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(As the first volume of a tale perused and laid away, and this the second,

       Songs, ventures, speculations, presently to close,)

       Lingering a moment here and now, to you I opposite turn,

       As on the road or at some crevice door by chance, or open’d window,

       Pausing, inclining, baring my head, you specially I greet,

       To draw and clinch your soul for once inseparably with mine,

       Then travel travel on.

       Table of Contents

      1

       Vocalism, measure, concentration, determination, and the divine

       power to speak words;

       Are you full-lung’d and limber-lipp’d from long trial? from vigorous

       practice? from physique?

       Do you move in these broad lands as broad as they?

       Come duly to the divine power to speak words?

       For only at last after many years, after chastity, friendship,

       procreation, prudence, and nakedness,

       After treading ground and breasting river and lake,

       After a loosen’d throat, after absorbing eras, temperaments, races,

       after knowledge, freedom, crimes,

       After complete faith, after clarifyings, elevations, and removing

       obstructions,

       After these and more, it is just possible there comes to a man,

       woman, the divine power to speak words;

       Then toward that man or that woman swiftly hasten all — none

       refuse, all attend,

       Armies, ships, antiquities, libraries, paintings, machines, cities,

       hate, despair, amity, pain, theft, murder, aspiration, form in

       close ranks,

       They debouch as they are wanted to march obediently through the

       mouth of that man or that woman.

      2

       O what is it in me that makes me tremble so at voices?

       Surely whoever speaks to me in the right voice, him or her I shall follow,

       As the water follows the moon, silently, with fluid steps, anywhere

       around the globe.

      All waits for the right voices;

       Where is the practis’d and perfect organ? where is the develop’d soul?

       For I see every word utter’d thence has deeper, sweeter, new sounds,

       impossible on less terms.

      I see brains and lips closed, tympans and temples unstruck,

       Until that comes which has the quality to strike and to unclose,

       Until that comes which has the quality to bring forth what lies

       slumbering forever ready in all words.

       Table of Contents

      My spirit to yours dear brother,

       Do not mind because many sounding your name do not understand you,

       I do not sound your name, but I understand you,

       I specify you with joy O my comrade to salute you, and to salute

       those who are with you, before and since, and those to come also,

       That we all labor together transmitting the same charge and succession,

       We few equals indifferent of lands, indifferent of times,

       We, enclosers of all continents, all castes, allowers of all theologies,

       Compassionaters, perceivers, rapport of men,

       We walk silent among disputes and assertions, but reject not the

       disputers nor any thing that is asserted,

       We hear the bawling and din, we are reach’d at by divisions,

       jealousies, recriminations on every side,

       They close peremptorily upon us to surround us, my comrade,

       Yet we walk unheld, free, the whole earth over, journeying up and

       down till we make our ineffaceable mark upon time and the diverse eras,

       Till we saturate time and eras, that the men and women of races,

       ages to come, may prove brethren and lovers as we are.

       Table of Contents

      You felons on trial in courts,

       You convicts in prison-cells, you sentenced assassins chain’d and

       handcuff’d with iron,

       Who am I too that I am not on trial or in prison?

       Me ruthless and devilish as any, that my wrists are not chain’d with

       iron, or my ankles with iron?

      You prostitutes flaunting over the trottoirs or obscene in your rooms,

       Who am I that I should call you more obscene than myself?

      O culpable! I acknowledge — I expose!

       (O admirers, praise not me — compliment not me — you make me wince,

       I see what you do not — I know what you do not.)

      Inside these breast-bones I lie smutch’d and choked,

       Beneath this face that appears so impassive hell’s tides continually run,

       Lusts and wickedness are acceptable to me,

       I walk with

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