![In Search of Lost Time [volumes 1 to 7] - Marcel Proust](/cover_914644.jpg "In Search of Lost Time [volumes 1 to 7] - Marcel Proust")
in his amatory practices) the latter, recognising his friend’s handwriting on the envelope, would exclaim: “Here is Swann asking for something; on guard!” And, either from distrust or from the unconscious spirit of devilry which urges us to offer a thing only to those who do not want it, my grandparents would meet with an obstinate refusal the most easily satisfied of his prayers, as when he begged them for an introduction to a girl who dined with us every Sunday, and whom they were obliged, whenever Swann mentioned her, to pretend that they no longer saw, although they would be wondering, all through the week, whom they could invite to meet her, and often failed, in the end, to find anyone, sooner than make a sign to him who would so gladly have accepted.
Occasionally a couple of my grandparents’ acquaintance, who had been complaining for some time that they never saw Swann now, would announce with satisfaction, and perhaps with a slight inclination to make my grandparents envious of them, that he had suddenly become as charming as he could possibly be, and was never out of their house. My grandfather would not care to shatter their pleasant illusion, but would look at my grandmother, as he hummed the air of:
What is this mystery?
I cannot understand it;
or of:
Vision fugitive …;
In matters such as this
’Tis best to close one’s eyes.
A few months later, if my grandfather asked Swann’s new friend “What about Swann? Do you still see as much of him as ever?” the other’s face would lengthen: “Never mention his name to me again!”
“But I thought that you were such friends …”
He had been intimate in this way for several months with some cousins of my grandmother, dining almost every evening at their house. Suddenly, and without any warning, he ceased to appear. They supposed him to be ill, and the lady of the house was going to send to inquire for him when, in her kitchen, she found a letter in his hand, which her cook had left by accident in the housekeeping book. In this he announced that he was leaving Paris and would not be able to come to the house again. The cook had been his mistress, and at the moment of breaking off relations she was the only one of the household whom he had thought it necessary to inform.
But when his mistress for the time being was a woman in society, or at least one whose birth was not so lowly, nor her position so irregular that he was unable to arrange for her reception in ‘society,’ then for her sake he would return to it, but only to the particular orbit in which she moved or into which he had drawn her. “No good depending on Swann for this evening,” people would say; “don’t you remember, it’s his American’s night at the Opera?” He would secure invitations for her to the most exclusive drawing-rooms, to those houses where he himself went regularly, for weekly dinners or for poker; every evening, after a slight ‘wave’ imparted to his stiffly brushed red locks had tempered with a certain softness the ardour of his bold green eyes, he would select a flower for his buttonhole and set out to meet his mistress at the house of one or other of the women of his circle; and then, thinking of the affection and admiration which the fashionable folk, whom he always treated exactly as he pleased, would, when he met them there, lavish upon him in the presence of the woman whom he loved, he would find a fresh charm in that worldly existence of which he had grown weary, but whose substance, pervaded and warmly coloured by the flickering light which he had slipped into its midst, seemed to him beautiful and rare, now that he had incorporated in it a fresh love.
But while each of these attachments, each of these flirtations had been the realisation, more or less complete, of a dream born of the sight of a face or a form which Swann had spontaneously, and without effort on his part, found charming, it was quite another matter when, one day at the theatre, he was introduced to Odette de Crécy by an old friend of his own, who had spoken of her to him as a ravishing creature with whom he might very possibly come to an understanding; but had made her out to be harder of conquest than she actually was, so as to appear to be conferring a special favour by the introduction. She had struck Swann not, certainly, as being devoid of beauty, but as endowed with a style of beauty which left him indifferent, which aroused in him no desire, which gave him, indeed, a sort of physical repulsion; as one of those women of whom every man can name some, and each will name different examples, who are the converse of the type which our senses demand. To give him any pleasure her profile was too sharp, her skin too delicate, her cheek-bones too prominent, her features too tightly drawn. Her eyes were fine, but so large that they seemed to be bending beneath their own weight, strained the rest of her face and always made her appear unwell or in an ill humour. Some time after this introduction at the theatre she had written to ask Swann whether she might see his collections, which would interest her so much, she, “an ignorant woman with a taste for beautiful things,” saying that she would know him better when once she had seen him in his ‘home,’ where she imagined him to be “so comfortable with his tea and his books”; although she had not concealed her surprise at his being in that part of the town, which must be so depressing, and was “not nearly smart enough for such a very smart man.” And when he allowed her to come she had said to him as she left how sorry she was to have stayed so short a time in a house into which she was so glad to have found her way at last, speaking of him as though he had meant something more to her than the rest of the people she knew, and appearing to unite their two selves with a kind of romantic bond which had made him smile. But at the time of life, tinged already with disenchantment, which Swann was approaching, when a man can content himself with being in love for the pleasure of loving without expecting too much in return, this linking of hearts, if it is no longer, as in early youth, the goal towards which love, of necessity, tends, still is bound to love by so strong an association of ideas that it may well become the cause of love if it presents itself first. In his younger days a man dreams of possessing the heart of the woman whom he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her. And 50, at an age when it would appear—since one seeks in love before everything else a subjective pleasure—that the taste for feminine beauty must play the larger part in its procreation, love may come into being, love of the most physical order, without any foundation in desire. At this time of life a man has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before his passive and astonished heart. We come to its aid; we falsify it by memory and by suggestion; recognising one of its symptoms we recall and recreate the rest. Since we possess its hymn, engraved on our hearts in its entirety, there is no need of any woman to repeat the opening lines, potent with the admiration which her beauty inspires, for us to remember all that follows. And if she begin in the middle, where it sings of our existing, henceforward, for one another only, we are well enough attuned to that music to be able to take it up and follow our partner, without hesitation, at the first pause in her voice.
Odette de Crécy came again to see Swann; her visits grew more frequent, and doubtless each visit revived the sense of disappointment which he felt at the sight of a face whose details he had somewhat forgotten in the interval, not remembering it as either so expressive or, in spite of her youth, so faded; he used to regret, while she was talking to him, that her really considerable beauty was not of the kind which he spontaneously admired. It must be remarked that Odette’s face appeared thinner and more prominent than it actually was, because her forehead and the upper part of her cheeks, a single and almost plane surface, were covered by the masses of hair which women wore at that period, drawn forward in a fringe, raised in crimped waves and falling in stray locks over her ears; while as for her figure, and she was admirably built, it was impossible to make out its continuity (on account of the fashion then prevailing, and in spite of her being one of the best-dressed women in Paris) for the corset, jetting forwards in an arch, as though over an imaginary stomach, and ending in a sharp point, beneath which bulged out the balloon of her double skirts, gave a woman, that year, the appearance of being composed of different sections badly fitted together; to such an extent did the frills, the flounces,
