From Page to Screen / Vom Buch zum Film. Группа авторов
Чтение книги онлайн.
Читать онлайн книгу From Page to Screen / Vom Buch zum Film - Группа авторов страница 25
Bibliographical References
Altman, R. (1984). “A Semantic/Syntactic Approach to Film Genre”. Cinema Journal 23(3), 6–18.
Åmström, B. (Ed.). (2017). The Absent Mother in the Cultural Imagination. London: Palgrave Macmillan.
Andersen, H. C. (2002). The Little Mermaid and Other Fairy Tales. New York: Dover.
Bell, E., Haas, L., Sells, L. (Eds.). (1995). From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington: Indiana University Press.
Booker, M. K. (2010). Disney, Pixar and the Hidden Messages of Children’s Films. Oxford: Praeger.
Crichton, M. (1991). Jurassic Park. London: Arrow Books.
Cross, J. (2004). “An Informal History of e-Learning”. On the Horizon, 12 (3): 103–110.
Disney, W. (Producer) & Reitherman, W. (Director). (1967). The Jungle Book. Burbank: Walt Disney Productions.
Disney, W. (Producer) & Stevenson, R. (Director). (1964). Mary Poppins. Burbank: Walt Disney Productions.
Favreau, J. & Taylor, B. (Producers) & Favreau, J. (Director). The Jungle Book. Burbank: Walt Disney Pictures.
Fisher, K. (2014). “Decline of the Meatosaurus”. In N. Michaud, J. Watkins (Eds.). Jurassic Park and Philosophy: The Truth is Terrifying. (197–208). Chicago: Open Court.
Flood, A. (2011). “Study Finds Huge Gender Imbalance in Children’s Literature”. The Guardian. www.theguardian.com/books/2011/may/06/gender-imbalance-children-s-literature. (Accessed on 1 March 2020.)
Giaccardi, S., Heldman, C., Cooper, R. Cooper-Jones, N., Conroy, M., Esparza, P., Breckenridge-Jackson, I., Juliano, L., McTaggart, N., Phillips, H., Seabrook, R. (2019). See Jane 2019 Report. The Geena Davis Institute for Gender in Media. https://seejane.org/wp-content/uploads/see-jane-2019-full-report.pdf. (Accessed on 1 March 2020.)
Gimbutas, M. (2001). The Living Goddesses. Berkeley: University of California Press.
Gledhill, C. (2006). “Pleasurable Negotiations”. In J. Storey (Ed.). Cultural Theory and Popular Culture: A Reader. (111–123). Harlow: Pearson.
Goldman, R., Heath, D. & Smith, S. L. (1991). “Commodity Feminism”. Critical Studies in Mass Communication 8 (3), 333–351.
Goulds, S., Ashlee, A., Fergus, I., Gallinetti, J., Tanner, S. (2019). Rewrite Her Story: How Film and Media Stereotypes Affect the Lives and Leadership Ambitions of Girls and Young Women. https://seejane.org/wp-content/uploads/2019-rewrite-her-story-plan-international-report.pdf. (Accessed on 1 March 2020.)
Gupta, R. (2016). “Q: In The Jungle Book Reboot, Why did Disney Make Kaa the Python Female?” The Take: Presented by ScreenPrism. http://screenprism.com/insights/article/whats-with-kaas-seductress-new-avatar-in-the-jungle-book. (Accessed on 1 March 2020.)
Heldman, C., Cooper, R., Narayanan, S., Somandepalli, K., Burrows, E., Christensen, S., Cooper-Jones, N., Conroy, M., Giaccardi, S., Juliano, L., McTaggart, N., Romeo Perez, H., Phillips, R. S., Virgo, J. (2020). See Jane 2020 Report. The Geena Davis Institute for Gender in Media. https://seejane.org/wp-content/uploads/2020-film-historic-gender-parity-in-family-films-report-4.20.pdf. (Accessed on 1 March 2020.)
Jackson, P. W. (1968). Life in Classrooms. New York: Holt, Rinehart and Winston.
Keegan, R. (2016). “Jungle Book Director Jon Favreau Keeps the 19th Century Kipling Tone but Updates the Classic for Modern Times”. Los Angeles Times. www.latimes.com/entertainment/movies/la-et-mn-modernizing-jungle-book-20160414-story.html?dlvrit=95867. (Accessed on 1 March 2020.)
Kennedy, K., Molen, G. R. (Producers) & Spielberg, S. (Director). Jurassic Park. Universal City: Universal Pictures.
Kipling, R. (2013). The Jungle Books. London: Penguin.
Koushik, K., Reed, A. (2019). “Star Wars: The Last Jedi, Beauty and the Beast, and Disney’s Commodification of Feminism: A Political Economic Analysis”. In L. Dundes (Ed.). The Psychosocial Implications of Disney Movies. (123–143). Barcelona: MDPI.
Lauzen, M. M. (2019). “It’s a Man’s (Celluloid) World: Portrayals of Female Characters in the Top Grossing Films of 2018”. https://womenintvfilm.sdsu.edu/wp-content/uploads/2019/02 2018_Its_a_Mans_Celluloid_World_Report.pdf. (Accessed on 1 March 2020.)
Lawson, V. (2013). Mary Poppins, She Wrote: The Life of P. L. Travers. London: Simon & Schuster.
Martin, K. A., Kazyak, E. (2009). “Hetero-Romantic Love and Heterosexiness in Children’s G-Rated Films”. Gender and Society 23(3), 315–336.
Martínez, C., Paterna, C., Roux, P., Falomir, J. M. (2010). “Predicting Gender Awareness: The Relevance of Neo-Sexism”. Journal of Gender Studies 19 (1), 1–12.
McBride, J. (2011). Steven Spielberg: A Biography. Jackson: University Press of Mississippi.
McCabe, J., Fairchild, E., Grauerholz, L., Pescosolido, B. A., Tope, D. (2011). “Gender in Twentieth-Century Children’s Books: Patterns of Disparity in Titles and Central Characters”. Gender & Society 25(2), 197–226.
Metcalf, G. (2016). “It’s a Jungle Book Out There, Kid!” In D. Brode, S. T. Brode (Eds.). It’s the Disney Version! Popular Cinema and Literary Classics. (117–128). London: Rowman & Littlefield.
Miller, M. (2016). “The Best Female Characters Come from Books”. The Atlantic. www.theatlantic.com/entertainment/archive/2016/09/where-hollywood-finds-some-of-its-best-female-leads/500033/. (Accessed on 1 March 2020.)
Mulvey, L. (1999). “Visual Pleasure and Narrative Cinema”. In L. Braudy, M. Cohen (Eds.). Film Theory and Criticism: Introductory Readings. (833–844). Oxford: Oxford University Press.
Musker, J., Ashman, H. (Producers) & Clements, R., Muker, J. (Directors). (1989). The Little Mermaid. Burbank: Walt Disney Pictures.
Nikolajeva, M. (2004). “Narrative Theory