pantaloon sprang erect and strode out of the room. An interlude ensued, during which the millionaire stared at the priest, and the priest at his breviary; then the pantaloon returned and said, with staccato gravity, "The policeman is still lying on the stage. The curtain has gone up and down six times; he is still lying there."
Father Brown dropped his book and stood staring with a look of blank mental ruin. Very slowly a light began to creep in his grey eyes, and then he made the scarcely obvious answer.
"Please forgive me, colonel, but when did your wife die?"
"Wife!" replied the staring soldier, "she died this year two months. Her brother James arrived just a week too late to see her."
The little priest bounded like a rabbit shot. "Come on!" he cried in quite unusual excitement. "Come on! We've got to go and look at that policeman!"
They rushed on to the now curtained stage, breaking rudely past the columbine and clown (who seemed whispering quite contentedly), and Father Brown bent over the prostrate comic policeman.
"Chloroform," he said as he rose; "I only guessed it just now."
There was a startled stillness, and then the colonel said slowly, "Please say seriously what all this means."
Father Brown suddenly shouted with laughter, then stopped, and only struggled with it for instants during the rest of his speech. "Gentlemen," he gasped, "there's not much time to talk. I must run after the criminal. But this great French actor who played the policeman—this clever corpse the harlequin waltzed with and dandled and threw about—he was——" His voice again failed him, and he turned his back to run.
"He was?" called Fischer inquiringly.
"A real policeman," said Father Brown, and ran away into the dark.
There were hollows and bowers at the extreme end of that leafy garden, in which the laurels and other immortal shrubs showed against sapphire sky and silver moon, even in that midwinter, warm colours as of the south. The green gaiety of the waving laurels, the rich purple indigo of the night, the moon like a monstrous crystal, make an almost irresponsible romantic picture; and among the top branches of the garden trees a strange figure is climbing, who looks not so much romantic as impossible. He sparkles from head to heel, as if clad in ten million moons; the real moon catches him at every movement and sets a new inch of him on fire. But he swings, flashing and successful, from the short tree in this garden to the tall, rambling tree in the other, and only stops there because a shade has slid under the smaller tree and has unmistakably called up to him.
"Well, Flambeau," says the voice, "you really look like a Flying Star; but that always means a Falling Star at last."
The silver, sparkling figure above seems to lean forward in the laurels and, confident of escape, listens to the little figure below.
"You never did anything better, Flambeau. It was clever to come from Canada (with a Paris ticket, I suppose) just a week after Mrs. Adams died, when no one was in a mood to ask questions. It was cleverer to have marked down the Flying Stars and the very day of Fischer's coming. But there's no cleverness, but mere genius, in what followed. Stealing the stones, I suppose, was nothing to you. You could have done it by sleight of hand in a hundred other ways besides that pretence of putting a paper donkey's tail to Fischer's coat. But in the rest you eclipsed yourself."
The silvery figure among the green leaves seems to linger as if hypnotised, though his escape is easy behind him; he is staring at the man below.
"Oh, yes," says the man below, "I know all about it. I know you not only forced the pantomime, but put it to a double use. You were going to steal the stones quietly; news came by an accomplice that you were already suspected, and a capable police officer was coming to rout you up that very night. A common thief would have been thankful for the warning and fled; but you are a poet. You already had the clever notion of hiding the jewels in a blaze of false stage jewellery. Now, you saw that if the dress were a harlequin's the appearance of a policeman would be quite in keeping. The worthy officer started from Putney police station to find you, and walked into the queerest trap ever set in this world. When the front door opened he walked straight on to the stage of a Christmas pantomime, where he could be kicked, clubbed, stunned and drugged by the dancing harlequin, amid roars of laughter from all the most respectable people in Putney. Oh, you will never do anything better. And now, by the way, you might give me back those diamonds."
The green branch on which the glittering figure swung, rustled as if in astonishment; but the voice went on:
"I want you to give them back, Flambeau, and I want you to give up this life. There is still youth and honour and humour in you; don't fancy they will last in that trade. Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down. The kind man drinks and turns cruel; the frank man kills and lies about it. Many a man I've known started like you to be an honest outlaw, a merry robber of the rich, and ended stamped into slime. Maurice Blum started out as an anarchist of principle, a father of the poor; he ended a greasy spy and tale-bearer that both sides used and despised. Harry Burke started his free money movement sincerely enough; now he's sponging on a half-starved sister for endless brandies and sodas. Lord Amber went into wild society in a sort of chivalry; now he's paying blackmail to the lowest vultures in London. Captain Barillon was the great gentleman-apache before your time; he died in a madhouse, screaming with fear of the "narks" and receivers that had betrayed him and hunted him down. I know the woods look very free behind you, Flambeau; I know that in a flash you could melt into them like a monkey. But some day you will be an old grey monkey, Flambeau. You will sit up in your free forest cold at heart and close to death, and the tree-tops will be very bare."
Everything continued still, as if the small man below held the other in the tree in some long invisible leash; and he went on:
"Your downward steps have begun. You used to boast of doing nothing mean, but you are doing something mean to-night. You are leaving suspicion on an honest boy with a good deal against him already; you are separating him from the woman he loves and who loves him. But you will do meaner things than that before you die."
Three flashing diamonds fell from the tree to the turf. The small man stooped to pick them up, and when he looked up again the green cage of the tree was emptied of its silver bird.
The restoration of the gems (accidentally picked up by Father Brown, of all people) ended the evening in uproarious triumph; and Sir Leopold, in his height of good humour, even told the priest that though he himself had broader views, he could respect those whose creed required them to be cloistered and ignorant of this world.
Percival Bland's Proxy
(R. Austin Freeman)
Part I
Mr. Percival Bland was a somewhat uncommon type of criminal. In the first place he really had an appreciable amount of common-sense. If he had only had a little more, he would not have been a criminal at all. As it was, he had just sufficient judgment to perceive that the consequences of unlawful acts accumulate as the acts are repeated; to realise that the criminal’s position must, at length, become untenable; and to take what he considered fair precautions against the inevitable catastrophe.
But in spite of these estimable traits of character and the precautions aforesaid, Mr. Bland found himself in rather a tight place and with a prospect
