1001 Afternoons in Chicago. Ben Hecht

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1001 Afternoons in Chicago - Ben  Hecht

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you, gentlemen, to drink his health—at his expense."

      "Two glasses," Anderson ordered. They were brought. We raised them in silent toast to the little red-faced man. He arose and bowed as we drank.

      "We'll probably have him on our hands now for an hour," Anderson frowned. I feared the same. But Mr. Sklarz reseated himself and, with many head bowings in our direction, returned to his soup.

      "What do you make of our magnanimous friend?" I asked. Anderson shrugged his shoulders.

      "He's probably celebrating something," he said. "A queer old boy, isn't he?"

      * * * * *

      The waiter appeared a third time.

      "What'll it be, gentlemen?" he inquired, smiling. "Mr. Sklarz is buying for the house."

      For the house. There were some fifteen men eating in the place. Then our friend, despite his unassuming appearance, was evidently a creature of wealth! Well, this was growing interesting. We ordered wine again.

      "Ask Mr. Sklarz if he will favor us by joining us at our table for this drink," I told the waiter. The message was delivered. Mr. Sklarz arose and bowed, but sat down again. Anderson and I beckoned in pantomime. Mr. Sklarz arose once more, bowed and hesitated. Then he came over.

      As he approached a veritable carnival spirit seemed to deepen around us. The face of this little man with the elaborate black mustache was violent with suppressed good will and mirth. He beamed, bowed, shook hands and sat down. We drank one another's health and, as politely as we could, pressed him to tell us the cause for his celebration and good spirits. He began to talk.

      He was a Russian Jew. His name was Sklarz. He had been in the Russian army years ago. In Persia. From a mountain in Persia you could see three great countries. In Turkey he had fought with baggy-trousered soldiers and at night joined them when they played their flutes outside the coffee-houses and sang songs about women and war. Then he had come to America and opened a box factory. He was very prosperous and the factory in which he made boxes grew too small.

      So what did he do but take a walk one day to look for a larger factory. And he found a beautiful building just as he wanted. But the building was too beautiful to use for a factory. It should be used for something much nicer. So what did he do then but decide to open a dance-hall, a magnificent dance-hall, where young men and women of refined, fun-loving temperaments could come to dance and have fun.

      * * * * *

      "When does this dance-hall open?" Anderson asked. Ah, in a little while. There were fittings to buy and put up first. But he would send us special invitations to the opening. In the meantime would we drink his health again? Mr. Sklarz chuckled. The amazing thing was that he wasn't drunk. He was sober.

      "So you're celebrating," I said. Yes, he was celebrating. He laughed and leaned over the table toward us. His eyes danced and his elaborate mustache made a grotesque halo for his smile. He didn't want to intrude on us with his story, but in Persia and Turkey and the Urals he had found life very nice. And here in Chicago he had found life also very nice. Life was very nice wherever you went. And Anderson quoted, rather imperfectly, I thought:

      Oh, but life went gayly, gayly

       In the house of Idah Dally;

       There were always throats to sing

       Down the river bank with spring.

      Mr. Sklarz beamed.

      "Yes, yes," he said, "down the river benk mit spring." And he stood up and bowed and summoned the waiter. "See vat all the gentlemen vant," he ordered, "and give them vat they vant mit my compliments." He laughed, or, rather, chuckled. "I must be going. Excuse me," he exclaimed with a quick little bow. "I have other places to call on. Good-by. Remember me—Sam Sklarz. Be good—and don't forget Sam Sklarz when there are throats to zing down the river benk mit spring."

      We watched him walk out. His shoulders seemed to dance, his short legs moved with a sprightly lift.

      "A queer old boy," said Anderson. We talked about him for a half hour and then left the place.

      * * * * *

      Anderson called me up the next morning to ask if I had read about it in the paper. I told him I had. A clipping on the desk in front of me ran:

      "Sam Sklarz, 46 years old and owner of a box factory on the West Side, committed suicide early this morning by jumping into the drainage canal. Financial reverses are believed to have caused him to end his life. According to friends he was on the verge of bankruptcy. His liabilities were $8,000. Yesterday morning Sklarz cashed a check for $700, which represented the remains of his bank account, and disappeared. It is believed that he used the money to pay a few personal debts and then wandered around in a daze until the end. He left no word of explanation behind."

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      They were hunting him. Squads of coppers with rifles, detectives, stool pigeons were hunting him. And the people who had read the story in the newspapers and looked at his picture, they too, were hunting him.

      Tommy O'Connor looked out of the smeared window of the room in which he sat and stared at the snow. A drift of snow across the roofs. A scribble of snow over the pavement.

      There were automobiles racing through the streets loaded with armed men. There were crowds looking for a telltale face in their own midst. Guards, deputies, coppers were surrounding houses and peering into alleys, raiding saloons, ringing doorbells. The whole city was on his heels. The city was like a pack of dogs sniffing wildly for his trail. And when they found it they would come whooping toward him for a leap at his throat.

      Well, here he was—waiting. It was snowing outside. There was no noise in the street. A man was passing. One of the pack? No. Just a man. The man looked up. Tommy O'Connor took his face slowly away from the window. He had a gun in his pocket and his hand was holding it. But the man was walking away. Huh! If the guy knew that Lucky Tommy O'Connor was watching him from a window he'd walk a little faster. If the guy knew that Lucky O'Connor, who had busted his way out of jail and was being hunted by a million people with guns, was sitting up here behind the window, he'd throw a fit. But he didn't know. He was like the walls and the windows and the snow outside—quiet and peaceful.

      "Nice boy," grinned Tommy O'Connor. Then he began to fidget. He ought to go out and buy a paper. See what was doing. See what became of Mac and the rest of the boys. Maybe they'd all been nabbed. But they couldn't do him harm. On account nobody knew where he was. No pal. No dame. Nobody knew he was sitting here in the room looking at the snow and just thinking. The papers were probably full of cock-and-bull stories about his racing across the country and hiding in haystacks and behind barns. Kid stuff. Maybe he should ought to of left town. But it felt better in town. Some rube was always sure to pick out a stranger beating it down a empty road. And there was no place to hide. Long, empty stretches, where anybody could see you for a mile.

      Better in town. Lots of walls, alleys, roofs. Lots of things like that. No hare-and-hounds effect like in the country. But the papers were probably full of a lot of bunk. He'd take a walk later and buy a few. Better sit still now. There was nothing harder to find than a man sitting still.

      *

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