levity of childhood, he possessed the pensiveness, gravity, and melancholy of maturer life. He was frequently so lost in contemplation, that for many days together he would say but very little, and that apparently by constraint. His intimates in the school were few, and those of the most serious cast." Of Burns, his schoolmaster, Mr. Murdoch, says—"Robert's countenance was generally grave, and expressive of a serious, contemplative, and thoughtful mind:"—Ed.]
It is remarkable that this love of repose and musing is retained throughout life. A man of fine genius is rarely enamoured of common amusements or of robust exercises; and he is usually unadroit where dexterity of hand or eye, or trivial elegances, are required. This characteristic of genius was discovered by HORACE in that Ode which schoolboys often versify. BEATTIE has expressly told us of his Minstrel,
The exploit of strength, dexterity or speed
To him nor vanity nor joy could bring.
ALFIERI said he could never be taught by a French dancing-master, whose art made him at once shudder and laugh. HORACE, by his own confession, was a very awkward rider, and the poet could not always secure a seat on his mule: METASTASIO humorously complains of his gun; the poetical sportsman could only frighten the hares and partridges; the, truth was, as an elder poet sings,
Instead of hounds that make the wooded hills
Talk in a hundred voices to the rills,
I, like the pleasing cadence of a line,
Struck by the concert of the sacred Nine.
And we discover the true "humour" of the indolent contemplative race in their great representatives VIRGIL and HORACE. When they accompanied Mecænas into the country, while the minister amused himself at tennis, the two bards reposed on a vernal bank amidst the freshness of the shade. The younger Pliny, who was so perfect a literary character, was charmed by the Roman mode of hunting, or rather fowling by nets, which admitted him to sit a whole day with his tablets and stylus; so, says he, "should I return with empty nets, my tablets may at least be full." THOMSON was the hero of his own "Castle of Indolence;" and the elegant WALLER infuses into his luxurious verses the true feeling:
Oh, low I long my careless limbs to lay
Under the plantane shade, and all the day
Invoke the Muses and improve my vein.
The youth of genius, whom Beattie has drawn after himself, and I after observation, a poet of great genius, as I understand, has declared to be "too effeminate and timid, and too much troubled with delicate nerves. The greatest poets of all countries," he continues, "have been men eminently endowed with bodily powers, and rejoiced and excelled in all manly exercises." May not our critic of northern habits have often mistaken the art of the great poets in describing such "manly exercises or bodily powers," for the proof of their "rejoicing and excelling in them?" Poets and artists, from their habits, are not usually muscular and robust.[A] Continuity of thought, absorbing reverie, and sedentary habits, will not combine with corporeal skill and activity. There is also a constitutional delicacy which is too often the accompaniment of a fine intellect. The inconveniences attached to the inferior sedentary labourers are participated in by men of genius; the analogy is obvious, and their fate is common. Literary men may be included in Ramazzini's "Treatise on the Diseases of Artizans." ROSSEAU has described the labours of the closet as enervating men, and weakening the constitution, while study wears the whole machinery of man, exhausts the spirits, destroys his strength, and renders him pusillanimous.[B] But there is a higher principle which guides us to declare, that men of genius should not excel in "all manly exercises." SENECA, whose habits were completely literary, admonishes the man of letters that "Whatever amusement he chooses, he should not slowly return from those of the body to the mind, while he should be exercising the latter night and day." Seneca was aware that "to rejoice and excel in all manly exercises," would in some cases intrude into the habits of a literary man, and sometimes be even ridiculous. MORTIMER, once a celebrated artist, was tempted by his athletic frame to indulge in frequent violent exercises; and it is not without reason suspected, that habits so unfavourable to thought and study precluded that promising genius from attaining to the maturity of his talents, however he might have succeeded in invigorating his physical powers.
[Footnote A: Dr. Currie, in his "Life of Burns," has a passage which may be quoted here: "Though by nature of an athletic form, Burns had in his constitution the peculiarities and the delicacies that belong to the temperament of genius. He was liable, from a very early period of life, to that interruption in the process of digestion which arises from deep and anxious thought, and which is sometimes the effect, and sometimes the cause, of depression of spirits."—ED.]
[Footnote B: In the Preface to the "Narcisse."]
But to our solitude. So true is it that this love of loneliness is an early passion, that two men of genius of very opposite characters, the one a French wit and the other a French philosopher, have acknowledged that they have felt its influence, and even imagined that they had discovered its cause. The Abbé DE ST. PIERRE, in his political annals, tells us, "I remember to have heard old SEGRAIS remark, that most young people of both sexes had at one time of their lives, generally about seventeen or eighteen years of age, an inclination to retire from the world. He maintained this to be a species of melancholy, and humorously called it the small-pox of the mind, because scarce one in a thousand escaped the attack. I myself have had this distemper, but am not much marked with it."
But if the youth of genius be apt to retire from the ordinary sports of his mates, he will often substitute for them others, which are the reflections of those favourite studies which are haunting his young imagination, as men in their dreams repeat the conceptions which have habitually interested them. The amusements of such an idler have often been analogous to his later pursuits. ARIOSTO, while yet a schoolboy, seems to have been very susceptible of poetry, for he composed a sort of tragedy from the story of Pyramus and Thisbe, to be represented by his brothers and sisters, and at this time also delighted himself in translating the old French and Spanish romances. Sir WILLIAM JONES, at Harrow, divided the fields according to a map of Greece, and to each schoolfellow portioned out a dominion; and when wanting a copy of the Tempest to act from, he supplied it from his memory; we must confess that the boy Jones was reflecting in his amusements the cast of mind he displayed in his after-life, and evincing that felicity of memory and taste so prevalent in his literary character. FLORIAN'S earliest years were passed in shooting birds all day, and reading every evening an old translation of the Iliad: whenever he got a bird remarkable for its size or its plumage, he personified it by one of the names of his heroes, and raising a funeral pyre, consumed the body: collecting the ashes in an urn, he presented them to his grandfather, with a narrative of his Patroclus or Sarpedon. We seem here to detect, reflected in his boyish sports, the pleasing genius of the author of Numa Pompilius, Gonsalvo of Cordova, and William Tell. BACON, when a child, was so remarkable for thoughtful observation, that Queen Elizabeth used to call him "the young lord-keeper." The boy made a remarkable reply, when her Majesty, inquiring of him his age, he said, that "He was two years younger than her Majesty's happy reign." The boy may have been tutored; but this mixture of gravity, and ingenuity, and political courtiership, undoubtedly caught from his father's habits, afterwards characterised Lord Bacon's manhood. I once read the letter of a contemporary of HOBBES, where I found that this great philosopher, when a lad, used to ride on packs of skins to market, to sell them for his father, who was a fellmonger; and that in the market-place he thus early began to vent his private opinions, which long afterwards so fully appeared in his writings.
For a youth to be distinguished by his equals is perhaps a criterion of talent. At that moment of life, with no flattery on the one side, and no artifice on the other, all emotion and no reflection, the boy who has obtained a predominance has acquired this merely by native powers. The boyhood of NELSON was characterised by events congenial with those of his after-days; and his father understood
