Discover the Truth About Jesus and the Secrets of Bible. M. M. Mangasarian

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Such is clearly and undeniably the basis for the belief in a historical Jesus. It was this sense of the insufficiency of the evidence which drove the missionaries of Christianity to commit forgeries.

      If there was ample evidence for the historicity of Jesus, why did his biographers resort to forgery? The following admissions by Christian writers themselves show the helplessness of the early preachers in the presence of inquirers who asked for proofs. The church historian, Mosheim, writes that, "The Christian Fathers deemed it a pious act to employ deception and fraud."

      Again, he says: "The greatest and most pious teachers were nearly all of them infected with this leprosy." Will not some believer tell us why forgery and fraud were necessary to prove the historicity of Jesus. Another historian, Milman, writes that, "Pious fraud was admitted and avowed" by the early missionaries of Jesus. "It was an age of literary frauds," writes Bishop Ellicott, speaking of the times immediately following the alleged crucifixion of Jesus. Dr. Giles declares that, "There can be no doubt that great numbers of books were written with no other purpose than to deceive." And it is the opinion of Dr. Robertson Smith that, "There was an enormous floating mass of spurious literature created to suit party views." Books which are now rejected as apochryphal were at one time received as inspired, and books which are now believed to be infallible were at one time regarded as of no authority in the Christian world. It certainly is puzzling that there should be a whole literature of fraud and forgery in the name of a historical person. But if Jesus was a myth, we can easily explain the legends and traditions springing up in his name.

      The early followers of Jesus, then, realizing the force of this objection, did actually resort to interpolation and forgery in order to prove that Jesus was a historical character.

      One of the oldest critics of the Christian religion was a Pagan, known to history under the name of Porphyry; yet, the early Fathers did not hesitate to tamper even with the writings of an avowed opponent of their religion. After issuing an edict to destroy, among others, the writings of this philosopher, a work, called Philosophy of Oracles, was produced, in which the author is made to write almost as a Christian; and the name of Porphyry was signed to it as its author. St. Augustine was one of the first to reject it as a forgery. A more astounding invention than this alleged work of a heathen bearing witness to Christ is difficult to produce. Do these forgeries, these apocryphal writings, these interpolations, freely admitted to have been the prevailing practice of the early Christians, help to prove the existence of Jesus? And when to this wholesale manufacture of doubtful evidence is added the terrible vandalism which nearly destroyed every great Pagan classic, we can form an idea of the desperate means to which the early Christians resorted to prove that Jesus was not a myth. It all goes to show how difficult it is to make a man out of a myth.

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      Stories of gods born of virgins are to be found in nearly every age and country. There have been many virgin mothers, and Mary with her child is but a recent version of a very old and universal myth. In China and India, in Babylonia and Egypt, in Greece and Rome, "divine" beings selected from among the daughters of men the purest and most beautiful to serve them as a means of entrance into the world of mortals. Wishing to take upon themselves the human form, while retaining at the same time their "divinity," this compromise—of an earthly mother with a "divine" father—was effected. In the form of a swan Jupiter approached Leda, as in the guise of a dove, or a Paracletus, Jehovah "overshadowed" Mary.

      A nymph bathing in a river in China is touched by a lotus plant, and the divine Fohi is born.

      But the real home of virgin births is the land of the Nile. Eighteen hundred years before Christ, we find carved on one of the walls of the great temple of Luxor a picture of the annunciation, conception and birth of King Amunothph III, an almost exact copy of the annunciation, conception and birth of the Christian God. Of course no one will think of maintaining that the Egyptians borrowed the idea from the Catholics nearly two thousand years before the Christian era. "The story in the Gospel of Luke, the first and second chapters is," says Malvert, "a reproduction, 'point by point,' of the story in stone of the miraculous birth of Amunothph."

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      Sharpe in his Egyptian Mythology, page 19, gives the following description of the Luxor picture, quoted by G. W. Foote in his Bible Romances, page 126: "In this picture we have the annunciation, the conception, the birth and the adoration, as described in the first and second chapters of Luke's Gospel." Massey gives a more minute description of the Luxor picture. "The first scene on the left hand shows the god Taht, the divine Word or Loges, in the act of hailing the virgin queen, announcing to her that she is to give birth to a son. In the second scene the god Kneph (assisted by Hathor) gives life to her. This is the Holy Ghost, or Spirit that causes conception....Next the mother is seated on the midwife's stool, and the child is supported in the hands of one of the nurses. The fourth scene is that of the adoration. Here the child is enthroned, receiving homage from the gods and gifts from men." The picture on the wall of the Luxor temple, then, is one of the sources to which the anonymous writers of the Gospels went for their miraculous story. It is no wonder they suppressed their own identity as well as the source from which they borrowed their material.

      Not only the idea of a virgin mother, but all the other miraculous events, such as the stable cradle, the guiding star, the massacre of the children, the flight to Egypt, and the resurrection and bodily ascension toward the clouds, have not only been borrowed, but are even scarcely altered in the New Testament story of Jesus.

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      That the early Christians borrowed the legend of Jesus from earthly sources is too evident to be even questioned. Gerald Massey in his great work on Egyptian origins demonstrates the identity of Mary, the mother of Jesus, with Isis, the mother of Horus. He says: "The most ancient, gold-bedizened, smoke-stained Byzantine pictures of the virgin and child represent the mythical mother as Isis, and not as a human mother of Nazareth." Science and research have made this fact so certain that, on the one hand ignorance, and on the other, interest only, can continue to claim inspiration for the authors of the undated and unsigned fragmentary documents which pass for the Word of God. If, then, Jesus is stripped of all the borrowed legends and miracles of which he is the subject; and if we also take away from him all the teachings which collected from Jewish and Pagan sources have been attributed to him—what will be left of him? That the ideas put in his mouth have been culled and compiled from other sources is as demonstrable as the Pagan origin of the legends related of him.

      Nearly every one of the dogmas and ceremonies in the Christian cult were borrowed from other and older religions. The resurrection myth, the ascension, the eucharisty, baptism, worship by kneeling or prostration, the folding of the hands on the breast,

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