official cousins hold only a few shares apiece."
"Perhaps, then, her visit will open her eyes. Who knows but poor Dillon's case may help others—prove a beautiful dispensation, as Mrs. Ogan would say?"
"It does come terribly pat as an illustration of some of the abuses I want to have remedied. The difficulty will be to get the lady's ear. That's her house we're coming to, by the way."
An electric street-lamp irradiated the leafless trees and stone gate-posts of the building before them. Though gardens extended behind it, the house stood so near the pavement that only two short flights of steps intervened between the gate-posts and the portico. Light shone from every window of the pompous rusticated façade—in the turreted "Tuscan villa" style of the 'fifties—and as Miss Brent and Amherst approached, their advance was checked by a group of persons who were just descending from two carriages at the door.
The lamp-light showed every detail of dress and countenance in the party, which consisted of two men, one slightly lame, with a long white moustache and a distinguished nose, the other short, lean and professional, and of two ladies and their laden attendants.
"Why, that must be her party arriving!" Miss Brent exclaimed; and as she spoke the younger of the two ladies, turning back to her maid, exposed to the glare of the electric light a fair pale face shadowed by the projection of her widow's veil.
"Is that Mrs. Westmore?" Miss Brent whispered; and as Amherst muttered: "I suppose so; I've never seen her——" she continued excitedly: "She looks so like—do you know what her name was before she married?"
He drew his brows together in a hopeless effort of remembrance. "I don't know—I must have heard—but I never can recall people's names."
"That's bad, for a leader of men!" she said mockingly, and he answered, as though touched on a sore point: "I mean people who don't count. I never forget an operative's name or face."
"One can never tell who may be going to count," she rejoined sententiously.
He dwelt on this in silence while they walked on catching as they passed a glimpse of the red-carpeted Westmore hall on which the glass doors were just being closed. At length he roused himself to ask: "Does Mrs. Westmore look like some one you know?"
"I fancied so—a girl who was at the Sacred Heart in Paris with me. But isn't this my corner?" she exclaimed, as they turned into another street, down which a laden car was descending.
Its approach left them time for no more than a hurried hand-clasp, and when Miss Brent had been absorbed into the packed interior her companion, as his habit was, stood for a while where she had left him, gazing at some indefinite point in space; then, waking to a sudden consciousness of his surroundings, he walked off toward the centre of the town.
At the junction of two business streets he met an empty car marked "Westmore," and springing into it, seated himself in a corner and drew out a pocket Shakespeare. He read on, indifferent to his surroundings, till the car left the asphalt streets and illuminated shop-fronts for a grey intermediate region of mud and macadam. Then he pocketed his volume and sat looking out into the gloom.
The houses grew less frequent, with darker gaps of night between; and the rare street-lamps shone on cracked pavements, crooked telegraph-poles, hoardings tapestried with patent-medicine posters, and all the mean desolation of an American industrial suburb. Farther on there came a weed-grown field or two, then a row of operatives' houses, the showy gables of the "Eldorado" road-house—the only building in Westmore on which fresh paint was freely lavished—then the company "store," the machine shops and other out-buildings, the vast forbidding bulk of the factories looming above the river-bend, and the sudden neatness of the manager's turf and privet hedges. The scene was so familiar to Amherst that he had lost the habit of comparison, and his absorption in the moral and material needs of the workers sometimes made him forget the outward setting of their lives. But to-night he recalled the nurse's comment—"it looks so dead"—and the phrase roused him to a fresh perception of the scene. With sudden disgust he saw the sordidness of it all—the poor monotonous houses, the trampled grass-banks, the lean dogs prowling in refuse-heaps, the reflection of a crooked gas-lamp in a stagnant loop of the river; and he asked himself how it was possible to put any sense of moral beauty into lives bounded forever by the low horizon of the factory. There is a fortuitous ugliness that has life and hope in it: the ugliness of overcrowded city streets, of the rush and drive of packed activities; but this out-spread meanness of the suburban working colony, uncircumscribed by any pressure of surrounding life, and sunk into blank acceptance of its isolation, its banishment from beauty and variety and surprise, seemed to Amherst the very negation of hope and life.
"She's right," he mused—"it's dead—stone dead: there isn't a drop of wholesome blood left in it."
The Moosuc River valley, in the hollow of which, for that river's sake, the Westmore mills had been planted, lingered in the memory of pre-industrial Hanaford as the pleasantest suburb of the town. Here, beyond a region of orchards and farm-houses, several "leading citizens" had placed, above the river-bank, their prim wood-cut "residences," with porticoes and terraced lawns; and from the chief of these, Hopewood, brought into the Westmore family by the Miss Hope who had married an earlier Westmore, the grim mill-village had been carved. The pillared "residences" had, after this, inevitably fallen to base uses; but the old house at Hopewood, in its wooded grounds, remained, neglected but intact, beyond the first bend of the river, deserted as a dwelling but "held" in anticipation of rising values, when the inevitable growth of Westmore should increase the demand for small building lots. Whenever Amherst's eyes were refreshed by the hanging foliage above the roofs of Westmore, he longed to convert the abandoned country-seat into a park and playground for the mill-hands; but he knew that the company counted on the gradual sale of Hopewood as a source of profit. No—the mill-town would not grow beautiful as it grew larger—rather, in obedience to the grim law of industrial prosperity, it would soon lose its one lingering grace and spread out in unmitigated ugliness, devouring green fields and shaded slopes like some insect-plague consuming the land. The conditions were familiar enough to Amherst; and their apparent inevitableness mocked the hopes he had based on Mrs. Westmore's arrival.
"Where every stone is piled on another, through the whole stupid structure of selfishness and egotism, how can one be pulled out without making the whole thing topple? And whatever they're blind to, they always see that," he mused, reaching up for the strap of the car.
He walked a few yards beyond the manager's house, and turned down a side street lined with scattered cottages. Approaching one of these by a gravelled path he pushed open the door, and entered a sitting-room where a green-shaded lamp shone pleasantly on bookshelves and a crowded writing-table.
A brisk little woman in black, laying down the evening paper as she rose, lifted her hands to his tall shoulders.
"Well, mother," he said, stooping to her kiss.
"You're late, John," she smiled back at him, not reproachfully, but with affection.
She was a wonderfully compact and active creature, with face so young and hair so white that she looked as unreal as a stage mother till a close view revealed the fine lines that experience had drawn about her mouth and eyes. The eyes themselves, brightly black and glancing, had none of the veiled depths of her son's gaze. Their look was outward, on a world which had dealt her hard blows and few favours, but in which her interest was still fresh, amused and unabated.
Amherst glanced at his watch. "Never mind—Duplain will be later still. I had to go into Hanaford, and he is replacing me at the office."
"So much the better, dear: we can have a minute to ourselves. Sit down and tell
