Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History. Томас Карлейль
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Alas, how can a man with this devilishness of temper make way for himself in Life; where the first problem, as Teufelsdröckh too admits, is ‘to unite yourself with some one and with somewhat (sich anzuschliessen)’? Division, not union, is written on most part of his procedure. Let us add too that, in no great length of time, the only important connexion he had ever succeeded in forming, his connexion with the Zähdarm Family, seems to have been paralysed, for all practical uses, by the death of the ‘not uncholeric’ old Count. This fact stands recorded, quite incidentally, in a certain Discourse on Epitaphs, huddled into the present Bag, among so much else; of which Essay the learning and curious penetration are more to be approved of than the spirit. His grand principle is, that lapidary inscriptions, of what sort soever, should be Historical rather than Lyrical. ‘By request of that worthy Nobleman’s survivors,’ says he, ‘I undertook to compose his Epitaph; and not unmindful of my own rules, produced the following; which however, for an alleged defect of Latinity, a defect never yet fully visible to myself, still remains unengraven’;—wherein, we may predict, there is more than the Latinity that will surprise an English reader:
HIC JACET
PHILIPPUS ZAEHDARM, COGNOMINE MAGNUS,
ZAEHDARMI COMES,
EX IMPERII CONCILIO,
VELLERIS AUREI, PERISCELIDIS, NECNON VULTURIS NIGRI
EQUES.
QUI DUM SUB LUNA AGEBAT,
QUINQUIES MILLE PERDICES
PLUMBO CONFECIT:
VARII CIBI
CENTUMPONDIA MILLIES CENTENA MILLIA,
PER SE, PERQUE SERVOS QUADRUPEDES BIPEDESVE
HAUD SINE TUMULTU DEVOLVENS,
IN STERCUS
PALAM CONVERTIT.
NUNC A LABORE REQUIESCENTEM
OPERA SEQUUNTUR.
SI MONUMENTUM QUÆRIS,
FIMETUM ADSPICE.
PRIMUM IN ORBE DEJECIT [sub dato]; POSTREMUM [sub dato].
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