that to Greece, as soon as she had a reflective literature, the myths of Greece seemed impious and IRRATIONAL. The essays of the native commentators on the Veda, in the same way, are endeavours to put into myths felt to be irrational and impious a meaning which does not offend either piety or reason. We may therefore conclude that it was not men in an early stage of philosophic thought (as philosophy is now understood)—not men like Empedocles and Heraclitus, nor reasonably devout men like Eumaeus, the pious swineherd of the Odyssey—who evolved the blasphemous myths of Greece, of Egypt and of India. We must look elsewhere for an explanation. We must try to discover some actual and demonstrable and widely prevalent condition of the human mind, in which tales that even to remote and rudimentary civilisations appeared irrational and unnatural would seem natural and rational. To discover this intellectual condition has been the aim of all mythologists who did not believe that myth is a divine tradition depraved by human weakness, or a distorted version of historical events.
Before going further, it is desirable to set forth what our aim is, and to what extent we are seeking an interpretation of mythology. It is not our purpose to explain every detail of every ancient legend, either as a distorted historical fact or as the result of this or that confusion of thought caused by forgetfulness of the meanings of language, or in any other way; nay, we must constantly protest against the excursions of too venturesome ingenuity. Myth is so ancient, so complex, so full of elements, that it is vain labour to seek a cause for every phenomenon. We are chiefly occupied with the quest for an historical condition of the human intellect to which the element in myths, regarded by us as irrational, shall seem rational enough. If we can prove that such a state of mind widely exists among men, and has existed, that state of mind may be provisionally considered as the fount and ORIGIN of the myths which have always perplexed men in a reasonable modern mental condition. Again, if it can be shown that this mental stage was one through which all civilised races have passed, the universality of the mythopoeic mental condition will to some extent explain the universal DIFFUSION of the stories.
Now, in all mythologies, whether savage or civilised, and in all religions where myths intrude, there exist two factors—the factor which we now regard as rational, and that which we moderns regard as irrational. The former element needs little explanation; the latter has demanded explanation ever since human thought became comparatively instructed and abstract.
To take an example; even in the myths of savages there is much that still seems rational and transparent. If savages tell us that some wise being taught them all the simple arts of life, the use of fire, of the bow and arrow, the barbing of hooks, and so forth, we understand them at once. Nothing can be more natural than that man should believe in an original inventor of the arts, and should tell tales about the imaginary discoverers if the real heroes be forgotten. So far all is plain sailing. But when the savage goes on to say that he who taught the use of fire or who gave the first marriage laws was a rabbit or a crow, or a dog, or a beaver, or a spider, then we are at once face to face with the element in myths which seems to us IRRATIONAL. Again, among civilised peoples we read of the pure all-seeing Varuna in the Vedas, to whom sin is an offence. We read of Indra, the Lord of Thunder, borne in his chariot, the giver of victory, the giver of wealth to the pious; here once more all seems natural and plain. The notion of a deity who guides the whirlwind and directs the storm, a god of battles, a god who blesses righteousness, is familiar to us and intelligible; but when we read how Indra drank himself drunk and committed adulteries with Asura women, and got himself born from the same womb as a bull, and changed himself into a quail or a ram, and suffered from the most abject physical terror, and so forth, then we are among myths no longer readily intelligible; here, we feel, are IRRATIONAL stories, of which the original ideas, in their natural sense, can hardly have been conceived by men in a pure and rational early civilisation. Again, in the religions of even the lowest races, such myths as these are in contradiction with the ethical elements of the faith.
If we look at Greek religious tradition, we observe the coexistence of the RATIONAL and the apparently IRRATIONAL elements. The RATIONAL myths are those which represent the gods as beautiful and wise beings. The Artemis of the Odyssey "taking her pastime in the chase of boars and swift deer, while with her the wild wood-nymphs disport them, and high over them all she rears her brow, and is easily to be known where all are fair,"(1) is a perfectly RATIONAL mythic representation of a divine being. We feel, even now, that the conception of a "queen and goddess, chaste and fair," the abbess, as Paul de Saint-Victor calls her, of the woodlands, is a beautiful and natural fancy, which requires no explanation. On the other hand, the Artemis of Arcadia, who is confused with the nymph Callisto, who, again, is said to have become a she-bear, and later a star; and the Brauronian Artemis, whose maiden ministers danced a bear-dance,(2) are goddesses whose legend seems unnatural, and needs to be made intelligible. Or, again, there is nothing not explicable and natural in the conception of the Olympian Zeus as represented by the great chryselephantine statue of Zeus at Olympia, or in the Homeric conception of Zeus as a god who "turns everywhere his shining eyes, and beholds all things, and protects the righteous, and deals good or evil fortune to men." But the Zeus whose grave was shown in Crete, or the Zeus who played Demeter an obscene trick by the aid of a ram, or the Zeus who, in the shape of a swan, became the father of Castor and Pollux, or the Zeus who deceived Hera by means of a feigned marriage with an inanimate object, or the Zeus who was afraid of Attes, or the Zeus who made love to women in the shape of an ant or a cuckoo, is a being whose myth is felt to be unnatural and bewildering.(3) It is this IRRATIONAL and unnatural element, as Mr. Max Muller says, "the silly, senseless, and savage element," that makes mythology the puzzle which men have so long found it. For, observe, Greek myth does not represent merely a humorous play of fancy, dealing with things religiously sacred as if by way of relief from the strained reverential contemplation of the majesty of Zeus. Many stories of Greek mythology are such as could not cross, for the first time, the mind of a civilised Xenophanes or Theagenes, even in a dream. THIS was the real puzzle.
(1) Odyssey, vi. 102.
(2) (Greek word omitted); compare Harpokration on this word.
(3) These are the features in myth which provoke, for example, the wonder of Emeric-David. "The lizard, the wolf, the dog, the ass, the frog, and all the other brutes so common on religious monuments everywhere, do they not all imply a THOUGHT which we must divine?" He concludes that these animals, plants, and monsters of myths are so many "enigmas" and "symbols" veiling some deep, sacred idea, allegories of some esoteric religious creed. Jupiter, Paris, 1832, p. lxxvii.
We have offered examples—Savage, Indian, and Greek—of that element in mythology which, as all civilised races have felt, demands explanation.
To be still more explicit, we may draw up a brief list of the chief problems in the legendary stories attached to the old religions of the world—the problems which it is our special purpose to notice. First we have, in the myths of all races, the most grotesque conceptions of the character of gods when mythically envisaged. Beings who, in religion, leave little to be desired, and are spoken of as holy, immortal, omniscient, and kindly, are, in myth, represented as fashioned in the likeness not only of man, but of the beasts; as subject to death, as ignorant and impious.
Most pre-Christian religions had their "zoomorphic" or partially zoomorphic idols, gods in the shape of the lower animals, or with the heads and necks of the lower animals. In the same way all mythologies represent the gods as fond of appearing in animal forms. Under these disguises they conduct many amours, even with the daughters of men, and Greek houses were proud of their descent from Zeus in the shape of an eagle or ant, a serpent or a swan; while Cronus and the Vedic Tvashtri and Poseidon made love as horses, and Apollo as a dog. Not less wild are the legends about the births of gods from the thigh, or the head, or feet, or armpits of some parent; while tales describing and pictures representing unspeakable divine obscenities were frequent in the mythology and in the temples of Greece. Once more, the gods were said to possess and exercise the power of turning men and women into birds, beasts, fishes, trees, and stones, so that there was scarcely a familiar natural object in the Greek world which had not once (according to legend) been a man or a woman. The myths of the origin of the world and man, again, were in the last degree
