under barbarian pressure, coming at first from the north; from the Picts who lay beyond Agricola's boundary in what is now the Scotch Lowlands. The whole of this bewildering time is full of temporary tribal alliances, generally mercenary; of barbarians paid to come on or barbarians paid to go away. It seems certain that in this welter Roman Britain bought help from ruder races living about that neck of Denmark where is now the duchy of Schleswig. Having been chosen only to fight somebody they naturally fought anybody; and a century of fighting followed, under the trampling of which the Roman pavement was broken into yet smaller pieces. It is perhaps permissible to disagree with the historian Green when he says that no spot should be more sacred to modern Englishmen than the neighbourhood of Ramsgate, where the Schleswig people are supposed to have landed; or when he suggests that their appearance is the real beginning of our island story. It would be rather more true to say that it was nearly, though prematurely, the end of it.
III
THE AGE OF LEGENDS
We should be startled if we were quietly reading a prosaic modern novel, and somewhere in the middle it turned without warning into a fairy tale. We should be surprised if one of the spinsters in Cranford, after tidily sweeping the room with a broom, were to fly away on a broomstick. Our attention would be arrested if one of Jane Austen's young ladies who had just met a dragoon were to walk a little further and meet a dragon. Yet something very like this extraordinary transition takes place in British history at the end of the purely Roman period. We have to do with rational and almost mechanical accounts of encampment and engineering, of a busy bureaucracy and occasional frontier wars, quite modern in their efficiency and inefficiency; and then all of a sudden we are reading of wandering bells and wizard lances, of wars against men as tall as trees or as short as toadstools. The soldier of civilization is no longer fighting with Goths but with goblins; the land becomes a labyrinth of faërie towns unknown to history; and scholars can suggest but cannot explain how a Roman ruler or a Welsh chieftain towers up in the twilight as the awful and unbegotten Arthur. The scientific age comes first and the mythological age after it. One working example, the echoes of which lingered till very late in English literature, may serve to sum up the contrast. The British state which was found by Cæsar was long believed to have been founded by Brutus. The contrast between the one very dry discovery and the other very fantastic foundation has something decidedly comic about it; as if Cæsar's "Et tu, Brute," might be translated, "What, you here?" But in one respect the fable is quite as important as the fact. They both testify to the reality of the Roman foundation of our insular society, and show that even the stories that seem prehistoric are seldom pre-Roman. When England is Elfland, the elves are not the Angles. All the phrases that can be used as clues through that tangle of traditions are more or less Latin phrases. And in all our speech there was no word more Roman than "romance."
The Roman legions left Britain in the fourth century. This did not mean that the Roman civilization left it; but it did mean that the civilization lay far more open both to admixture and attack. Christianity had almost certainly come to Britain, not indeed otherwise than by the routes established by Rome, but certainly long before the official Roman mission of Gregory the Great. It had certainly been largely swamped by later heathen invasions of the undefended coasts. It may then rationally be urged that the hold both of the Empire and its new religion were here weaker than elsewhere, and that the description of the general civilization in the last chapter is proportionately irrelevant. This, however, is not the chief truth of the matter.
There is one fundamental fact which must be understood of the whole of this period. Yet a modern man must very nearly turn his mind upside down to understand it. Almost every modern man has in his head an association between freedom and the future. The whole culture of our time has been full of the notion of "A Good Time Coming." Now the whole culture of the Dark Ages was "A Good Time Going." They looked backwards to old enlightenment and forwards to new prejudices. In our time there has come a quarrel between faith and hope—which perhaps must be healed by charity. But they were situated otherwise. They hoped—but it may be said that they hoped for yesterday. All the motives that make a man a progressive now made a man a conservative then. The more he could keep of the past the more he had of a fair law and a free state; the more he gave way to the future the more he must endure of ignorance and privilege. All we call reason was one with all we call reaction. And this is the clue which we must carry with us through the lives of all the great men of the Dark Ages; of Alfred, of Bede, of Dunstan. If the most extreme modern Republican were put back in that period he would be an equally extreme Papist or even Imperialist. For the Pope was what was left of the Empire; and the Empire what was left of the Republic.
We may compare the man of that time, therefore, to one who has left free cities and even free fields behind him, and is forced to advance towards a forest. And the forest is the fittest metaphor, not only because it was really that wild European growth cloven here and there by the Roman roads, but also because there has always been associated with forests another idea which increased as the Roman order decayed. The idea of the forests was the idea of enchantment. There was a notion of things being double or different from themselves, of beasts behaving like men and not merely, as modern wits would say, of men behaving like beasts. But it is precisely here that it is most necessary to remember that an age of reason had preceded the age of magic. The central pillar which has sustained the storied house of our imagination ever since has been the idea of the civilized knight amid the savage enchantments; the adventures of a man still sane in a world gone mad.
The next thing to note in the matter is this: that in this barbaric time none of the heroes are barbaric. They are only heroes if they are anti-barbaric. Men real or mythical, or more probably both, became omnipresent like gods among the people, and forced themselves into the faintest memory and the shortest record, exactly in proportion as they had mastered the heathen madness of the time and preserved the Christian rationality that had come from Rome. Arthur has his name because he killed the heathen; the heathen who killed him have no names at all. Englishmen who know nothing of English history, but less than nothing of Irish history, have heard somehow or other of Brian Boru, though they spell it Boroo and seem to be under the impression that it is a joke. It is a joke the subtlety of which they would never have been able to enjoy, if King Brian had not broken the heathen in Ireland at the great Battle of Clontarf. The ordinary English reader would never have heard of Olaf of Norway if he had not "preached the Gospel with his sword"; or of the Cid if he had not fought against the Crescent. And though Alfred the Great seems to have deserved his title even as a personality, he was not so great as the work he had to do.
But the paradox remains that Arthur is more real than Alfred. For the age is the age of legends. Towards these legends most men adopt by instinct a sane attitude; and, of the two, credulity is certainly much more sane than incredulity. It does not much matter whether most of the stories are true; and (as in such cases as Bacon and Shakespeare) to realize that the question does not matter is the first step towards answering it correctly. But before the reader dismisses anything like an attempt to tell the earlier history of the country by its legends, he will do well to keep two principles in mind, both of them tending to correct the crude and very thoughtless scepticism which has made this part of the story so sterile. The nineteenth-century historians went on the curious principle of dismissing all people of whom tales are told, and concentrating upon people of whom nothing is told. Thus, Arthur is made utterly impersonal because all legends are lies, but somebody of the type of Hengist is made quite an important personality, merely because nobody thought him important enough to lie about. Now this is to reverse all common sense. A great many witty sayings are attributed to Talleyrand which were really said by somebody else. But they would not be so attributed if Talleyrand had been a fool, still less if he had been a fable. That fictitious stories are told about a person is, nine times out of ten, extremely good evidence that there was somebody to tell them about.
