no fear, and I rejoice exceedingly. A great centipede comes down from yonder mountain, enters my palace, and destroys my children and grandchildren. One by one they have become food for this dread creature, and I fear soon that unless something can be done to slay this centipede I myself shall become a victim. I have waited long for a brave mortal. All men who have hitherto seen me in my dragon-shape have run away. You are a brave man, and I beg that you will kill my bitter enemy."
Hidesato, who always welcomed an adventure, the more so when it was a perilous one, readily consented to see what he could do for the Dragon King.
When Hidesato reached the Dragon King's palace he found it to be a very magnificent building indeed, scarcely less beautiful than the Sea King's palace itself. He was feasted with crystallised lotus leaves and flowers, and ate the delicacies spread before him with choice ebony chopsticks. While he feasted ten little goldfish danced, and just behind the goldfish ten carp made sweet music on the koto and samisen. Hidesato was just thinking how excellently he had been entertained, and how particularly good was the wine, when they all heard an awful noise like a dozen thunderclaps roaring together.
Hidesato and the Dragon King hastily rose and ran to the balcony. They saw that Mount Mikami was scarcely recognisable, for it was covered from top to bottom with the great coils of the centipede. In its head glowed two balls of fire, and its hundred feet were like a long winding chain of lanterns.
Hidesato fitted an arrow to his bowstring and pulled it back with all his might. The arrow sped forth into the night and struck the centipede in the middle of the head, but glanced off immediately without inflicting any wound. Again Hidesato sent an arrow whirling into the air, and again it struck the monster and fell harmlessly to the ground. Hidesato had only one arrow left. Suddenly remembering the magical effect of human saliva, he put the remaining arrow-head into his mouth for a moment, and then hastily adjusted it to his bow and took careful aim.
The last arrow struck its mark and pierced the centipede's brain. The creature stopped moving; the light in its eyes and legs darkened and then went out, and Lake Biwa, with its palace beneath, was shrouded in awful darkness. Thunder rolled, lightning flashed, and it seemed for the moment that the Dragon King's palace would topple to the ground.
The next day, however, all sign of storm had vanished. The sky was clear. The sun shone brightly. In the sparkling blue lake lay the body of the great centipede.
Hidesato and the Centipede.
The Dragon King and those about him were overjoyed when they knew that their dread enemy had been destroyed. Hidesato was again feasted, even more royally than before. When he finally departed he did so with a retinue of fishes suddenly converted into men. The Dragon King bestowed upon our hero five precious gifts—two bells, a bag of rice, a roll of silk, and a cooking-pot.
The Dragon King accompanied Hidesato as far as the bridge, and then he reluctantly allowed the hero and the procession of servants carrying the presents to proceed on their way.
When Hidesato reached his home the Dragon King's servants put down the presents and suddenly disappeared.
The presents were no ordinary gifts. The rice-bag was inexhaustible, there was no end to the roll of silk, and the cooking-pot would cook without fire of any kind. Only the bells were without magical properties, and these were presented to a temple in the vicinity. Hidesato grew rich, and his fame spread far and wide. People now no longer called him Hidesato, but Tawara Toda, or "My Lord Bag of Rice."
1. This version appears in the Catalogue of Japanese and Chinese Paintings in the British Museum, by Dr. William Anderson.
CHAPTER III:
THE BAMBOO-CUTTER AND THE MOON-MAIDEN
The Coming of the Lady Kaguya
Long ago there lived an old bamboo-cutter by the name of Sanugi no Miyakko. One day, while he was busy with his hatchet in a grove of bamboos, he suddenly perceived a miraculous light, and on closer inspection discovered in the heart of a reed a very small creature of exquisite beauty. He gently picked up the tiny girl, only about four inches in height, and carried her home to his wife. So delicate was this little maiden that she had to be reared in a basket.
Now it happened that the Bamboo-cutter continued to set about his business, and night and day, as he cut down the reeds, he found gold, and, once poor, he now amassed a considerable fortune.
The child, after she had been but three months with these simple country folk, suddenly grew in stature to that of a full-grown maid; and in order that she should be in keeping with such a pleasing, if surprising, event, her hair, hitherto allowed to flow in long tresses about her shoulders, was now fastened in a knot on her head. In due season the Bamboo-cutter named the girl the Lady Kaguya, or "Precious-Slender-Bamboo-of-the-Field-of-Autumn." When she had been named a great feast was held, in which all the neighbours participated.
The Wooing of the "Precious-Slender-Bamboo-of-the-Field-of-Autumn"
"When a woman is somewhat fairer than the crowd of women how greatly do men long to gaze upon her beauty!"—Taketori.
Now the Lady Kaguya was of all women the most beautiful, and immediately after the feast the fame of her beauty spread throughout the land. Would-be lovers gathered around the fence and lingered in the porch with the hope of at least getting a glimpse of this lovely maiden. Night and day these forlorn suitors waited, but in vain. Those who were of humble origin gradually began to recognise that their love-making was useless. But five wealthy suitors still persisted, and would not relax their efforts. They were Prince Ishizukuri and Prince Kuramochi, the Sadaijin Dainagon Abe no Miushi, the Chiunagon Otomo no Miyuki, and Morotada, the Lord of Iso. These ardent lovers bore "the ice and snow of winter and the thunderous heats of midsummer with equal fortitude." When these lords finally asked the Bamboo-cutter to bestow his daughter upon one of them, the old man politely explained that the maiden was not really his daughter, and as that was so she could not be compelled to obey his own wishes in the matter.
At last the lords returned to their mansions, but still continued to make their supplications more persistently than ever. Even the kindly Bamboo-cutter began to remonstrate with the Lady Kaguya, and to point out that it was becoming for so handsome a maid to marry, and that among the five noble suitors she could surely make a very good match. To this the wise Kaguya replied: "Not so fair am I that I may be certain of a man's faith, and were I to mate with one whose heart proved fickle what a miserable fate were mine! Noble lords, without doubt, are these of whom thou speakest, but I would not wed a man whose heart should be all untried and unknown."
It was finally arranged that Kaguya should marry the suitor who proved himself the most worthy. This news brought momentary hope to the five great lords, and when night came they assembled before the house where the maiden dwelt "with flute music and with singing, with chanting to accompaniments and piping, with cadenced tap and clap of fan." Only the Bamboo-cutter went out to thank the lords for their serenading. When he had come into the house again, Kaguya thus set forth her plan to test the suitors:
"In Tenjiku (Northern India) is a beggar's bowl of stone, which of old the Buddha himself bore, in quest whereof let Prince
