The Complete Poetical Works of Walt Whitman. Walt Whitman
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Discovering as much or more in a framer framing a house,
Putting higher claims for him there with his rolled-up sleeves, driving the mallet and chisel;
Not objecting to special revelations . . . . considering a curl of smoke or a hair on the back of my hand as curious as any revelation;
Those ahold of fire-engines and hook-and-ladder ropes more to me than the gods of the antique wars,
Minding their voices peal through the crash of destruction,
Their brawny limbs passing safe over charred laths . . . . their white foreheads whole and unhurt out of the flames;
By the mechanic’s wife with her babe at her nipple interceding for every person born;
Three scythes at harvest whizzing in a row from three lusty angels with shirts bagged out at their waists;
The snag-toothed hostler with red hair redeeming sins past and to come,
Selling all he possesses and traveling on foot to fee lawyers for his brother and sit by him while he is tried for forgery:
What was strewn in the amplest strewing the square rod about me, and not filling the square rod then;
The bull and the bug never worshipped half enough,
Dung and dirt more admirable than was dreamed,
The supernatural of no account . . . . myself waiting my time to be one of the supremes,
The day getting ready for me when I shall do as much good as the best, and be as prodigious,
Guessing when I am it will not tickle me much to receive puffs out of pulpit or print;
By my life-lumps! becoming already a creator!
Putting myself here and now to the ambushed womb of the shadows!
. . . . A call in the midst of the crowd,
My own voice, orotund sweeping and final.
Come my children,
Come my boys and girls, and my women and household and intimates,
Now the performer launches his nerve . . . . he has passed his prelude on the reeds within.
Easily written loosefingered chords! I feel the thrum of their climax and close.
My head evolves on my neck,
Music rolls, but not from the organ . . . . folks are around me, but they are no household of mine.
Ever the hard and unsunk ground,
Ever the eaters and drinkers . . . . ever the upward and downward sun . . . . ever the air and the ceaseless tides,
Ever myself and my neighbors, refreshing and wicked and real,
Ever the old inexplicable query . . . . ever that thorned thumb -- that breath of itches and thirsts,
Ever the vexer’s hoot! hoot! till we find where the sly one hides and bring him forth;
Ever love . . . . ever the sobbing liquid of life,
Ever the bandage under the chin . . . . ever the tressels of death.
Here and there with dimes on the eyes walking,
To feed the greed of the belly the brains liberally spooning,
Tickets buying or taking or selling, but in to the feast never once going;
Many sweating and ploughing and thrashing, and then the chaff for payment receiving,
A few idly owning, and they the wheat continually claiming.
This is the city . . . . and I am one of the citizens;
Whatever interests the rest interests me . . . . politics, churches, newspapers, schools,
Benevolent societies, improvements, banks, tariffs, steamships, factories, markets,
Stocks and stores and real estate and personal estate.
They who piddle and patter here in collars and tailed coats . . . . I am aware who they are . . . . and that they are not worms or fleas,
I acknowledge the duplicates of myself under all the scrape-lipped and pipe-legged concealments.
The weakest and shallowest is deathless with me,
What I do and say the same waits for them,
Every thought that flounders in me the same flounders in them.
I know perfectly well my own egotism,
And know my omniverous words, and cannot say any less,
And would fetch you whoever you are flush with myself.
My words are words of a questioning, and to indicate reality;
This printed and bound book . . . . but the printer and the printing-office boy?
The marriage estate and settlement . . . . but the body and mind of the bridegroom? also those of the bride?
The panorama of the sea . . . . but the sea itself?
The well-taken photographs . . . . but your wife or friend close and solid in your arms?
The fleet of ships of the line and all the modern improvements . . . . but the craft and pluck of the admiral?
The dishes and fare and furniture . . . . but the host and hostess, and the look out of their eyes?
The sky up there . . . . yet here or next door or across the way?
The saints and sages in history . . . . but you yourself?
Sermons and creeds and theology . . . . but the human brain, and what is called reason, and what is called love, and what is called life?
I do not despise you priests;
My faith is the greatest of faiths and the least of faiths,
Enclosing all worship ancient and modern, and all between ancient and modern,
Believing I shall come again upon the earth after five thousand years,
Waiting responses from oracles . . . . honoring the gods . . . . saluting the sun,
Making a fetish of the first rock or stump . . . . powowing with sticks in the circle of obis,
Helping the lama or brahmin as he trims the lamps of the idols,
Dancing yet through the streets in a phallic procession . . . . rapt and austere in the woods, a gymnosophist,
Drinking mead from the skull-cup . . . . to shasta and vedas admirant . . . . minding the