the occasion, the origin of name-and-form." But consciousness according to the Buddha's teaching[449] is not a unity, a thinking soul, but mental activity produced by various appropriate causes. Hence it cannot be regarded as independent of name-and-form and as their generator. So the Buddha goes on to say that though name-and-form depend on consciousness it is equally true that consciousness depends on name-and-form. The two together make human life: everything that is born, and dies or is reborn in another existence[450], is name-and-form plus consciousness.
What we have learnt hitherto is that suffering depends on desire and desire on the senses. For didactic purposes this is much, but as philosophy the result is small: we have merely discovered that the world depends on name-and-form plus consciousness, that is on human beings. The first two links of the chain (the last in our examination) do not leave the previous point of view—the history of individual life and not an account of the world process—but they have at least that interest which attaches to the mysterious.
"Consciousness depends on the sankhâras." Here the sankhâras seem to mean the predispositions anterior to consciousness which accompany birth and hence are equivalent to one meaning of Karma, that is the good and bad qualities and tendencies which appear when rebirth takes place. Perhaps the best commentary on the statement that consciousness depends on the sankhâras is furnished by a Sutta called Rebirth according to the sankhâras[451]. The Buddha there says that if a monk possessed of the necessary good qualities cherishes a wish to be born after death as a noble, or in one of the many heavens, "then those predispositions (sankhâra) and mental conditions (vihâro) if repeated[452] conduce to rebirth" in the place he desires. Similarly when Citta is dying, the spirits of the wood come round his death-bed and bid him wish to be an Emperor in his next life. Thus a personality with certain predispositions and aptitudes may be due to the thought and wishes of a previous personality[453], and these predispositions, asserts the last article of the formula, depend upon ignorance. We might be tempted to identify this ignorance with some cosmic creative force such as the Unconscious of Hartmann or the Mâyâ of Śankara. But though the idea that the world of phenomena is a delusion bred of ignorance is common in India, it does not enter into the formula which we are considering. Two explanations of the first link are given in the Pitakas, which are practically the same. One[454] states categorically that the ignorance which produces the sankhâras is not to know the four Truths. Elsewhere[455] the Buddha himself when asked what ignorance means replies that it is not to know that everything must have an origin and a cessation. The formula means that it is ignorance of the true nature of the world and the true interests of mankind that brings about the suffering which we see and feel. We were born into the world because of our ignorance in our last birth and of the desire for re-existence which was in us when we died.
Of the supreme importance attached to this doctrine of causation there can be no doubt. Perhaps the best instance is the story of Sâriputta's conversion. In the early days of the Buddha's mission he asked for a brief summary of the new teaching and in reply the essential points were formulated in the well-known verses which declare that all things have a cause and an end[456]. Such utterances sound like a scientific dictum about the uniformity of nature or cosmic law. But though the Pitakas imply some such idea, they seem to shrink from stating it clearly. They do not emphasize the orderly course of nature or exhort men to live in harmony with it. We are given to understand that the intelligence of those supermen who are called Buddhas sees that the four Truths are a consequence of the nature of the universe but subsequent instruction bids us attend to the truths themselves and not to their connection with the universal scheme. One reason for this is that Indians were little inclined to think of impersonal laws and forces[457]. The law of karma and the periodic rhythm of growth and decay which the universe obeys are ideas common to Hinduism and Buddhism and not incompatible with the mythology and ritual to which the Buddha objected. And though the Pitakas insist on the universality of causation, they have no notion of the uniformity of nature in our sense[458]. The Buddhist doctrine of causation states that we cannot obtain emancipation and happiness unless we understand and remove the cause of our distress, but it does not discuss cosmic forces like karma and Mâyâ. Such discussion the Buddha considered unprofitable[459] and perhaps he may have felt that insistence on cosmic law came dangerously near to fatalism[460].
Though the number of the links may be varied the Buddha attached importance to the method of concatenation and the impersonal formulation of the whole and in one passage[461] he objects to the questions, what are old age and death and who is it that has old age and death. Though the chain of causation treats of a human life, it never speaks of a person being born or growing old and Buddhaghosa[462] observes that the Wheel of existence is without known beginning, without a personal cause or passive recipient and empty with a twelvefold emptiness. It has no external cause such as Brahma or any deity "and is also wanting in any ego passively recipient of happiness and misery."
The twelve Nidânas have passed into Buddhist art as the Wheel of Life. An ancient example of this has been discovered in the frescoes of Ajanta and modern diagrams, which represent the explanations current in mediæval India, are still to be found in Tibet and Japan[463]. In the nave of the wheel are three female figures signifying passion, hatred and folly and in the spaces between the spokes are scenes depicting the phases of human life: round the felly runs a series of pictures representing the twelve links of the chain. The first two links are represented by a blind man or blind camel and by a potter making pots. The third, or consciousness, is an ape. Some have thought that this figure represents the evolution of mind, which begins to show itself in animals and is perfected in man. It may however refer to a simile found in the Pitakas[464] where the restless, changeable mind is compared to a monkey jumping about in a tree.
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