The association of a god with the moon therefore argues for him also a connexion with vegetation and fertility. It may be remarked, in passing, that a lunar significance has been attached by some authorities to the story of Ishtar's descent into Hades, and to kindred myths. It is held that the sojourn of the goddess in Aralu typifies a lunar eclipse, or perhaps the period between the waning of the old moon and the appearance of the new. But, as has been said, the ancient Babylonians saw in the luminary of night a male deity, so that any lunar characteristics pertaining to Ishtar must be regarded as of merely secondary importance.
Ishtar, Tammuz, and Vegetation
If it be granted, then, that Ishtar and Tammuz are deities of vegetation, it is possible still further to narrow their sphere by associating them particularly with the corn. Adonis and Aphrodite are connected with the growth of the crops. Ceres, who forbids the corn to spring while her daughter is in the realm of Pluto, is undoubtedly a corn-mother, and Proserpine evidently partakes of the same nature. Osiris was the culture-deity who introduced corn into Egypt. A representation of him in the temple of Isis at Philæ depicts corn-stalks growing out of his dead body—the body of Osiris (the grain) is torn to pieces, scattered through the land, and the pieces buried (or planted) in the earth, when the corn sprouts from it. Moreover, Tammuz himself was cruelly disposed of by his lord, who "ground his bones in a mill, and then scattered them to the wind"—plainly a type of the treatment meted out to the corn. An Arabic writer relates that Tammuz was cruelly killed several times, but that he always came to life again, a story which recalls Robert Burns' John Barleycorn, itself perhaps based on mythical matter.
May not these examples suggest an elucidation on animistic lines? Deities of the Tammuz type appear to symbolize the corn-grain and nothing more—cut down, bruised and beaten, buried in the earth, and finally springing to renewed life. Who, then, are the goddesses, likewise identified with the corn, who seek in the underworld for lover or child, endeavouring with tears to ransom the corn from the dark earth? Are they not the primitive corn-spirits, the indwelling animistic spirits of the standing grain, doomed at the harvest to wander disconsolately through the earth till the sprouting of the corn once more gives them an opportunity to materialize?
The stories of the mutilation and dispersion of the bodies of Tammuz and Osiris, and of the many deaths of the former god, furnish a basis for yet another explanation of the Tammuz myth. Sir James Frazer brings forward the theory that the 'Lamentations' of the ancient Babylonians were intended not for mourning for the decay of vegetation, but to bewail the cruel treatment of the grain at harvest-time, and cites in this connexion the ballad of John Barleycorn, which, we are told, was based on an early English poem, probably itself of mythological origin.
It is, however, most likely that the myth of Tammuz and Ishtar is of a composite nature, as has already been indicated. Possibly a myth of the sun-god and earth-goddess has been superimposed on the early groundwork of the corn-spirit seeking the corn. It would certainly seem that Ishtar in her descent into Aralu typified the earth, shorn of her covering of vegetation. Then in time she might come to symbolize the vegetation itself, or the fertility which produced it, and so would gain new attributes, and new elements would enter into the myths concerning her. Only by regarding her as a composite deity is it possible to reach an understanding of the principles underlying these myths.
Ishtar and Esther
We have already questioned whether the Scripture story of Esther is in some manner connected with the goddess Ishtar. Writing of the Jewish feast of Purim, Sir James Frazer says (Golden Bough, vol. iii, p. 153): "From the absence of all notice of Purim in the older books of the Bible, we may fairly conclude that the festival was instituted or imported at a comparatively late date among the Jews. The same conclusion is supported by the Book of Esther itself, which was manifestly written to explain the origin of the feast and to suggest motives for its observance. For, according to the author of the book, the festival was established to commemorate the deliverance of the Jews from a great danger which threatened them in Persia under the reign of King Xerxes. Thus the opinion of modern scholars that the feast of Purim, as celebrated by the Jews, was of late date and Oriental origin, is borne out by the tradition of the Jews themselves. An examination of that tradition and of the mode of celebrating the feast renders it probable that Purim is nothing but a more or less disguised form of the Babylonian festival of the Sacæa or Zakmuk.... But further, when we examine the narrative which professes to account for the institution of Purim, we discover in it not only the strongest traces of Babylonian origin, but also certain singular analogies to those very features of the Sacæan festival with which we are here more immediately concerned. The Book of Esther turns upon the fortunes of two men, the vizier Haman and the despised Jew Mordecai, at the court of a Persian king. Mordecai, we are told, had given mortal offence to the vizier, who accordingly prepares a tall gallows on which he hopes to see his enemy hanged, while he himself expects to receive the highest mark of the King's favour by being allowed to wear the royal crown and the royal robes, and thus attired to parade the streets, mounted on the King's own horse and attended by one of the noblest princes, who should proclaim to the multitude his temporary exaltation and glory. But the artful intrigues of the wicked vizier miscarried and resulted in precisely the opposite of what he had hoped and expected; for the royal honours which he had looked for fell to his rival Mordecai, and he himself was hanged on the gallows which he had made ready for his foe. In this story we seem to detect a reminiscence, more or less confused, of the Zoganes of the Sacæa, in other words, of the custom of investing a private man with the insignia of royalty for a few days, and then putting him to death on the gallows or the cross....
"A strong confirmation of this view is furnished by a philological analysis of the names of the four personages. It seems to be now generally recognised by Biblical scholars that the name Mordecai, which has no meaning in Hebrew, is nothing but a slightly altered form of Marduk or Merodach, the name of the chief god of Babylon, whose great festival was the Zakmuk; and further, it is generally admitted that Esther in like manner is equivalent to Ishtar, the great Babylonian goddess whom the Greeks called Astarte, and who is more familiar to English readers as Ashtaroth. The derivation of the names of Haman and Vashti is less certain, but some high authorities are disposed to accept the view of Jensen that Haman is identical with Humman or Homman, the national god of the Elamites, and that Vashti is in like manner an Elamite deity, probably a goddess whose name appears in inscriptions."
Lang on the Esther Story
Commenting on this theory, Lang in his Magic and Religion (p. 161) says: "The name Mordecai resembles Marduk, Esther is like Ishtar, Haman is like Humman, the Elamite god, and there is a divine name in the inscriptions, read as resembling 'Vashti,' and probably the name of an Elamite goddess. Thus the human characters in Esther are in peril of merging in Babylonian and Elamite gods. But, lest that should occur, we ought also to remember that Mordecai was the real name of a real historical Jew of the Captivity, one of the companions of Nehemiah in the return from exile to Jerusalem. Again, Esther appears to me to be the crown-name of the Jewish wife of Xerxes, in the Book of Esther: 'Hadassah, that is Esther.' In the Biblical story she conceals her Jewish descent. Hadassah, says Nöldeke, 'is no mere invention of the writer of Esther.' Hadassah is said to mean 'myrtle bough,' and girls are still called Myrtle. Esther appears to have been an assumed name, after a royal mixed marriage. Now if a real historical Jew might be named Mordecai, which we know to be the case, a Jewess, whether in fact, or in this Book of Esther, which, says Dr. Jastrow, 'has of course some historical basis,' might be styled Esther.... But, if Mordecai be, as it is, an historical name of a real Jew of the period, while Esther may be, and probably is, a name which a Jewess might bear, it is not ascertained that Vashti really is the name of an Elamite goddess. Yet Vashti is quite essential as a goddess to Mr. Frazer's argument. 'The derivation,' he says, 'of the names of Haman and Vashti is less certain, but some high authorities are disposed to accept the view of Jensen that Haman is identical with Humman or Homman, the national god of the Elamites, and that Vashti is in like manner an Elamite deity, probably a goddess whose
