Complete Works. Walt Whitman

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Complete Works - Walt Whitman

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orbs of night dappled!

       Ah my silvery beauty — ah my woolly white and crimson!

       Ah to sing the song of you, my matron mighty!

       My sacred one, my mother.

       Table of Contents

      Did you ask dulcet rhymes from me?

       Did you seek the civilian’s peaceful and languishing rhymes?

       Did you find what I sang erewhile so hard to follow?

       Why I was not singing erewhile for you to follow, to understand — nor

       am I now;

       (I have been born of the same as the war was born,

       The drum-corps’ rattle is ever to me sweet music, I love well the

       martial dirge,

       With slow wail and convulsive throb leading the officer’s funeral;)

       What to such as you anyhow such a poet as I? therefore leave my works,

       And go lull yourself with what you can understand, and with piano-tunes,

       For I lull nobody, and you will never understand me.

       Table of Contents

      Lo, Victress on the peaks,

       Where thou with mighty brow regarding the world,

       (The world O Libertad, that vainly conspired against thee,)

       Out of its countless beleaguering toils, after thwarting them all,

       Dominant, with the dazzling sun around thee,

       Flauntest now unharm’d in immortal soundness and bloom — lo, in

       these hours supreme,

       No poem proud, I chanting bring to thee, nor mastery’s rapturous verse,

       But a cluster containing night’s darkness and blood-dripping wounds,

       And psalms of the dead.

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      Spirit whose work is done — spirit of dreadful hours!

       Ere departing fade from my eyes your forests of bayonets;

       Spirit of gloomiest fears and doubts, (yet onward ever unfaltering

       pressing,)

       Spirit of many a solemn day and many a savage scene — electric spirit,

       That with muttering voice through the war now closed, like a

       tireless phantom flitted,

       Rousing the land with breath of flame, while you beat and beat the drum,

       Now as the sound of the drum, hollow and harsh to the last,

       reverberates round me,

       As your ranks, your immortal ranks, return, return from the battles,

       As the muskets of the young men yet lean over their shoulders,

       As I look on the bayonets bristling over their shoulders,

       As those slanted bayonets, whole forests of them appearing in the

       distance, approach and pass on, returning homeward,

       Moving with steady motion, swaying to and fro to the right and left,

       Evenly lightly rising and falling while the steps keep time;

       Spirit of hours I knew, all hectic red one day, but pale as death next day,

       Touch my mouth ere you depart, press my lips close,

       Leave me your pulses of rage — bequeath them to me — fill me with

       currents convulsive,

       Let them scorch and blister out of my chants when you are gone,

       Let them identify you to the future in these songs.

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      Adieu O soldier,

       You of the rude campaigning, (which we shared,)

       The rapid march, the life of the camp,

       The hot contention of opposing fronts, the long manoeuvre,

       Red battles with their slaughter, the stimulus, the strong terrific game,

       Spell of all brave and manly hearts, the trains of time through you

       and like of you all fill’d,

       With war and war’s expression.

      Adieu dear comrade,

       Your mission is fulfill’d — but I, more warlike,

       Myself and this contentious soul of mine,

       Still on our own campaigning bound,

       Through untried roads with ambushes opponents lined,

       Through many a sharp defeat and many a crisis, often baffled,

       Here marching, ever marching on, a war fight out — aye here,

       To fiercer, weightier battles give expression.

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      Turn O Libertad, for the war is over,

       From it and all henceforth expanding, doubting no more, resolute,

       sweeping the world,

       Turn from lands retrospective recording proofs of the past,

       From the singers that sing the trailing glories of the past,

       From the chants of the feudal

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