None Other Gods. Robert Hugh Benson
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(I)
"I think you're behaving like an absolute idiot," said Jack Kirkby indignantly.
Frank grinned pleasantly, and added his left foot to his right one in the broad window-seat.
These two young men were sitting in one of the most pleasant places in all the world in which to sit on a summer evening—in a ground-floor room looking out upon the Great Court of Trinity College, Cambridge. It was in that short space of time, between six and seven, during which the Great Court is largely deserted. The athletes and the dawdlers have not yet returned from field and river; and Fellows and other persons, young enough to know better, who think that a summer evening was created for the reading of books, have not yet emerged from their retreats. A white-aproned cook or two moves across the cobbled spaces with trays upon their heads; a tradesman's boy comes out of the corner entrance from the hostel; a cat or two stretches himself on the grass; but, for the rest, the court lies in broad sunshine; the shadows slope eastwards, and the fitful splash and trickle of the fountain asserts itself clearly above the gentle rumble of Trinity Street.
Within, the room in which these two sat was much like other rooms of the same standing; only, in this one case the walls were paneled with white-painted deal. Three doors led out of it—two into a tiny bedroom and a tinier dining-room respectively; the third on to the passage leading to the lecture-rooms. Frank found it very convenient, since he thus was enabled, at every hour of the morning when the lectures broke up, to have the best possible excuse for conversing with his friends through the window.
The room was furnished really well. Above the mantelpiece, where rested an array of smoking-materials and a large silver cigarette-box, hung an ancestral-looking portrait, in a dull gilded frame, of an aged man, with a ruff round his neck, purchased for one guinea; there was a sofa and a set of chairs upholstered in a good damask: a black piano by Broadwood; a large oval gate-leg table; a bureau; shelves filled with very indiscriminate literature—law books, novels, Badminton, magazines and ancient school editions of the classics; a mahogany glass-fronted bookcase packed with volumes of esthetic appearance—green-backed poetry books with white labels; old leather tomes, and all the rest of the specimens usual to a man who has once thought himself literary. Then there were engravings, well framed, round the walls; a black iron-work lamp, fitted for electric light, hung from the ceiling; there were a couple of oak chests, curiously carved. On the stained floor lay three or four mellow rugs, and the window-boxes outside blazed with geraniums. The débris of tea rested on the window-seat nearest the outer door.
Frank Guiseley, too, lolling in the window-seat in a white silk shirt, unbuttoned at the throat, and gray flannel trousers, and one white shoe, was very pleasant to look upon. His hair was as black and curly as a Neapolitan's; he had a smiling, humorous mouth, and black eyes—of an extraordinary twinkling alertness. His clean-shaven face, brown in its proper complexion as well as with healthy sunburning (he had played very vigorous lawn-tennis for the last two months), looked like a boy's, except for the very determined mouth and the short, straight nose. He was a little below middle height—well-knit and active; and though, properly speaking, he was not exactly handsome, he was quite exceptionally delightful to look at.
Jack Kirkby, sitting in an arm-chair a yard away, and in the same sort of costume—except that he wore both his shoes and a Third Trinity blazer—was a complete contrast in appearance. The other had something of a Southern Europe look; Jack was obviously English—wholesome red cheeks, fair hair and a small mustache resembling spun silk. He was, also, closely on six feet in height.
He was anxious just now, and, therefore, looked rather cross, fingering the very minute hairs of his mustache whenever he could spare the time from smoking, and looking determinedly away from Frank upon the floor. For the last week he had talked over this affair, ever since the amazing announcement; and had come to the conclusion that once more, in this preposterous scheme, Frank really meant what he said.
Frank had a terrible way of meaning what he said—he reflected with dismay. There was the affair of the bread and butter three years ago, before either of them had learned manners. This had consisted in the fastening up in separate brown-paper parcels innumerable pieces of bread and butter, addressing each with the name of the Reverend Junior Dean (who had annoyed Frank in some way), and the leaving of the parcels about in every corner of Cambridge, in hansom cabs, on seats, on shop-counters and on the pavements—with the result that for the next two or three days the dean's staircase was crowded with messenger boys and unemployables, anxious to return apparently lost property.
Then there had been the matter of the flagging of a fast Northern train in the middle of the fens with a red pocket-handkerchief, to find out if it were really true that the train would stop, followed by a rapid retreat on bicycles so soon as it had been ascertained that it was true; the Affair of the German Prince traveling incognito, into which the Mayor himself had been drawn; and the Affair of the Nun who smoked a short black pipe in the Great Court shortly before midnight, before gathering up her skirts and vanishing on noiseless india-rubber-shod feet round the kitchen quarters into the gloom of Neville's Court, as the horrified porter descended from his signal-box.
Now many minds could have conceived these things; a smaller number of people would have announced their intention of doing them: but there were very few persons who would actually carry them all out to the very end: in fact, Jack reflected, Frank Guiseley was about the only man of his acquaintance who could possibly have done them. And he had done them all on his own sole responsibility.
He had remembered, too, during the past week, certain incidents of the same nature at Eton. There was the master who had rashly inquired, with deep sarcasm, on the fourth or fifth occasion in one week when Frank had come in a little late for five-o'clock school, whether "Guiseley would not like to have tea before pursuing his studies." Frank, with a radiant smile of gratitude, and extraordinary rapidity, had answered that he would like it very much indeed, and had vanished through the still half-open door before another word could be uttered, returning with a look of childlike innocence at about five-and-twenty minutes to six.
"Please, sir," he had said, "I thought you said I might go?"
"And have you had tea?"
"Why, certainly, sir; at Webber's."
Now all this kind of thing was a little disconcerting to remember now. Truly, the things in themselves had been admirably conceived and faithfully executed, but they seemed to show that Frank was the kind of person who really carried through what other people only talked about—and especially if he announced beforehand that he intended to do it.
It was a little dismaying, therefore, for his friend to reflect that upon the arrival of the famous letter from Lord Talgarth—Frank's father—six days previously, in which all the well-worn phrases occurred as to "darkening doors" and "roof" and "disgrace to the family," Frank had announced that he proposed to take his father at his word, sell up his property and set out like a prince in a fairy-tale to make his fortune.
Jack had argued till he was sick of it, and to no avail. Frank had a parry for every thrust. Why wouldn't he wait a bit until the governor had had time to cool down? Because the governor must learn, sooner or later, that words really meant something, and that he—Frank—was not going to stand it for one instant.
Why wouldn't he come and stay at Barham till further notice? They'd all