The Emperor. Georg Ebers

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The Emperor - Georg Ebers

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persuaded of this he did not think it necessary to go up to the illuminated door-way which led into the temple erected by Octavian in honor of Julius Caesar; on the contrary, he directed the charioteer to stop at a door built in the Egyptian style, which faced the garden of the palace of the Ptolemies, and which led to the imperial residence that had been built by the Alexandrians for Tiberius, and had been greatly extended and beautified under the later Caesars. A sacred grove divided it from the temple of Caesar, with which it communicated by a covered colonnade. Before this door there were several chariots and horses, and a whole host of slaves, black and white, were in attendance with their masters’ litters. Here lictors kept back the sight-seeking crowd, officers were lounging against the pillars, and the Roman guard were just assembling with a clatter of arms, to the sound of a trumpet within the door, to await their dismissal.

      Everything gave way respectfully before the chariot of the prefect, and as Titianus walked through the illuminated arcades of the Caesareum, passing by the masterpieces of statuary placed there, and the rows of pictures—and reached the halls in which the library of the palace was kept, he could not help thinking of all the care and trouble which with the assistance of Pontius, he had for months devoted to rendering this palace which had not been used since Titus had set out for Judaea, fit quarters for Hadrian’s reception. The Empress now lived in the rooms intended for her husband, and decorated with the choicest works of art, and Titianus reflected with regret that, after Sabina had once become aware of their presence there, it would be quite impossible to transfer them to Lochias. At the door of the splendid room which he had intended for Hadrian he was met by Sabina’s chamberlain who undertook to conduct him at once into the presence of his mistress.

      The roof of the hall in which the prefect found the Empress, in summer was open to the sky; but at this season was suitably covered in by a movable copper roof, partly to keep off the rain of the Alexandrian winter, and partly too because, even in the warmer season Sabina was wont to complain of cold; but beneath it a wide opening allowed the air free entrance and exit. As Titianus entered the room a comfortable warmth and subtle perfume met his senses; the warmth was produced by stoves of a peculiar form standing in the middle of the room; one of these represented Vulcan’s forge. Brightly glowing charcoal lay in front of the bellows which were worked by an automaton, at short regular intervals, while the god and his assistants modelled in brass, stood round the genial fire with tongs and hammers. The other stove was a large silver bird’s-nest, in which likewise charcoal was burning. Above the glowing fuel a phoenix, also in brass, and in the likeness of an eagle, seemed striving to soar heavenwards. Besides these a number of lamps lighted the saloon, which in truth looked too large for the number of people assembled in it, and which was lavishly furnished with gracefully-formed seats, couches, and tables, vases of flowers and statues.

      The prefect and Pontius had intended a quite different room to serve for smaller assemblies, and had fitted it up suitably for the purpose, but the Empress had preferred the great hall to the smaller room. The venerable and nobly-born statesman was filled with vexation, nay, with an embarrassment that made him feel estranged, when he had to glance round the room to find the persons in it, collected, as they were, into small knots. He could hear nothing but hushed voices; here an unintelligible murmur and there a suppressed laugh, but from no one a frank speech or full utterance. For a moment he felt as if he had found admittance to the abode of whispering calumny, and yet he knew why here no one dared to speak out or above a murmur. Loud voices hurt the Empress, and a clear voice was a misery to her, and yet few men possessed so loud and penetrating a chest voice as her husband, who was not wont to lay restraint upon himself for any human being, not even for his wife.

      Sabina sat on a large divan, more like a couch than a chair; her feet were buried in the shaggy fell of a buffalo, and her knees and ankles wrapped round with down-cushions covered with silk. Her head she held very upright, and it was difficult to imagine how her slender throat could support it, loaded as it was with strings of pearls and precious stones which were braided in the tall structure of her reddish-gold hair, that was arranged in long cylindrical curls pinned closely side by side. The Empress’s thin face looked particularly small under the mass of natural and artificial adornment which towered above her brow. Beautiful she could never have been, even in her youth, but her features were regular, and the prefect confessed to himself as he looked at Sabina’s face, marked as it was with minute wrinkles and touched up with red and white, that the sculptor who a few years previously had been commissioned to represent her as ‘Venus Victrix’ might very well have given the goddess a certain amount of resemblance to the imperial model. If only her eyes, which were absolutely bereft of lashes, had not been quite so small and keen—in spite of the dark lines painted round them—and if only the sinews in her throat had not stood out quite so conspicuously from the flesh which formerly had covered them!

      With a deep bow Titianus took the Empress’s right hand, covered with rings; but she withdrew it quickly from that of her husband’s friend and relative, as if she feared that the carefully-cherished limb—useless as it was for any practical purpose, a mere toy among hands—might suffer some injury, and wrapped it and her arm in her upper-robe. But she returned the prefect’s friendly greeting with all the warmth at her command. Though formerly at Rome she had been accustomed to see Titianus every day at her house, this was their first meeting in Alexandria; for the previous day, exhausted by the sufferings of her sea-voyage, she had been carried in a closed litter to the Caesareum, and this morning she had declined to receive his visit, as her whole time was given up to her physicians, bathing-women, and coiffeurs.

      “How can you survive in this country?” she said in a low but harsh voice, which always made the hearer feel that it was that of a dull, fractious, childless woman. “At noon the sun burns you up, and in the evening it is so cold—so intolerably cold!’ As she spoke she drew her robe closer round her, but Titianus, pointing to the stoves in the middle of the hall, said:

      “I hoped we had succeeded in cutting the bowstrings of the Egyptian winter, and it is but a feeble weapon.”

      “Still young, still imaginative, still a poet!” said the Empress wearily. “I saw your wife a couple of hours since. Africa seems to suit her less well; I was shocked to see Julia, the handsome matron, so altered. She does not look well.”

      “Years are the foe of beauty.”

      “Frequently they are, but true beauty often resists their attacks.”

      “You are yourself the living proof of your assertion.”

      “That is as much as to say that I am growing old.”

      “Nay—only that you know the secret of remaining beautiful.”

      “You are a poet!” murmured the Empress with a twitch of her thin under-lip.

      “Affairs of state do not favor the Muses.”

      “But I call any man a poet who sees things more beautiful than they are, or who gives them finer names than they deserve—a poet, a dreamer, a flatterer—for it comes to that.”

      “Ah! modesty can always find words to repel even well-merited admiration.”

      “Why this foolish bandying of words?” sighed Sabina, flinging herself back in her chair. “You have been to school under the hair-splitting logicians in the Museum here, and I have not. Over there sits Favorinus, the sophist; I dare say he is proving to Ptolemaeus that the stars are mere specks of blood in our eyes, which we choose to believe are in the sky. Florus, the historian, is taking note of this weighty discussion; Pancrates, the poet, is celebrating the great thoughts of the philosopher. As to what part the philologist there can find to take in this important event you know better than I. What is the man’s name?”

      “Apollonius.”

      “Hadrian has nick-named

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