CHAPTER IV
GRIZEL OF THE CROOKED SMILE
To expose Tommy for what he was, to appear to be scrupulously fair to him so that I might really damage him the more, that is what I set out to do in this book, and always when he seemed to be finding a way of getting round me (as I had a secret dread he might do) I was to remember Grizel and be obdurate. But if I have so far got past some of his virtues without even mentioning them (and I have), I know how many opportunities for discrediting him have been missed, and that would not greatly matter, there are so many more to come, if Grizel were on my side. But she is not; throughout those first chapters a voice has been crying to me, "Take care; if you hurt him you will hurt me"; and I know it to be the voice of Grizel, and I seem to see her, rocking her arms as she used to rock them when excited in the days of her innocent childhood. "Don't, don't, don't!" she cried at every cruel word I gave him, and she, to whom it was ever such agony to weep, dropped a tear upon each word, so that they were obliterated; and "Surely I knew him best," she said, "and I always loved him"; and she stood there defending him, with her hand on her heart to conceal the gaping wound that Tommy had made.
Well, if Grizel had always loved him there was surely something fine and rare about Tommy. But what was it, Grizel? Why did you always love him, you who saw into him so well and demanded so much of men? When I ask that question the spirit that hovers round my desk to protect Tommy from me rocks her arms mournfully, as if she did not know the answer; it is only when I seem to see her as she so often was in life, before she got that wound and after, bending over some little child and looking up radiant, that I think I suddenly know why she always loved Tommy. It was because he had such need of her.
I don't know whether you remember, but there were once some children who played at Jacobites in the Thrums Den under Tommy's leadership. Elspeth, of course, was one of them, and there were Corp Shiach, and Gavinia, and lastly, there was Grizel. Had Tommy's parents been alive she would not have been allowed to join, for she was a painted lady's child; but Tommy insisted on having her, and Grizel thought it was just sweet of him. He also chatted with her in public places, as if she were a respectable character; and oh, how she longed to be respectable! but, on the other hand, he was the first to point out how superbly he was behaving, and his ways were masterful, so the independent girl would not be captain's wife; if he said she was captain's wife he had to apologize, and if he merely looked it he had to apologize just the same.
One night the Painted Lady died in the Den, and then it would have gone hard with the lonely girl had not Dr. McQueen made her his little housekeeper, not out of pity, he vowed (she was so anxious to be told that), but because he was an old bachelor sorely in need of someone to take care of him. And how she took care of him! But though she was so happy now, she knew that she must be very careful, for there was something in her blood that might waken and prevent her being a good woman. She thought it would be sweet to be good.
She told all this to Tommy, and he was profoundly interested, and consulted a wise man, whose advice was that when she grew up she should be wary of any man whom she liked and mistrusted in one breath. Meaning to do her a service, Tommy communicated this to her; and then, what do you think? Grizel would have no more dealings with him! By and by the gods, in a sportive mood, sent him to labour on a farm, whence, as we have seen, he found a way to London, and while he was growing into a man Grizel became a woman. At the time of the doctor's death she was nineteen, tall and graceful, and very dark and pale. When the winds of the day flushed her cheek she was beautiful; but it was a beauty that hid the mystery of her face. The sun made her merry, but she looked more noble when it had set; then her pallor shone with a soft, radiant light, as though the mystery and sadness and serenity of the moon were in it. The full beauty of Grizel came out only at night, like the stars.
I had made up my mind that when the time came to describe Grizel's mere outward appearance I should refuse her that word "beautiful" because of her tilted nose; but now that the time has come, I wonder at myself. Probably when I am chapters ahead I shall return to this one and strike out the word "beautiful," and then, as likely as not, I shall come back afterwards and put it in again. Whether it will be there at the end, God knows. Her eyes, at least, were beautiful. They were unusually far apart, and let you look straight into them, and never quivered; they were such clear, gray, searching eyes, they seemed always to be asking for the truth. And she had an adorable mouth. In repose it was, perhaps, hard, because it shut so decisively; but often it screwed up provokingly at one side, as when she smiled, or was sorry, or for no particular reason; for she seemed unable to control this vagary, which was perhaps a little bit of babyhood that had forgotten to grow up with the rest of her. At those moments the essence of all that was characteristic and delicious about her seemed to have run to her mouth; so that to kiss Grizel on her crooked smile would have been to kiss the whole of her at once. She had a quaint way of nodding her head at you when she was talking. It made you forget what she was saying, though it was really meant to have precisely the opposite effect. Her voice was rich, with many inflections. When she had much to say it gurgled like a stream in a hurry; but its cooing note was best worth remembering at the end of the day. There were times when she looked like a boy. Her almost gallant bearing, the poise of her head, her noble frankness—they all had something in them of a princely boy who had never known fear.
I have no wish to hide her defects; I would rather linger over them, because they were part of Grizel, and I am sorry to see them go one by one. Thrums had not taken her to its heart. She was a proud-purse, they said, meaning that she had a haughty walk. Her sense of justice was too great. She scorned frailties that she should have pitied. (How strange to think that there was a time when pity was not the feeling that leaped to Grizel's bosom first!) She did not care for study. She learned French and the pianoforte to please the doctor; but she preferred to be sewing or dusting. When she might have been reading, she was perhaps making for herself one of those costumes that annoyed every lady of Thrums who employed a dressmaker; or, more probably, it was a delicious garment for a baby; for as soon as Grizel heard that there was a new baby anywhere, all her intellect deserted her, and she became a slave. Books often irritated her because she disagreed with the author; and it was a torment to her to find other people holding to their views when she was so certain that hers were right. In church she sometimes rocked her arms; and the old doctor by her side knew that it was because she could not get up and contradict the minister. She was, I presume, the only young lady who ever dared to say that she hated Sunday because there was so much sitting still in it.
Sitting still did not suit Grizel. At all other times she was happy; but then her mind wandered back to the thoughts that had lived too closely with her in the old days, and she was troubled. What woke her from these reveries was probably the doctor's hand placed very tenderly on her shoulder, and then she would start, and wonder how long he had been watching her, and what were the grave thoughts behind his cheerful face; for the doctor never looked more cheerful than when he was drawing Grizel away from the ugly past, and he talked to her as if he had noticed nothing; but after he went upstairs he would pace his bedroom for a long time; and Grizel listened, and knew that he was thinking about her. Then, perhaps, she would run up to him, and put her arms around his neck. These scenes brought the doctor and Grizel very close together; but they became rarer as she grew up, and then for once that she was troubled she was a hundred times irresponsible with glee, and "Oh, you dearest, darlingest," she would cry to him, "I must dance—I must, I must!—though it is a fast-day; and you must dance with your mother this instant—I am so happy, so happy!" "Mother" was his nickname for her, and she delighted in the word. She lorded it over him as if he were her troublesome boy.
How could she be other than glorious when there was so much to do? The work inside the house she made for herself,
