HIPPODROME
is the largest and finest open place in Constantinople. After those of Cairo and Padua, it is the most spacious I have seen any where. Two obelisks of red granite, covered with hieroglyphics, are the only ornaments of this place. The houses surrounding it are built, according to the general fashion, of wood, and painted with oil-colours of different tints. I here noticed a great number of pretty children’s carriages, drawn by servants. Many parents assembled here to let their children be driven about.
Not far from the Hippodrome are the great cisterns with the thousand and one pillars. Once on a time this gigantic fabric must have presented a magnificent appearance. Now a miserable wooden staircase, lamentably out of repair, leads you down a flight of thirty or forty steps into the depths of one of these cisterns, the roof of which is supported by three hundred pillars. This cistern is no longer filled with water, but serves as a workshop for silk-spinners. The place seems almost as if it had been expressly built for such a purpose, as it receives light from above, and is cool in summer, and warm during the winter. It is now impossible to penetrate into the lower stories, as they are either filled with earth or with water.
The aqueducts of Justinian and Valentinian are stupendous works. They extend from Belgrade to the “Sweet Waters,” a distance of about fourteen miles, and supply the whole of Constantinople with a sufficiency of water.
COFFEE-HOUSES—STORY-TELLERS.
Before I bade farewell to Constantinople for the present and betook me to Pera, I requested my guide to conduct me to a few coffee-houses, that I might have a new opportunity of observing the peculiar customs and mode of life of the Turks. I had already obtained some notion of the appearance of these places in Giurgewo and Galatz; but in this imperial town I had fancied I should find them somewhat neater and more ornamental. But this delusion vanished as soon as I entered the first coffee-house. A wretchedly dirty room, in which Turks, Greeks, Armenians, and others sat cross-legged on divans, smoking and drinking coffee, was all I could discover. In the second house I visited I saw, with great disgust, that the coffee-room was also used as a barber’s shop; on one side they were serving coffee, and on the other a Turk was having his head shaved. They say that bleeding is sometimes even carried on in these booths.
In a coffee-house of a rather superior class we found one of the so-called “story-tellers.” The audience sit round in a half-circle, and the narrator stands in the foreground, and quietly begins a tale from the Thousand and One Nights; but as he continues he becomes inspired, and at length roars and gesticulates like the veriest ranter among a company of strolling players.
Sherbet is not drunk in all the coffee-houses; but every where we find stalls and booths where this cooling and delicious beverage is to be had. It is made from the juice of fruits, mixed with that of lemons and pomegranates. In Pera ice is only to be had in the coffee-houses of the Franks, or of Christian confectioners. All coffee-house keepers are obliged to buy their coffee ready burnt and ground from the government, the monopoly of this article being an imperial privilege. A building has been expressly constructed for its preparation, where the coffee is ground to powder by machinery. The coffee is made very strong, and poured out without being strained, a custom which I could not bring myself to like.
It is well worth the traveller’s while to make an
EXCURSION TO EJUB,
the greatest suburb of Constantinople, and also the place where the richest and most noble of the Turks are buried.
Ejub, the standard-bearer of Mahomet, rests here in a magnificent mosque, built entirely of white marble. None but a Mussulman may tread this hallowed shrine. A tolerably good view of the interior can, however, be obtained from without, as the windows are lofty and broad, and reach nearly to the ground. The sarcophagus stands in a hall; it is covered with a richly embroidered pall, over which are spread five or six “real” shawls. The part beneath which the head rests is surmounted by a turban, also of real shawls. The chief sarcophagus is surrounded by several smaller coffins, in which repose the wives, children, and nearest relations of Ejub. Hard by the mosque we find a beautiful fountain of white marble, surrounded by a railing of gilded iron, and furnished with twelve bright drinking-cups of polished brass. A Turk here is appointed expressly to hand these to the passers-by. A little crooked garden occupies the space behind the mosque. The mosques in which the dead sultans are deposited are all built in the same manner as that of Ejub. Instead of the turban, handsome fez-caps, with the heron’s feather, lie on the coffins. Among the finest mosques is that in which repose the remains of the late emperor. In Ejub many very costly monuments are to be seen. They are generally surrounded by richly-gilt iron railings, their peaks surmounted by the shining crescent, and forming an arch above a sarcophagus, round which are planted rose-bushes and dwarf cypresses, with ivy and myrtle clinging to their stems. It would, however, be very erroneous to suppose that the rich alone lie buried here. The poor man also finds his nook; and frequently we see close by a splendid monument the modest stone which marks the resting-place of the humble Mussulman.
On my return I met the funeral of a poor Turk. If my attention had not been attracted to the circumstance, I should have passed by without heeding it. The corpse was rolled in a cloth, fastened at the head and at the feet, and laid on a board which a man carried on his shoulder. At the grave the dead man is once more washed, wrapped in clean linen cloths, and thus lowered into the earth. And this is as it should be. Why should the pomp and extravagance of man accompany him to his last resting-place? Were it not well if in this matter we abated something of our conventionality and ostentation? I do not mean to say that interments need be stripped of every thing like ornament; in all things the middle way is the safest. A simple funeral has surely in it more that awakes true religious feeling than the pomp and splendour which are too frequently made the order of the day in these proceedings. In this case are not men sometimes led away to canvass and to criticise the splendour of the show, while they should be deducing a wholesome moral lesson for themselves, or offering up a fervent prayer to the Almighty for the peace of the departed spirit?
HOUSES—THEATRES—CARRIAGES.
The houses in the whole of Constantinople, in which we may include Pera, Topana, etc., are very slightly and carelessly put together. No door, no window, closes and fits well; the floorings frequently exhibit gaps an inch in breadth; and yet rents are very high. The reason of this is to be found in the continual danger of fire to which all towns built of wood are exposed. Every proprietor of a house calculates that he may be burnt out in the course of five or six years, and therefore endeavours to gain back his capital with interest within this period. Thus we do not find the houses so well built or so comfortably furnished as in the generality of European towns.
There is a theatre in Pera, which will hold from six to seven hundred spectators. At the time of my sojourn there, a company of Italian singers were giving four representations every week. Operas of the most celebrated masters were here to be heard; but I attended one representation, and had quite enough. The wonder is that such an undertaking answers at all, as the Turks have no taste for music, and the Franks are too fastidious to be easily satisfied.
The carriages—which
