Work: A Story Of Experience. Louisa May Alcott

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Work: A Story Of Experience - Louisa May Alcott

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said Lucy, as she led her protégée before the green-room mirror on the first night of "The Demon's Daughter, or The Castle of the Sun!! The most Magnificent Spectacle ever produced upon the American Stage!!!"

      Christie looked, and saw a warlike figure with glittering helmet, shield and lance, streaming hair and savage cloak. She liked the picture, for there was much of the heroic spirit in the girl, and even this poor counterfeit pleased her eye and filled her fancy with martial memories of Joan of Arc, Zenobia, and Britomarte.

      "Go to!" cried Lucy, who affected theatrical modes of speech. "Don't admire yourself any longer, but tie up your sandals and come on. Be sure you rush down the instant I cry, 'Demon, I defy thee!' Don't break your neck, or pick your way like a cat in wet weather, but come with effect, for I want that scene to make a hit."

      Princess Caremfil swept away, and the Amazonian queen climbed to her perch among the painted mountains, where her troop already sat like a flock of pigeons shining in the sun. The gilded breast-plate rose and fell with the quick beating of her heart, the spear shook with the trembling of her hand, her lips were dry, her head dizzy, and more than once, as she waited for her cue, she was sorely tempted to run away and take the consequences.

      But the thought of Lucy's good-will and confidence kept her, and when the cry came she answered with a ringing shout, rushed down the ten-foot precipice, and charged upon the foe with an energy that inspired her followers, and quite satisfied the princess struggling in the demon's grasp.

      With clashing of arms and shrill war-cries the rescuers of innocence assailed the sooty fiends who fell before their unscientific blows with a rapidity which inspired in the minds of beholders a suspicion that the goblins' own voluminous tails tripped them up and gallantry kept them prostrate. As the last groan expired, the last agonized squirm subsided, the conquerors performed the intricate dance with which it appears the Amazons were wont to celebrate their victories. Then the scene closed with a glare of red light and a "grand tableau" of the martial queen standing in a bower of lances, the rescued princess gracefully fainting in her arms, and the vanquished demon scowling fiercely under her foot, while four-and-twenty dishevelled damsels sang a song of exultation, to the barbaric music of a tattoo on their shields.

      All went well that night, and when at last the girls doffed crown and helmet, they confided to one another the firm opinion that the success of the piece was in a great measure owing to their talent, their exertions, and went gaily home predicting for themselves careers as brilliant as those of Siddons and Rachel.

      It would be a pleasant task to paint the vicissitudes and victories of a successful actress; but Christie was no dramatic genius born to shine before the world and leave a name behind her. She had no talent except that which may be developed in any girl possessing the lively fancy, sympathetic nature, and ambitious spirit which make such girls naturally dramatic. This was to be only one of many experiences which were to show her her own weakness and strength, and through effort, pain, and disappointment fit her to play a nobler part on a wider stage.

      For a few weeks Christie's illusions lasted; then she discovered that the new life was nearly as humdrum as the old, that her companions were ordinary men and women, and her bright hopes were growing as dim as her tarnished shield. She grew unutterably weary of "The Castle of the Sun," and found the "Demon's Daughter" an unmitigated bore. She was not tired of the profession, only dissatisfied with the place she held in it, and eager to attempt a part that gave some scope for power and passion.

      Mrs. Black wisely reminded her that she must learn to use her wings before she tried to fly, and comforted her with stories of celebrities who had begun as she was beginning, yet who had suddenly burst from their grub-like obscurity to adorn the world as splendid butterflies.

      "We'll stand by you, Kit; so keep up your courage, and do your best. Be clever to every one in general, old Sharp in particular, and when a chance comes, have your wits about you and grab it. That's the way to get on," said Lucy, as sagely as if she had been a star for years.

      "If I had beauty I should stand a better chance," sighed Christie, surveying herself with great disfavor, quite unconscious that to a cultivated eye the soul of beauty was often visible in that face of hers, with its intelligent eyes, sensitive mouth, and fine lines about the forehead, making it a far more significant and attractive countenance than that of her friend, possessing only piquant prettiness.

      "Never mind, child; you've got a lovely figure, and an actress's best feature,--fine eyes and eyebrows. I heard old Kent say so, and he's a judge. So make the best of what you've got, as I do," answered Lucy, glancing at her own comely little person with an air of perfect resignation.

      Christie laughed at the adviser, but wisely took the advice, and, though she fretted in private, was cheerful and alert in public. Always modest, attentive, and obliging, she soon became a favorite with her mates, and, thanks to Lucy's good offices with Mr. Sharp, whose favorite she was, Christie got promoted sooner than she otherwise would have been.

      A great Christmas spectacle was brought out the next season, and Christie had a good part in it. When that was over she thought there was no hope for her, as the regular company was full and a different sort of performance was to begin. But just then her chance came, and she "grabbed it." The first soubrette died suddenly, and in the emergency Mr. Sharp offered the place to Christie till he could fill it to his mind. Lucy was second soubrette, and had hoped for this promotion; but Lucy did not sing well. Christie had a good voice, had taken lessons and much improved of late, so she had the preference and resolved to stand the test so well that this temporary elevation should become permanent.

      She did her best, and though many of the parts were distasteful to her she got through them successfully, while now and then she had one which she thoroughly enjoyed. Her Tilly Slowboy was a hit, and a proud girl was Christie when Kent, the comedian, congratulated her on it, and told her he had seldom seen it better done.

      To find favor in Kent's eyes was an honor indeed, for he belonged to the old school, and rarely condescended to praise modern actors. His own style was so admirable that he was justly considered the first comedian in the country, and was the pride and mainstay of the old theatre where he had played for years. Of course he possessed much influence in that little world, and being a kindly man used it generously to help up any young aspirant who seemed to him deserving.

      He had observed Christie, attracted by her intelligent face and modest manners, for in spite of her youth there was a native refinement about her that made it impossible for her to romp and flirt as some of her mates did. But till she played Tilly he had not thought she possessed any talent. That pleased him, and seeing how much she valued his praise, and was flattered by his notice, he gave her the wise but unpalatable advice always offered young actors. Finding that she accepted it, was willing to study hard, work faithfully, and wait patiently, he predicted that in time she would make a clever actress, never a great one.

      Of course Christie thought he was mistaken, and secretly resolved to prove him a false prophet by the triumphs of her career. But she meekly bowed to his opinion; this docility pleased him, and he took a paternal sort of interest in her, which, coming from the powerful favorite, did her good service with the higher powers, and helped her on more rapidly than years of meritorious effort.

      Toward the end of that second season several of Dickens's dramatized novels were played, and Christie earned fresh laurels. She loved those books, and seemed by instinct to understand and personate the humor and pathos of many of those grotesque creations. Believing she had little beauty to sacrifice, she dressed such parts to the life, and played them with a spirit and ease that surprised those who had considered her a dignified and rather dull young person.

      "I'll tell you what it is, Sharp, that girl is going to make a capital character actress. When her parts suit, she forgets herself entirely and does admirably

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