As if it were a signal between them, Lady Sherwood pushed her chair back a little from the table, her long delicate fingers dropped together loosely in her lap; she gave a faint sigh as if a restraining mantle slipped from her shoulders, and, looking up at the youth before her, her fine pale face lighted with a kind of glory, she said, "No, dear lad, no. You can never tell Chev, for he is gone."
"Gone!" he cried.
"Yes," she nodded back at him, just above a whisper; and now her face quivered, and the tears began to rush down her cheeks.
"Not dead!" he cried. "Not Chev—not that! O my God, Gerald, not that!"
"Yes," Gerald said. "They got him two days after you left."
It was so overwhelming, so unexpected and shocking, above all so terrible, that the friend he had so greatly loved and admired was gone out of his life forever, that young Cary stumbled back into his seat, and, crumpling over, buried his face in his hands, making great uncouth gasps as he strove to choke back his grief.
Gerald groped hastily around the table, and flung an arm about his shoulders.
"Steady on, dear fellow, steady," he said, though his own voice broke.
"When did you hear?" Cary got out at last.
"We got the official notice just the day before you came—and Withers has written us particulars since."
"And you let me come in spite of it! And stay on, when every word I said about him must have—have fairly crucified each one of you! Oh, forgive me! forgive me!" he cried distractedly. He saw it all now; he understood at last. It was not on Gerald's account that they could not talk of flying and of Chev, it was because—because their hearts were broken over Chev himself. "Oh, forgive me!" he gasped again.
"Dear lad, there is nothing to forgive," Lady Sherwood returned. "How could we help loving your generous praise of our poor darling? We loved it, and you for it; we wanted to hear it, but we were afraid. We were afraid we might break down, and that you would find out."
The tears were still running down her cheeks. She did not brush them away now; she seemed glad to have them there at last.
Sinking down on his knees, he caught her hands. "Why did you let me do such a horrible thing?" he cried. "Couldn't you have trusted me to understand? Couldn't you see I loved him just as you did—No, no!" he broke down humbly. "Of course I couldn't love him as his own people did. But you must have seen how I felt about him—how I admired him, and would have followed him anywhere—and of course if I had known, I should have gone away at once."
"Ah, but that was just what we were afraid of," she said quickly. "We were afraid you would go away and have a lonely leave somewhere. And in these days a boy's leave is so precious a thing that nothing must spoil it—nothing," she reiterated; and her tears fell upon his hands like a benediction. "But we didn't do it very well, I'm afraid," she went on presently, with gentle contrition. "You were too quick and understanding; you guessed there was something wrong. We were sorry not to manage better," she apologized.
"Oh, you wonderful, wonderful people!" he gasped. "Doing everything for my happiness, when all the time—all the time—"
His voice went out sharply, as his mind flashed back to scene after scene: to Gerald's long body lying quivering on the grass; to Sybil Gaylord wishing Sally Berkeley happiness out of her own tragedy; and to the high look on Lady Sherwood's face. They seemed to him themselves, and yet more than themselves—shining bits in the mosaic of a great nation. Disjointedly there passed through his mind familiar words—"these are they who have washed their garments—having come out of great tribulation." No wonder they seemed older.
"We—we couldn't have done it in America," he said humbly.
He had a desperate desire to get away to himself; to hide his face in his arms, and give vent to the tears that were stifling him; to weep for his lost friend, and for this great heartbreaking heroism of theirs.
"But why did you do it?" he persisted. "Was it because I was his friend?"
"Oh, it was much more than that," Gerald said quickly. "It was a matter of the two countries. Of course, we jolly well knew you didn't belong to us, and didn't want to, but for the life of us we couldn't help a sort of feeling that you did. And when America was in at last, and you fellows began to come, you seemed like our very own come back after many years, and," he added a throb in his voice, "we were most awfully glad to see you—we wanted a chance to show you how England felt."
Skipworth Cary rose to his feet. The tears for his friend were still wet upon his lashes. Stooping, he took Lady Sherwood's hands in his and raised them to his lips. "As long as I live, I shall never forget," he said. "And others of us have seen it too in other ways—be sure America will never forget, either."
She looked up at his untouched youth out of her beautiful sad eyes, the exalted light still shining through her tears. "Yes," she said, "you see it was—I don't know exactly how to put it—but it was England to America."
"FOR THEY KNOW NOT WHAT THEY DO"
BY WILBUR DANIEL STEELE
From Pictorial Review
When Christopher Kain told me his story, sitting late in his dressing-room at the Philharmonic I felt that I ought to say something, but nothing in the world seemed adequate. It was one of those times when words have no weight: mine sounded like a fly buzzing in the tomb of kings. And after all, he did not hear me; I could tell that by the look on his face as he sat there staring into the light, the lank, dark hair framing his waxen brow, his shoulders hanging forward, his lean, strong, sentient fingers wrapped around the brown neck of "Ugo," the 'cello, tightly.
Agnes Kain was a lady, as a lady was before the light of that poor worn word went out. Quiet, reserved, gracious, continent, bearing in face and form the fragile beauty of a rose-petal come to its fading on a windless ledge, she moved down the years with the stedfast sweetness of the gentlewoman—gentle, and a woman.
They knew little about her in the city, where she had come with her son. They did not need to. Looking into her eyes, into the transparent soul behind them they could ask no other credential for the name she bore and the lavender she wore for the husband of whom she never spoke.
She spoke of him, indeed, but that was in privacy, and to her son. As Christopher grew through boyhood, she watched him; in her enveloping eagerness she forestalled the hour when he would have asked, and told him about his father, Daniel Kain.
It gave them the added bond of secret-sharers. The tale grew as the boy grew. Each night when Christopher crept into his mother's bed for the quiet hour of her voice, it was as if he crept in to another world, the wind-blown, sky-encompassed kingdom of the Kains, Daniel, his father, and Maynard, his father, another Maynard before him, and all the Kains—and the Hill and the House, the Willow Wood, the Moor Under the Cloud, the Beach where the gray seas pounded, the boundless Marsh, the Lilac hedge standing against the stars.
He knew he would have to be a man of men to measure up to that heritage, a man strong, grave, thoughtful, kind with the
