YouTube War: Fighting in a World of Cameras in Every Cell Phone and Photoshop on Every Computer. Cori E. Dauber

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YouTube War: Fighting in a World of Cameras in Every Cell Phone and Photoshop on Every Computer - Cori E. Dauber

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further releases. These polling data were unavailable, so it is impossible to comment on it, but when a communications strategy does not work as hoped, it is often better to look for ways to improve upon the execution of the strategy than to toss it out entirely. Was the response to the Zarqawi video so negative that there is absolutely no point revisiting the use of such material, in any configuration, with any framing or presentation, at any point? Or were xi there nuances to those responses that could be used in crafting such releases? I cannot say without access to the data, but surely there is some way to make use of material such as this when it falls into the military’s possession. Closer study of the Zarqawi data is clearly warranted—if this material has been found in some labs, it will be found in others, and having a skeletal strategy in place that takes that experience into account would be well worthwhile. At a minimum, determining if the negative response was to some extent contextbased is very important. The problem is that all too often the American military has been reactive, for example, responding by saying that an incident is “under investigation.” That is not a response. That answer simultaneously freezes the potential for response—because what it says is that no real response will be forthcoming for an indefinite period of time—and one that opens the possibility that the claims made by the other side might be true, because if they were not, what would be the need for an investigation?

      Footnote

       Table of Contents

      1. Lieutenant Colonel Andrew Jenkins, Director of Operations for the Combined Media Processing Center, Qatar, Interview by phone, December 3, 2007. 2. Major David Jenkins, Psychological Operations Officer, Combined Joint Special Operations Task Force-Arabian Peninsula (J-39), Interview with the Author, Ft. Carson, CO, May 19, 2009. 3. Donald Bacon, Chief of Plans for Special Operations and Intelligence Working Public Affairs Matters in the Strategic Communication Department of MNF-I, Interview by phone, November 10, 2007.

      Introduction

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       Virtually since the day the Global War on Terror (GWOT) began, it has been widely understood to be an information war. But there has been too little analysis of what exactly that means, how precisely an information war (fought during an information age) might differ from other, earlier forms of war, and in particular what role technology might play in shaping such a war. There is, of course, a vast literature on the potential for new technologies to create a Revolution in Military Affairs or networked warfare, but that discusses the impact of military technology on the way the force can be used in military operations. The question here is what the impact of new communication and information technologies in the hands of civilian forces—some of whom are combatants—will be on the environment in which the force will be used. This monograph argues that the impact of these new technologies has been, and will be, enormous; certainly great enough that the way they are shaping the battlefield needs to be understood.

      The argument first examines the nature of this new information environment as it pertains to fighting war, then considers the power of the visual image generally, and in the context of the Iraqi innovation in terms of the way propaganda is structured and utilized.

      Next evaluated is the role and importance of media representations of dead bodies, the role they play in both propaganda and news coverage, in particular distinctions made by news outlets between bodies shown covered and bodies shown exposed. Other types of videos—in particular those having to do with hostage situations—are then examined, and finally the author draws conclusions and offers recommendations for dealing more effectively and proactively with enemy propaganda visuals.

      Waging war against terrorists (or insurgents using a terrorist playbook) is a qualitatively different enterprise from earlier, or different, wars. By definition, terrorists are too weak to fight conventional battles. The question is what kind of battle, then, are they fighting? They fight a battle to shape the perceptions and attitudes of the public—a battle over the public’s very will to continue fighting, whether that is the indigenous public insurgents seek to intimidate or the domestic American public they seek to influence so as to force counterinsurgents to withdraw from the battlefield prematurely. And in the modern world, this will, of necessity, be a battle to shape media coverage. Terrorist attacks today ought to be understood as consciously crafted media events, and while that has arguably always been the case to some degree, today that is more true than ever before in two senses. First, the terrorist attack is itself very often designed and intended for the cameras. Terrorist attacks are for an audience or else they have no meaning. Their true target, in other words, is not actually that which is blown up or destroyed—that item, or those people—for that is merely a stage prop. What is really being targeted is those who are watching at home. The goal after all, is to have a psychological effect of some sort (to terrorize) and it is not possible to have such an effect on those who are already dead.

      It is for that reason that the military force fighting today against a terrorist organization in defense of a democratic state is really fighting a two-front war. There is on the one hand the ground war, meaning the war that has to actually be won on the ground, the state of play on the ground as it exists in reality. But there is also the air war, meaning the war as it exists on the nation’s front pages and television screens. For a democracy, winning one and not the other will always mean losing, and losing in a very real sense, because the loss of public support means that the war will come to an end, period.

      This means that the terrorist attack is a media event in the sense that it is designed to attract the attention of the media, to gain the media’s attention, the same way that a political campaign event is a media event, designed to attract the media’s attention and thus garner coverage. As in the case of the presidential campaign, when we discuss media attention we are really first and foremost talking about television. When we are talking about gaining television’s attention, we are really talking about gaining the attention of the cameras—and the way to do that, of course, is to provide good visuals, however those are defined in a particular context.

      The New Information Environment

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      Unfortunately, developing strategies to fight such an enemy is particularly challenging because today’s wars are taking place in a radically new information and media environment, and today’s terrorists and insurgents have been brilliant at capitalizing on this environment in their operational art.

      Throughout history, terrorists (and insurgents) have gravitated towards the newest and most sophisticated communication technologies available. They have often seen the potential in such technologies very quickly, and have proven adept at developing flexible and creative new applications almost as quickly as these technologies have become available to them. In particular, they have used communication technologies to sidestep the traditional media, which has made it possible for such groups to get their message out to their followers in a direct, unfiltered fashion. Thus, for example, in Iran, the Shah might have controlled the media and the Ayatollah Khomeni might have been exiled to Paris, but personal cassette tapes had been developed and become widely available for personal use by the late 1970s. They were perfect for the Ayatollah’s supporters, at the time an anti-government insurgency. After a sermon had been recorded by him in Paris, copies could be made with relatively little difficulty, for relatively little cost. And at this point each copy was easily portable, easily hidden on the person of an individual supporter, and easily passed from one supporter to the next after it had been listened to. In this fashion the exiled Ayatollah’s message was spread throughout Iran despite his lack

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