, but sufficient, in colour, form, or movement to make subtle suggestion.
Then suddenly a thought that illuminated the entire situation flashed in her mind like a light. The three men, late of the feed-box, were beneath the floor of the barn and were now scraping their way under this beam. She did not consider for a moment how they could come there. They were marvellous creatures. The supernatural was to be expected of them. She no longer trembled, for she was possessed upon this instant of the most unchangeable species of conviction. The evidence before her amounted to no evidence at all, but nevertheless her opinion grew in an instant from an irresponsible acorn to a rooted and immovable tree. It was as if she was on a jury.
She stooped down hastily and scanned the ground. There she indeed saw a pair of hands hauling at the dirt where the sod had been displaced. Softly, in a whisper like a breath, she said, "Hey!"
The dim hands were drawn hastily under the barn. The girl reflected for a moment. Then she stooped and whispered: "Hey! It's me!"
After a time there was a resumption of the digging. The ghostly hands began once more their cautious mining. She waited. In hollow reverberations from the interior of the barn came the frequent sounds of old Santo's lazy movements. The sentry conversed with the prisoner.
At last the girl saw a head thrust slowly from under the beam. She perceived the face of one of the miraculous soldiers from the feed-box. A pair of eyes glintered and wavered, then finally settled upon her, a pale statue of a girl. The eyes became lit with a kind of humorous greeting. An arm gestured at her.
Stooping, she breathed, "All right." The man drew himself silently back under the beam. A moment later the pair of hands resumed their cautious task. Ultimately the head and arms of the man were thrust strangely from the earth. He was lying on his back. The girl thought of the dirt in his hair. Wriggling slowly and pushing at the beam above him he forced his way out of the curious little passage. He twisted his body and raised himself upon his hands. He grinned at the girl and drew his feet carefully from under the beam. When he at last stood erect beside her, he at once began mechanically to brush the dirt from his clothes with his hands. In the barn the sentry and his prisoner were evidently engaged in an argument.
The girl and the first miraculous soldier signalled warily. It seemed that they feared that their arms would make noises in passing through the air. Their lips moved, conveying dim meanings.
In this sign-language the girl described the situation in the barn. With guarded motions, she told him of the importance of absolute stillness. He nodded, and then in the same manner he told her of his two companions under the barn floor. He informed her again of their wounded state, and wagged his head to express his despair. He contorted his face, to tell how sore were their arms; and jabbed the air mournfully, to express their remote geographical position.
This signalling was interrupted by the sound of a body being dragged or dragging itself with slow, swishing sound under the barn. The sound was too loud for safety. They rushed to the hole and began to semaphore until a shaggy head appeared with rolling eyes and quick grin.
With frantic downward motions of their arms they suppressed this grin and with it the swishing noise. In dramatic pantomime they informed this head of the terrible consequences of so much noise. The head nodded, and painfully, but with extreme care, the second man pushed and pulled himself from the hole.
In a faint whisper the first man said, "Where's Sim?"
The second man made low reply: "He's right here." He motioned reassuringly toward the hole.
When the third head appeared, a soft smile of glee came upon each face, and the mute group exchanged expressive glances.
When they all stood together, free from this tragic barn, they breathed a long sigh that was contemporaneous with another smile and another exchange of glances.
One of the men tiptoed to a knot-hole and peered into the barn. The sentry was at that moment speaking. "Yes, we know 'em all. There isn't a house in this region that we don't know who is in it most of the time. We collar 'em once in a while—like we did you. Now, that house out yonder, we——"
The man suddenly left the knot-hole and returned to the others. Upon his face, dimly discerned, there was an indication that he had made an astonishing discovery. The others questioned him with their eyes, but he simply waved an arm to express his inability to speak at that spot. He led them back toward the hill, prowling carefully. At a safe distance from the barn he halted, and as they grouped eagerly about him, he exploded in an intense undertone: "Why, that—that's Cap'n Sawyer they got in yonder."
"Cap'n Sawyer!" incredulously whispered the other men.
But the girl had something to ask. "How did you get out of that feed-box?" He smiled. "Well, when you put us in there, we was just in a minute when we allowed it wasn't a mighty safe place, and we allowed we'd get out. And we did. We skedaddled