dispute,” Myrtilus answered his fellow-artist, with a cordiality in which, nevertheless, there was a slight accent of pity.
“Surely you know it, Daphne. To me the ideal and its embodiment within the limits of the natural, according to the models of Phidias, Polycletus, and Myron is the highest goal, but he and his co-workers seek objects nearer at hand.”
“Or rather we found them,” cried Hermon, interrupting his companion with angry positiveness. “The city of Alexandria, which is growing with unprecedented vigour, is their home. There, the place to which every race on earth sends a representative, the pulse of the whole world is throbbing. There, whoever does not run with the rest is run over; there, but one thing is important—actual life. Science has undertaken to fathom it, and the results which it gains with measures and numbers is of a different value and more lasting than that which the idle sport of the intellects of the older philosophers obtained. But art, her nobler sister, must pursue the same paths. To copy life as it is, to reproduce the real as it presents itself, not as it might or must be, is the task which I set myself. If you would have me carve gods, whom man can not represent to himself except in his own form, allow me also to represent them as reality shows me mortals. I will form them after the models of the greatest, highest, and best, and also, when the subject permits, in powerful action in accordance with my own power, but always as real men from head to foot. We must also cling to the old symbols which those who order demand, because they serve as signs of recognition, and my Demeter, too, received the bundle of wheat.”
As the excited artist uttered this challenge a defiant glance rested upon his comrade and Daphne. But Myrtilus, with a soothing gesture of the hand, answered: “What is the cause of this heat? I at least watch your work with interest, and do not dispute your art so long as it does not cross the boundaries of the beautiful, which to me are those of art.”
Here the conversation was interrupted; the steward Gras brought a letter which a courier from Pelusium had just delivered.
Thyone, the wife of Philippus, the commander of the strong border fortress of Pelusium, near Tennis, had written it. She and her husband had been intimate friends of Hermon’s father, who had served under the old general as hipparch, and through him had become well acquainted with his wealthy brother Archias and his relatives.
The Alexandrian merchant had informed Philippus—whom, like all the world, he held in the highest honour as one of the former companions of Alexander the Great—of his daughter’s journey, and his wife now announced her visit to Daphne. She expected to reach Tennis that evening with her husband and several friends, and mentioned especially her anticipation of meeting Hermon, the son of her beloved Erigone and her husband’s brave companion in arms.
Daphne and Myrtilus received the announcement with pleasure; but Hermon, who only the day before had spoken of the old couple with great affection, seemed disturbed by the arrival of the unexpected guests. To avoid them entirely appeared impossible even to him, but he declared in an embarrassed tone, and without giving any reason, that he should scarcely be able to devote the entire evening to Daphne and the Pelusinians.
Then he turned quickly toward the house, to which a signal from his slave Bias summoned him.
CHAPTER VI.
As soon as Hermon had disappeared behind the door Daphne begged Myrtilus to accompany her into the tent.
After taking their seats there, the anxious exclamation escaped her lips: “How excited he became again! The stay in Tennis does not seem to agree with you—you are coughing, and father expected so much benefit to your ailment from the pure moist air, and to Hermon still more from the lonely life here in your society. But I have rarely seen him more strongly enlisted in behalf of the tendency opposed to beauty.”
“Then your father must be satisfied with the good effect which our residence here has exerted upon me,” replied Myrtilus. “I know that he was thinking of my illness when he proposed to us to complete his commissions here. Hermon—the good fellow!—could never have been induced to leave his Alexandria, had not the hope of thereby doing me a kindness induced him to follow me. I will add it to the many for which I am already indebted to his friendship. As for art, he will go his own way, and any opposition would be futile. A goddess—he perceives it himself—was certainly the most unfortunate subject possible for his—”
“Is his Demeter a complete failure?” asked Daphne anxiously.
“Certainly not,” replied Myrtilus eagerly.
“The head is even one of his very best. Only the figure awakens grave doubts. In the effort to be faithful to reality, the fear of making concessions to beauty, he lapsed into ungraceful angularity and a sturdiness which, in my opinion, would be unpleasing even in a mortal woman. The excess of unbridled power again makes it self visible in the wonderfully gifted man. Many things reached him too late, and others too soon.”
Daphne eagerly asked what he meant by these words, and Myrtilus replied: “Surely you know how he became a sculptor. Your father had intended him to be his successor in business, but Hermon felt the vocation to become an artist—probably first in my studio—awake with intense force. While I early placed myself under the instruction of the great Bryaxis, he was being trained for a merchant’s life. When he was to guide the reed in the counting-house, he sketched; when he was sent to the harbour to direct the loading of the ships, he became absorbed in gazing at the statues placed there. In the warehouse he secretly modelled, instead of attending to the bales of goods. You are certainly aware what a sad breach occurred then, and how long Hermon was restrained before he succeeded in turning his back upon trade.”
“My father meant so kindly toward him,” Daphne protested. “He was appointed guardian to you both. You are rich, and therefore he aided in every possible way your taste for art; but Hermon did not inherit from his parents a single drachm, and so my father saw the most serious struggles awaiting him if he devoted himself to sculpture. And, besides, he had destined his nephew to become his successor, the head of one of the largest commercial houses in the city.”
“And in doing so,” Myrtilus responded, “he believed he had made the best provision for his happiness. But there is something peculiar in art. I know from your father himself how kind his intentions were when he withdrew his assistance from Hermon, and when he had escaped to the island of Rhodes, left him to make his own way during the first period of apprenticeship through which he passed there. Necessity, he thought, would bring him back to where he had a life free from anxiety awaiting him. But the result was different. Far be it from me to blame the admirable Archias, yet had he permitted his ward to follow his true vocation earlier, it would have been better for him.”
“Then you think that he began to study too late?” asked Daphne eagerly.
“Not too late,” was the reply, “but with his passionate struggle to advance, an earlier commencement would have been more favourable. While the companions of his own age were already doing independent work, he was still a student, and so it happened that he began for himself too soon.”
“Yet,” Daphne answered, “can you deny that, directly after Hermon produced his first work which made his talent undeniable, my father again treated him like his own son?”
“On the contrary,” replied Myrtilus, “I remember only too well how Archias at that time, probably not entirely without your intercession, fairly showered gold upon his nephew, but unfortunately this abundance was by no means to his advantage.”
“What
