the spirits of the past, assume their names, their battle cries, their costumes to enact a new historic scene in such time-honored disguise and with such borrowed language Thus did Luther masquerade as the Apostle Paul; thus did the revolution of 1789–1814 drape itself alternately as Roman Republic and as Roman Empire; nor did the revolution of 1818 know what better to do than to parody at one time the year 1789, at another the revolutionary traditions of 1793–95 Thus does the beginner, who has acquired a new language, keep on translating it back into his own mother tongue; only then has he grasped the spirit of the new language and is able freely to express himself therewith when he moves in it without recollections of the old, and has forgotten in its use his own hereditary tongue.
When these historic configurations of the dead past are closely observed a striking difference is forthwith noticeable. Camille Desmoulins, Danton, Robespierre, St. Juste, Napoleon, the heroes as well as the parties and the masses of the old French revolution, achieved in Roman costumes and with Roman phrases the task of their time: the emancipation and the establishment of modern bourgeois society. One set knocked to pieces the old feudal groundwork and mowed down the feudal heads that had grown upon it; Napoleon brought about, within France, the conditions under which alone free competition could develop, the partitioned lands be exploited the nation's unshackled powers of industrial production be utilized; while, beyond the French frontier, he swept away everywhere the establishments of feudality, so far as requisite, to furnish the bourgeois social system of France with fit surroundings of the European continent, and such as were in keeping with the times. Once the new social establishment was set on foot, the antediluvian giants vanished, and, along with them, the resuscitated Roman world—the Brutuses, Gracchi, Publicolas, the Tribunes, the Senators, and Caesar himself. In its sober reality, bourgeois society had produced its own true interpretation in the Says, Cousins, Royer-Collards, Benjamin Constants and Guizots; its real generals sat behind the office desks; and the mutton-head of Louis XVIII was its political lead. Wholly absorbed in the production of wealth and in the peaceful fight of competition, this society could no longer understand that the ghosts of the days of Rome had watched over its cradle. And yet, lacking in heroism as bourgeois society is, it nevertheless had stood in need of heroism, of self-sacrifice, of terror, of civil war, and of bloody battle fields to bring it into the world. Its gladiators found in the stern classic traditions of the Roman republic the ideals and the form, the self-deceptions, that they needed in order to conceal from themselves the narrow bourgeois substance of their own struggles, and to keep their passion up to the height of a great historic tragedy. Thus, at another stage of development a century before, did Cromwell and the English people draw from the Old Testament the language, passions and illusions for their own bourgeois revolution. When the real goal was reached, when the remodeling of English society was accomplished, Locke supplanted Habakuk.
Accordingly, the reviving of the dead in those revolutions served the purpose of glorifying the new struggles, not of parodying the old; it served the purpose of exaggerating to the imagination the given task, not to recoil before its practical solution; it served the purpose of rekindling the revolutionary spirit, not to trot out its ghost.
In 1848–51 only the ghost of the old revolution wandered about, from Marrast the "Republicain en gaunts jaunes," [#1 Silk-stocking republican] who disguised himself in old Bailly, down to the adventurer, who hid his repulsively trivial features under the iron death mask of Napoleon. A whole people, that imagines it has imparted to itself accelerated powers of motion through a revolution, suddenly finds itself transferred back to a dead epoch, and, lest there be any mistake possible on this head, the old dates turn up again; the old calendars; the old names; the old edicts, which long since had sunk to the level of the antiquarian's learning; even the old bailiffs, who had long seemed mouldering with decay. The nation takes on the appearance of that crazy Englishman in Bedlam, who imagines he is living in the days of the Pharaohs, and daily laments the hard work that he must do in the Ethiopian mines as gold digger, immured in a subterranean prison, with a dim lamp fastened on his head, behind him the slave overseer with a long whip, and, at the mouths of the mine a mob of barbarous camp servants who understand neither the convicts in the mines nor one another, because they do not speak a common language. "And all this," cries the crazy Englishman, "is demanded of me, the free-born Englishman, in order to make gold for old Pharaoh." "In order to pay off the debts of the Bonaparte family"—sobs the French nation. The Englishman, so long as he was in his senses, could not rid himself of the rooted thought making gold. The Frenchmen, so long as they were busy with a revolution, could not rid then selves of the Napoleonic memory, as the election of December 10th proved. They longed to escape from the dangers of revolution back to the flesh pots of Egypt; the 2d of December, 1851 was the answer. They have not merely the character of the old Napoleon, but the old Napoleon himself-caricatured as he needs must appear in the middle of the nineteenth century.
The social revolution of the nineteenth century can not draw its poetry from the past, it can draw that only from the future. It cannot start upon its work before it has stricken off all superstition concerning the past. Former revolutions require historic reminiscences in order to intoxicate themselves with their own issues. The revolution of the nineteenth century must let the dead bury their dead in order to reach its issue. With the former, the phrase surpasses the substance; with this one, the substance surpasses the phrase.
The February revolution was a surprisal; old society was taken unawares; and the people proclaimed this political stroke a great historic act whereby the new era was opened. On the 2d of December, the February revolution is jockeyed by the trick of a false player, and what is seer to be overthrown is no longer the monarchy, but the liberal concessions which had been wrung from it by centuries of struggles. Instead of society itself having conquered a new point, only the State appears to have returned to its oldest form, to the simply brazen rule of the sword and the club. Thus, upon the "coup de main" of February, 1848, comes the response of the "coup de tete" December, 1851. So won, so lost. Meanwhile, the interval did not go by unutilized. During the years 1848–1851, French society retrieved in abbreviated, because revolutionary, method the lessons and teachings, which—if it was to be more than a disturbance of the surface-should have preceded the February revolution, had it developed in regular order, by rule, so to say. Now French society seems to have receded behind its point of departure; in fact, however, it was compelled to first produce its own revolutionary point of departure, the situation, circumstances, conditions, under which alone the modern revolution is in earnest.
Bourgeois revolutions, like those of the eighteenth century, rush onward rapidly from success to success, their stage effects outbid one another, men and things seem to be set in flaming brilliants, ecstasy is the prevailing spirit; but they are short-lived, they reach their climax speedily, then society relapses into a long fit of nervous reaction before it learns how to appropriate the fruits of its period of feverish excitement. Proletarian revolutions, on the contrary, such as those of the nineteenth century, criticize themselves constantly; constantly interrupt themselves in their own course; come back to what seems to have been accomplished, in order to start over anew; scorn with cruel thoroughness the half measures, weaknesses and meannesses of their first attempts; seem to throw down their adversary only in order to enable him to draw fresh strength from the earth, and again, to rise up against them in more gigantic stature; constantly recoil in fear before the undefined monster magnitude of their own objects—until finally that situation is created which renders all retreat impossible, and the conditions themselves cry out:
"Hic Rhodus, hic salta!" [#2 Here is Rhodes, leap here! An allusion to Aesop's Fables.]
Every observer of average intelligence; even if he failed to follow step by step the course of French development, must have anticipated that an unheard of fiasco was in store for the revolution. It was enough to hear the self-satisfied yelpings of victory wherewith the Messieurs Democrats mutually congratulated one another upon the pardons of May 2d, 1852. Indeed, May 2d had become a fixed idea in their heads; it had become a dogma with them—something like the day on which Christ was to reappear and the Millennium to begin had formed in the heads of the Chiliasts. Weakness had, as it ever does, taken refuge in the wonderful; it believed the enemy was overcome if, in its imagination, it hocus-pocused him away; and it lost
